Works matching Exploitation films
1
- Journal of Popular Film & Television, 2016, v. 44, n. 2, p. 109, doi. 10.1080/01956051.2015.1089831
- Article
2
- Film Matters, 2015, v. 6, n. 3, p. 83, doi. 10.1386/fm.6.3.83_1
- Article
3
- Film History, 1994, v. 6, n. 3, p. 293
- Article
5
- Film History, 1994, v. 6, n. 3, p. 147
- Article
9
- Colloquy: Text Theory Critique, 2009, n. 18, p. 143
- Article
10
- 2015
- Film/TV Criticism and Review
12
- Journal of Japanese & Korean Cinema, 2012, v. 3, n. 1, p. 37, doi. 10.1386/jjkc.3.1.37_1
- Article
13
- Feminist Media Studies, 2024, v. 24, n. 1, p. 154, doi. 10.1080/14680777.2023.2284102
- Article
14
- 2017
- Film/TV Criticism and Review
16
- Film History, 1994, v. 6, n. 3, p. 355
- Article
17
- Film History, 1994, v. 6, n. 3, p. 340
- Article
18
- Film History, 1994, v. 6, n. 3, p. 314
- Article
19
- 2015
- Film/TV Criticism and Review
20
- Film Matters, 2011, v. 2, n. 3, p. 28, doi. 10.1386/fm.2.3.28_1
- Article
21
- Velvet Light Trap: A Critical Journal of Film & Television, 2007, n. 60, p. 37, doi. 10.1353/vlt.2007.0015
- Article
22
- Continuum: Journal of Media & Cultural Studies, 2010, v. 24, n. 5, p. 791, doi. 10.1080/10304312.2010.505942
- Article
23
- Journal of Italian Cinema & Media Studies, 2017, v. 5, n. 2, p. 245, doi. 10.1386/jicms.5.2.245_1
- Article
24
- Journal of Popular Film & Television, 2010, v. 38, n. 1, p. 44, doi. 10.1080/01956050903578414
- Article
25
- Global South, 2019, v. 13, n. 2, p. 30, doi. 10.2979/globalsouth.13.2.03
- Article
26
- Nordic Journal of English Studies, 2020, v. 19, n. 5, p. 121, doi. 10.35360/njes.618
- Article
27
- 2019
- Film/TV Criticism and Review
28
- FinanzRundschau, 2022, v. 104, n. 20, p. 941, doi. 10.9785/fr-2022-1042008
- Article
29
- 2003
- Willoquet-Maricondi, Paula
- Essay
30
- Society for Commercial Archeology Journal, 2021, v. 39, n. 1, p. 6
- Article
31
- Virginia Journal of Social Policy & the Law, 2011, v. 18, n. 3, p. 469
- Article
33
- Quarterly Review of Film & Video, 2009, v. 26, n. 5, p. 393, doi. 10.1080/10509200802165275
- Article
36
- Continuum: Journal of Media & Cultural Studies, 1992, v. 5, n. 2, p. 366, doi. 10.1080/10304319209388242
- Article
38
- Studies in Spanish & Latin American Cinemas, 2021, v. 18, n. 2, p. 139, doi. 10.1386/slac_00043_1
- Article
39
- Feminist Media Studies, 2017, v. 17, n. 6, p. 988, doi. 10.1080/14680777.2017.1313290
- Article
40
- GRUR International: Journal of European & International IP Law, 2022, v. 71, n. 6, p. 574, doi. 10.1093/grurint/ikac019
- Article
41
- 1984
- Arts/Entertainment Review
42
- ETS Research Reports Series, 2017, v. 2017, n. 1, p. 1, doi. 10.1002/ets2.12149
- Suendermann‐Oeft, David;
- Ramanarayanan, Vikram;
- Yu, Zhou;
- Qian, Yao;
- Evanini, Keelan;
- Lange, Patrick;
- Wang, Xinhao;
- Zechner, Klaus
- Article
43
- 2011
- Film/TV Criticism and Review
44
- Journal of Popular Culture (Wiley-Blackwell), 2009, v. 42, n. 2, p. 257, doi. 10.1111/j.1540-5931.2009.00678.x
- MCROY, JAY;
- CRUCIANELLI, GUY
- Article
45
- International Journal of Cultural Policy, 2016, v. 22, n. 5, p. 673, doi. 10.1080/10286632.2016.1223636
- Article
46
- Computer und Recht, 2020, v. 36, n. 12, p. r140, doi. 10.9785/cr-2020-361225
- Article
47
- Journal of British Cinema & Television, 2014, v. 11, n. 2/3, p. 152, doi. 10.3366/jbctv.2014.0201
- Article
48
- Journal of British Cinema & Television, 2009, v. 6, n. 1, p. 58, doi. 10.3366/E1743452109000685
- Article
49
- CiberLetras, 2023, n. 48, p. 76
- Article
50
- Film International (16516826), 2007, v. 5, n. 5, p. 32, doi. 10.1386/fiin.5.5.32
- Article