Women scientists in Frankenstein films, 1945-2015.
- Published in:
- Science Fiction Film & Television, 2018, v. 11, n. 2, p. 303, doi. 10.3828/sfftv.2018.20
- By:
- Publication type:
- Article
Works matching Frankenstein films
Results: 75
1
2
Frankenstein as a figure of globalization in Canada's postcolonial popular culture.
- Published in:
- 2011
- By:
- Publication type:
- Essay
3
Readings of Homosexuality in Mary Shelley's Frankenstein and Four Film Adaptations.
- Published in:
- 2005
- By:
- Publication type:
- Arts/Entertainment Review
4
What's in a Frame?: The Authorizing Presence in James Whale's Bride of Frankenstein.
- Published in:
- Journal of Popular Culture (Wiley-Blackwell), 2009, v. 42, n. 3, p. 403, doi. 10.1111/j.1540-5931.2009.00687.x
- By:
- Publication type:
- Article
5
Mary Shelley's 'Hideous Progeny:' Readaptation and (Textual) Deformity in Two Recent Frankenstein Films.
- Published in:
- Journal of Language, Literature & Culture, 2022, v. 69, n. 2/3, p. 49, doi. 10.1080/20512856.2022.2157646
- By:
- Publication type:
- Article
6
Reflecting on the Bicentennial of Mary Shelley's Frankenstein: From Novel to Film and the 2 Brains.
- Published in:
- JAMA Neurology, 2018, v. 75, n. 2, p. 149, doi. 10.1001/jamaneurol.2017.4000
- By:
- Publication type:
- Article
7
"Frankenbitch[es]": Adapting Frankenstein's Female Monster in Literature and Film.
- Published in:
- 2022
- By:
- Publication type:
- Literary Criticism
8
Victoria in Two Twenty-First-Century Film Re-visions of Frankenstein.
- Published in:
- Adaptation, 2022, v. 15, n. 2, p. 228, doi. 10.1093/adaptation/apab012
- By:
- Publication type:
- Article
9
Film Technology's Latest Frankenstein.
- Published in:
- Society, 1987, v. 24, n. 4, p. 12, doi. 10.1007/BF02695784
- By:
- Publication type:
- Article
10
The Laughing Dead: The Horror-Comedy Film from Bride of Frankenstein to Zombieland.
- Published in:
- 2017
- By:
- Publication type:
- Book Review
11
The Laughing Dead: The Horror-Comedy Film from Bride of Frankenstein to Zombieland.
- Published in:
- 2017
- By:
- Publication type:
- Book Review
12
Subversive Horror Cinema: Countercultural Messages of Films from Frankenstein to the Present.
- Published in:
- 2015
- By:
- Publication type:
- Book Review
13
Motion pictures and the skin.
- Published in:
- Journal of the European Academy of Dermatology & Venereology, 2018, v. 32, n. 3, p. 338, doi. 10.1111/jdv.14884
- By:
- Publication type:
- Article
14
The Politics of Transnational Film Remakes: A Turkish Young Frankenstein Betwixt Coup d'etats.
- Published in:
- Literature Film Quarterly, 2022, v. 50, n. 2, p. 5
- By:
- Publication type:
- Article
15
Contrapuntal Aurality: Exceptional Sound in Hollywood Monster Horror Films during the Early Sound Era.
- Published in:
- Journal of Popular Film & Television, 2019, v. 47, n. 4, p. 215, doi. 10.1080/01956051.2019.1566201
- By:
- Publication type:
- Article
16
Arresting Monstrosity: Polio, Frankenstein, and the Horror Film.
- Published in:
- PMLA: Publications of the Modern Language Association of America, 2014, v. 129, n. 2, p. 171, doi. 10.1632/pmla.2014.129.2.171
- By:
- Publication type:
- Article
17
Subversive Horror Cinema: Countercultural Messages of Films from FRANKENSTEIN to the Present.
- Published in:
- Zeitschrift für Fantastikforschung, 2015, p. 142
- By:
- Publication type:
- Article
18
The Monster and the Mob: A Critical Analysis of Fritz Lang's Fury (1936) and James Whale's Frankenstein (1931).
- Published in:
- Film Matters, 2021, v. 12, n. 2, p. 36, doi. 10.1386/fm_00153_7
- By:
- Publication type:
- Article
19
Book Reviews.
- Published in:
- 2005
- By:
- Publication type:
- Book Review
20
Here comes the bride: Wedding gender and race in bride of Frankenstein.
- Published in:
- Feminist Studies, 1991, v. 17, n. 3, p. 403, doi. 10.2307/3178280
- By:
- Publication type:
- Article
21
Phantasmagoria: Ken Russell’s Gothic (1986) as Neo-Victorian Meta-Heritage Film.
- Published in:
- Neo-Victorian Studies, 2019, v. 12, n. 1, p. 135, doi. 10.5281/zenodo.3471308
- By:
- Publication type:
- Article
22
Frankenstein as Founding Myth in Gary Larson's `The Far Side'.
- Published in:
- Journal of Popular Culture (Wiley-Blackwell), 1994, v. 28, n. 1, p. 49, doi. 10.1111/j.0022-3840.1994.2801_49.x
- By:
- Publication type:
- Article
23
Apocalyptic Reconstruction of A-bomb Literature, Frankenstein, The Phantom of the Opera: Onibaba.
- Published in:
- Humanitas: International Journal of Social Sciences / Uluslararasi Sosyal Bilimler Dergisi, 2022, v. 10, n. 19, p. 131, doi. 10.20304/humanitas.1033306
- By:
- Publication type:
- Article
24
Scientific Prometheanism and the Boundaries of Knowledge: Whither Goes AI?
- Published in:
- European Review, 2018, v. 26, n. 2, p. 330, doi. 10.1017/S1062798717000710
- By:
- Publication type:
- Article
25
Gender Transgression Viewed Through the Lens of Monstrosity and Resurrection.
- Published in:
- 2004
- By:
- Publication type:
- Book Review
26
Visioning Frankenstein: rebirth and reanimation.
- Published in:
- 2003
- By:
- Publication type:
- Book Review
27
NARRATIVES ON EXTENDING AND TRANSCENDING MORTALITY: AN ESSAY ON IMPLICATIONS FOR THE FUTURE.
- Published in:
- 2015
- By:
- Publication type:
- Essay
28
Modern Gothic narratives: A revolution of romantic proportions.
- Published in:
- English Teaching: Practice & Critique (University of Waikato), 2003, v. 2, n. 2, p. 103
- By:
- Publication type:
- Article
29
Fears of Finitude and Eternity: Attitudes about Immortality and the Afterlife in Selected Movies.
- Published in:
- Studies in Popular Culture, 2014, v. 36, n. 2, p. 67
- By:
- Publication type:
- Article
30
LAS PRIMERAS HORROR MOVIES DE UNIVERSAL PICTURES Y EL NUEVO CANON DE «ESCENOGRAFÍA GÓTICA».
- Published in:
- Tropelías: Revista de Teoría de la Literatura y Literatura Comparada, 2020, n. 34, p. 182, doi. 10.26754/ojs_tropelias/tropelias.2020344361
- By:
- Publication type:
- Article
31
Monsters on MTV: Adaptation and the Gothic Music Video.
- Published in:
- Humanities (2076-0787), 2023, v. 12, n. 4, p. 71, doi. 10.3390/h12040071
- By:
- Publication type:
- Article
32
How Frankenstein's Monster Became a Music Lover.
- Published in:
- 2013
- By:
- Publication type:
- Film/TV Criticism and Review
33
Creation Myth: The Imagining of the Gothic Imagination in the Diodati Triptych: Gothic (1986), Haunted Summer (1988), and Remando al viento (1988).
- Published in:
- Gothic Studies, 2022, v. 24, n. 2, p. 118, doi. 10.3366/gothic.2022.0129
- By:
- Publication type:
- Article
34
MARY SHELLEY'S CINEMATIC PROGENY: THE FIDELITY OF YOUNG FRANKENSTEIN.
- Published in:
- 2015
- By:
- Publication type:
- Essay
35
THE CONCEPTS OF ISOLATION, LONELINESS, AND OTHERNESS IN SELECTED ADAPTATIONS OF FRANKENSTEIN.
- Published in:
- Turkish Online Journal of Design, Art & Communication, 2018, v. 8, p. 142, doi. 10.7456/1080mse/018
- By:
- Publication type:
- Article
36
Dr. Frankenstein, I Presume? Revising the Popular Image of Frankenstein.
- Published in:
- Literature & Medicine, 2018, v. 36, n. 2, p. 287, doi. 10.1353/lm.2018.0015
- By:
- Publication type:
- Article
37
Horror films and psychiatry.
- Published in:
- Australasian Psychiatry, 2014, v. 22, n. 5, p. 447, doi. 10.1177/1039856214543087
- By:
- Publication type:
- Article
38
book review.
- Published in:
- Visual Anthropology Review, 2011, v. 27, n. 2, p. 178, doi. 10.1111/j.1548-7458.2011.01101.x
- By:
- Publication type:
- Article
39
La retórica del miedo: La fruición del monstruo de Frankenstein en El espíritu de la colmena.
- Published in:
- 2018
- By:
- Publication type:
- Film/TV Criticism and Review
40
Artificial women and male subjectivity in 42nd Street and Bride of Frankenstein.
- Published in:
- Screen, 2000, v. 41, n. 2, p. 161, doi. 10.1093/screen/41.2.161
- By:
- Publication type:
- Article
41
The Bride and Her Afterlife: female Frankenstein Monsters on Page and Screen.
- Published in:
- Literature Film Quarterly, 2015, v. 43, n. 3, p. 218
- By:
- Publication type:
- Article
42
Coveting the feminine: Victor Frankenstein, Norman Bates, and Buffalo Bill.
- Published in:
- Literature Film Quarterly, 1996, v. 24, n. 2, p. 193
- By:
- Publication type:
- Article
43
Frankenstein reborn!
- Published in:
- 1995
- By:
- Publication type:
- Book Review
44
Revisiting Bernard Rose's Frankenstein: Ugliness and Exclusion.
- Published in:
- Journal of Comparative Literature & Aesthetics, 2021, v. 44, n. 1, p. 95
- By:
- Publication type:
- Article
45
POSTHUMANI PROMETEJ: FRANKENŠTAJN MERI ŠELI I BLEJD RANER RIDLIJA SKOTA.
- Published in:
- Journal for Languages & Literatures of the Faculty of Philosophy in Novi Sad / Zbornik za Jezike i Knjizevnosti Filozofskog Fakulteta u Novom Sadu, 2022, v. 12, p. 255, doi. 10.19090/zjik.2022.255-266
- By:
- Publication type:
- Article
46
Frankenstein, Dracula, and the Workings of Genre.
- Published in:
- Projections: The Journal for Movies & Mind, 2008, v. 2, n. 2, p. 43, doi. 10.3167/proj.2008.020204
- By:
- Publication type:
- Article
47
Hideous progeny and reproductive futurity.
- Published in:
- Science Fiction Film & Television, 2018, v. 11, n. 2, p. 166
- By:
- Publication type:
- Article
48
On cruelty: women and Frankenstein on screen.
- Published in:
- Science Fiction Film & Television, 2018, v. 11, n. 2, p. 158
- By:
- Publication type:
- Article
49
Frankenstein's offspring: practicing science and parenthood in Natali's Splice.
- Published in:
- 2015
- By:
- Publication type:
- Film/TV Criticism and Review
50
BEHIND THE Battle Scars.
- Published in:
- 2014
- By:
- Publication type:
- Interview