The Monster and the Mob: A Critical Analysis of Fritz Lang's Fury (1936) and James Whale's Frankenstein (1931).Published in:Film Matters, 2021, v. 12, n. 2, p. 36, doi. 10.1386/fm_00153_7By:Cieslik, EmmaPublication type:Article
"Frankenbitch[es]": Adapting Frankenstein's Female Monster in Literature and Film.Published in:2022By:Bain, GraciePublication type:Literary Criticism
What's in a Frame?: The Authorizing Presence in James Whale's Bride of Frankenstein.Published in:Journal of Popular Culture (Wiley-Blackwell), 2009, v. 42, n. 3, p. 403, doi. 10.1111/j.1540-5931.2009.00687.xBy:ADAMS, ANN MARIEPublication type:Article
Edward Schizohands: The Postmodern Gothic Body.Published in:Postmodern Culture, 1992, v. 2, n. 3, p. 1, doi. 10.1353/pmc.1992.0026By:Potter, Russell A.Publication type:Article
How Frankenstein's Monster Became a Music Lover.Published in:2013By:Wierzbicki, JamesPublication type:Film/TV Criticism and Review
Readings of Homosexuality in Mary Shelley's Frankenstein and Four Film Adaptations.Published in:2005By:Eberle-Sinatra, MichaelPublication type:Arts/Entertainment Review