Works matching Ferruccio Busoni
2
- Journal of Musicological Research, 2016, v. 35, n. 3, p. 176, doi. 10.1080/01411896.2016.1190255
- Article
3
- Music & Letters, 2018, v. 99, n. 4, p. 604, doi. 10.1093/ml/gcy092
- Article
6
- ARSC Journal, 2008, v. 39, n. 2, p. 275
- Article
7
- Musical Quarterly, 1996, v. 80, n. 2, p. 302, doi. 10.1093/mq/80.2.302
- Article
8
- Notes, 2022, v. 78, n. 4, p. 1, doi. 10.1353/not.2022.0053
- Article
10
- Musica / Realtà, 2010, v. 92, n. 2, p. 21
- Article
12
- Musica / Realtà, 2017, v. 113, n. 2, p. 81
- Article
13
- Gli Spazi della Musica, 2017, v. 6, n. 1, p. 22
- Article
14
- Gli Spazi della Musica, 2016, v. 5, n. 1, p. 1
- Article
15
- Il Saggiatore Musicale, 2018, v. 25, n. 1, p. 162
- Article
16
- German Life & Letters, 1957, v. 10, n. 4, p. 263, doi. 10.1111/j.1468-0483.1957.tb01169.x
- Article
18
- Contemporary Music Review, 2008, v. 27, n. 2/3, p. 251, doi. 10.1080/07494460801951355
- Clarkson, Austin;
- Shin, Hyesu
- Article
19
- Contemporary Music Review, 2008, v. 27, n. 2/3, p. 361, doi. 10.1080/07494460801951538
- Article
20
- New Sound: International Magazine for Music, 2009, n. 34, p. 50
- Stojanović-Novičić, Dragana
- Article
21
- Music Theory Online, 2020, v. 26, n. 4, p. 120, doi. 10.30535/mto.26.4.6
- Article
22
- Musicology of Lithuania / Lietuvos muzikologija, 2009, n. 10, p. 8
- Article
23
- Music in Art: International Journal for Music Iconography, 2022, v. 47, n. 1/2, p. 213
- Article
24
- Muzikologija, 2021, n. 31, p. 213, doi. 10.2298/MUZ2131213T
- Article
25
- International Review of the Aesthetics & Sociology of Music, 2015, v. 46, n. 2, p. 355
- Article
26
- Notes, 2017, v. 73, n. 4, p. 698, doi. 10.1353/not.2017.0038
- BEEKS, GRAYDON;
- MARSH, CARRIE
- Article
27
- German International Journal of Modern Science / Deutsche Internationale Zeitschrift für Zeitgenössische Wissenschaft, 2024, n. 79, p. 4, doi. 10.5281/zenodo.11127206
- Eka, Chabashvili;
- Joni, Asitashvili
- Article
28
- Journal of Musicological Research, 2022, v. 41, n. 2, p. 105, doi. 10.1080/01411896.2022.2039557
- Article
29
- Musical Quarterly, 2016, v. 99, n. 2, p. 201, doi. 10.1093/musqtl/gdx005
- Article
30
- Musical Quarterly, 2013, v. 96, n. 3/4, p. 459, doi. 10.1093/musqtl/gdt011
- Article
31
- Cambridge Opera Journal, 2022, v. 34, n. 3, p. 309, doi. 10.1017/S095458672200026X
- Article
32
- Contemporary Music Review, 2005, v. 24, n. 1, p. 53, doi. 10.1080/0749446042000293600
- Article
33
- Journal of Aesthetics & Art Criticism, 2010, v. 68, n. 2, p. 105, doi. 10.1111/j.1540-6245.2010.01396.x
- BEAUDOIN, RICHARD;
- MOORE, JOSEPH
- Article
34
- Opera Quarterly, 2015, v. 31, n. 1/2, p. 134, doi. 10.1093/oq/kbv004
- Article
35
- Bach: Journal of the Riemenschneider Bach Institute, 2023, v. 54, n. 2, p. 237, doi. 10.1353/bach.2023.a907242
- Article
36
- Rivista Italiana di Musicologia, 2014, v. 49, p. 85
- Article
37
- Notes, 2017, v. 73, n. 4, p. 698, doi. 10.1353/not.2017.0038
- Article
38
- REVART: Specialized Review of Theory & Critique of Arts, 2012, n. 2, p. 13
- Article