SOĞUK SAVAŞ YILLARINDA TÜRK SİNEMASI'NDA SOL DÜŞÜNCE: GENÇ SİNEMACILAR TOPLULUĞU VE DEVRİMCİ SİNEMA TARTIŞMALARI (1968-1971).
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- History Studies (13094688), 2022, v. 14, n. 3, p. 711
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- Article
Works matching Filmmakers
Results: 5000
1
2
Filmmaker–subject relationship in documentary filmmaking.
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- Catalan Journal of Communication & Cultural Studies, 2022, v. 14, n. 1, p. 23, doi. 10.1386/cjcs_00058_1
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- Article
3
TRADUCCIÓN: Seeing sounds or hearing images: Mary Ellen Bute from Filmmakers’ Theory.
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- Aura. Revista de Historia y Teoría del Arte, 2023, n. 18, p. 135
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- Article
4
Documentary Filmmakers as Characters: Corporeal Presence, Performance and Seriality.
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- Projections: The Journal for Movies & Mind, 2023, v. 17, n. 3, p. 64, doi. 10.3167/proj.2023.170304
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- Article
5
Marcel Pagnol, Filmmaker: The Price of Independence (1930–1942).
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- Contemporary French & Francophone Studies, 2025, v. 29, n. 3, p. 389, doi. 10.1080/17409292.2025.2505323
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- Article
6
The filmmaker-narrator as a reflection of/on postcolonial African cinema: Henri Lopes's Le lys et le flamboyant (1997) and Assia Djebar's La femme sans sépulture (2002).
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- International Journal of Francophone Studies, 2011, v. 14, n. 3, p. 381, doi. 10.1386/ijfs.14.3.381_1
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- Article
7
The Storytellers: In-depth Interviews with Malaysian Documentary Filmmakers.
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- Pertanika Journal of Social Sciences & Humanities, 2024, v. 32, n. 4, p. 1391, doi. 10.47836/pjssh.32.4.08
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- Article
8
The flexibility and adaptation strategy of local filmmakers amid the pandemic: Opportunity and threat.
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- Empedocles: European Journal for the Philosophy of Communication, 2022, v. 13, n. 1, p. 41, doi. 10.1386/ejpc_00040_1
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- Article
9
Aldo Vergano, Umberto Barbaro and Devil's Ravine : Italian filmmakers in early People's Poland: 1948–56.
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- Journal of Italian Cinema & Media Studies, 2023, v. 11, n. 3/4, p. 561, doi. 10.1386/jicms_00198_1
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- Article
10
Self-categorization, intersectionality and creative freedom in the cultural industries: Palestinian women filmmakers in Israel.
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- Ethnic & Racial Studies, 2021, v. 44, n. 6, p. 1030, doi. 10.1080/01419870.2020.1865555
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- Article
11
Staying and Critiquing: Israeli Orthodox Women Filmmakers.
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- Israel Studies Review, 2019, v. 34, n. 1, p. 110, doi. 10.3167/isr.2019.340107
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- Article
12
Female Filmmakers as Mobile Frontiers and How They Portray Women on the Screen.
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- Galicia 21: Journal of Contemporary Galician Studies, 2021, p. 86
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- Article
13
Behind the Scenes: The Women Filmmakers of New Pakistani Cinema.
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- Bioscope: South Asian Screen Studies, 2020, v. 11, n. 1, p. 15, doi. 10.1177/0974927620942316
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- Article
14
The Emergence of Israeli Orthodox Women Filmmakers.
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- Shofar: An Interdisciplinary Journal of Jewish Studies, 2020, v. 38, n. 2, p. 125, doi. 10.1353/sho.2020.0025
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- Article
15
INDONESIAN WOMEN FILMMAKERS.
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- Indonesia & the Malay World, 2015, v. 43, n. 127, p. 378, doi. 10.1080/13639811.2015.1054139
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- Article
16
From Reel to Real - an epilogue: Feminist politics and materiality at the London Filmmakers' Co-operative.
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- Moving Image Review & Art Journal, 2017, v. 6, n. 1/2, p. 80, doi. 10.1386/miraj.6.1-2.80_1
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- Article
17
Vulnerable exposures: A conversation with Norwegian filmmaker Anne Haugsgjerd.
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- Journal of Scandinavian Cinema, 2020, v. 10, n. 3, p. 273, doi. 10.1386/jsca_00030_7
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- Article
18
From Cinéfondation's Résidence to film production: The experience of Brazilian filmmakers in an international labour market.
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- European Journal of Cultural Studies, 2022, v. 25, n. 5, p. 1361, doi. 10.1177/13675494221078875
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- Article
19
CULTURAL IDENTITY OF EMERGING FILMMAKERS: THE EXPERIENCE OF CENTRAL ASIAN STUDENT FILMS.
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- Central Asian Journal of Art Studies, 2023, v. 8, n. 4, p. 43, doi. 10.47940/cajas.v8i4.700
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- Article
20
REPRESENTING HISTORY AND THE FILMMAKER IN THE FRAME.
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- Doc On-Line: Revista Digital de Cinema Documentário, 2013, n. 15, p. 39
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- Article
21
Making memories: Filmmakers, agency and identity in the production of funerary films in the Netherlands.
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- Mortality, 2009, v. 14, n. 2, p. 159, doi. 10.1080/13576270902807995
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- Article
22
Subverting technologies of gender in male-dominated gender regimes: (self) representations of Spanish and Swedish women filmmakers.
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- Feminist Media Studies, 2023, v. 23, n. 7, p. 3599, doi. 10.1080/14680777.2022.2129413
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- Article
23
Collaborating with Japanese in Making Entertainment Movies for Chinese Viewers: Chinese Filmmakers at Manchurian Film Association.
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- Chinese Historical Review, 2020, v. 27, n. 2, p. 119, doi. 10.1080/1547402X.2020.1831175
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- Article
24
Witnessing sexual harassment in Microbus : A conversation with filmmaker Maggie Kamal.
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- Short Film Studies, 2023, v. 13, n. 2, p. 101, doi. 10.1386/sfs_00096_7
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- Article
25
Anatole Litvak: a unique figure among émigré filmmakers in 1930s French cinema.
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- French Screen Studies, 2024, v. 24, n. 4, p. 335, doi. 10.1080/26438941.2024.2325861
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- Article
26
Operaprimistas y transición cinematográfica (1984–1994).
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- Question (1669-6581), 2020, v. 2, n. 66, p. 1, doi. 10.24215/16696581e473
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- Article
27
A Biblical Poetics for Filmmakers.
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- Religions, 2014, v. 5, n. 2, p. 502, doi. 10.3390/rel5020502
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- Article
28
MUJERES QUE (SE) ANIMAN EN ESPAÑA: LA OBRA DE LAS DIRECTORAS DE LARGOMETRAJE DE ANIMACIÓN.
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- Con A de Animación, 2020, n. 11, p. 42, doi. 10.4995/caa.2020.13979
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- Article
29
CREAŢIA DE TELEVIZIUNE A CINEASTULUI EMIL LOTEANU.
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- Intertext, 2019, n. 1/2, p. 323
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30
Woman's Cinema on the Sri Lankan Silver Screen and the "Other" Female Filmmakers.
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- CINEJ Cinema Journal, 2024, v. 12, n. 1, p. 241, doi. 10.5195/cinej.2024.600
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31
Joseph Gaï Ramaka: "I am not a filmmaker engagé. I am an ordinary citizen engagé.
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- 2009
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- Publication type:
- Interview
32
Five Tips from Filmmakers: An Online Instructional Module for Documentary Film Research.
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- IAFOR Journal of Education, 2021, v. 9, n. 4, p. 63
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- Article
33
Social Media and Documentary Cinema: the Arab Spring, the Wall Street Movement, Challenges and Implications for Documentary Filmmakers.
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- Media Watch, 2014, v. 5, n. 2, p. 173
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34
FILMMAKERS AS ONSCREEN CHARACTERS IN RECENT LATVIAN DOCUMENTARY CINEMA.
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- Culture Crossroads, 2021, n. 18, p. 55
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- Article
35
The Documentary Filmmaker's Intuition: Creating Ethical and Impactful Non-Fiction Films.
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- 2025
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- Book Review
36
An Encomium to Richard Raack, Historian-Filmmaker.
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- Film & History (03603695), 1998, v. 28, n. 3/4, p. 57, doi. 10.1353/flm.1998.a395869
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- Article
37
Teaching International Politics: What the Historian-Filmmaker Has to Offer.
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- Film & History (03603695), 1989, v. 19, n. 1, p. 2, doi. 10.1353/flm.1989.a400408
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- Article
38
Reconfiguring Senegalese filmmakers as Griots : Identity, migration and authorship practice.
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- International Journal of Francophone Studies, 2022, v. 25, n. 1/2, p. 119, doi. 10.1386/ijfs_00047_1
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- Article
39
Visualizing a 'missing people' in Sousa Dias' Still Life : The filmmaker as metallurgist.
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- International Journal of Iberian Studies, 2024, v. 37, n. 1, p. 27, doi. 10.1386/ijis_00120_1
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- Article
40
"The Ambitions of Most Independent Filmmakers": Indie Production, the Majors, and Friday the 13th (1980).
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- Journal of Film & Video, 2011, v. 63, n. 2, p. 28, doi. 10.5406/jfilmvideo.63.2.0028
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- Article
41
Interview with Daniel Scarpati, Filmmaker and Author of Gofers.
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- 2022
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- Publication type:
- Interview
42
Raise Ravens and They'll Peck Out Tour Eyes: How Spanish Filmmakers Bypassed Film Censorship During the Franco Dictatorship.
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- Film Matters, 2015, v. 6, n. 3, p. 68, doi. 10.1386/fm.6.3.68_1
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- Publication type:
- Article
43
Creating Art Not War in a World Where Art Is War: An Iranian Filmmaker's Strive for Justice.
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- Film Matters, 2015, v. 6, n. 3, p. 64, doi. 10.1386/fm.6.3.64_1
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- Publication type:
- Article
44
Defining Warhol: An Interview with J. J. Murphy, Avant-Garde Filmmaker and Author.
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- Film Matters, 2013, v. 4, n. 4, p. 33, doi. 10.1386/fm.4.4.33_1
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- Article
45
Mulheres cineastas durante o governo da Unidade Popular (Chile, 1970-1973): reflexões sobre o extra e o intra fílmico.
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- Antíteses, 2023, v. 16, n. 32, p. 89, doi. 10.5433/1984-3356.2023v16n32p089-126
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- Publication type:
- Article
46
Working the System: Motion Picture, Filmmakers, and Subjectivities in Mao-Era China, 1949-1966.
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- American Journal of Chinese Studies, 2023, v. 30, n. 2, p. 197
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- Article
47
A Monarch for the Millions: Jewish Filmmakers, Social Commentary and the Postwar Cycle of Boxing Films.
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- Film Studies, 2005, v. 7, n. 0, p. 66, doi. 10.7227/FS.7.8
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- Publication type:
- Article
48
THE ARTIST AND FILMMAKER AS ACTIVISTS, ARCHIVISTS AND THE WORK OF MEMORY: A Case of the Zimbabwean Genocide.
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- African Journal of Rhetoric, 2021, v. 13, n. 1, p. 46
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- Article
49
Professional and personal strategies of documentary filmmakers in Brazil: the case of the State of Rio de Janeiro and Minas Gerais.
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- Culture & Local Governance / Culture et Gouvernance Locale, 2020, v. 7, n. 1/2, p. 55
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50
The ‘diaspora advantage’ of Pauline Chan (1956-): from multicultural filmmaker to cultural broker.
- Published in:
- Culture, Theory & Critique, 2018, v. 59, n. 2, p. 158, doi. 10.1080/14735784.2018.1429940
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- Article