"The universal notion of being photographed": Memory and Medium in Harold Frederic's Civil War Novella Marsena.Published in:Nineteenth Century Studies, 2022, v. 34, p. 61, doi. 10.5325/ninecentstud.34.0061By:Schulman, Vanessa MeiklePublication type:Article
ILLUMINATION: HAROLD FREDERIC'S AMERICAN CLERICAL NOVEL.Published in:Religion & Literature, 2018, v. 50, n. 3, p. 1, doi. 10.1353/rel.2018.0028By:Hochwender, Kristina L.Publication type:Article
Degeneration and the Failure of Recognition in Harold Frederic's The Damnation of Theron Ware.Published in:2019By:Rizza, Michael JamesPublication type:Book Review
Relative Truths: The Damnation of Theron Ware, Father Forbes, and the "Church of America".Published in:2012By:Donna M. CampbellPublication type:Literary Criticism
The Demands of Time in Harold Frederic's The Market-Place.Published in:Arizona Quarterly, 2010, v. 66, n. 4, p. 53, doi. 10.1353/arq.2010.a406965By:RIZZA, MICHAEL JAMESPublication type:Article
“That Doctor and His Heartless, Bloodless Science!”: Disembodied Rational Masculinity in Victorian American Culture.Published in:Nineteenth-Century Contexts, 2014, v. 36, n. 4, p. 347, doi. 10.1080/08905495.2014.954425By:Richards, Shaun F.Publication type:Article
Beauty and the Priest: The Use and Misuse of Aesthetics in "The Damnation of Theron Ware."Published in:2008By:Perrin, TomPublication type:Essay
Frederic's THE DAMNATION OF THERON WARE.Published in:1989By:Jolliff, WilliamPublication type:Literary Criticism