Works matching Elfriede Jelinek
Results: 225
Dzieci umarłych Elfriede Jelinek w pułapce marketingu Poznawcze i pragmatyczne aspekty przekładu.
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- Przeklady Literatur Slowianskich, 2018, v. 9, n. 2, p. 13, doi. 10.31261/PLS.2019.09.02.02
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„Aber das gemeinsame Problem ist die Grenze“: Die Schutzbefohlenen von Elfriede Jelinek.
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- Aussiger Beiträge, 2024, v. 18, p. 193, doi. 10.21062/ab.2024.011
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CITANDO A LAS PRINCESAS DEL SIGLO XIX. DE LA REPETICIÓN A LA RESIGNIFICACIÓN EN LA MUERTE Y LA DONCELLA (I-III) DE ELFRIEDE JELINEK.
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- Lectora: Revista de Dones i Textualitat, 2017, n. 23, p. 101, doi. 10.1344/Lectora2017.23.7
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Elfriede Jelinek'in Piyanist Romanında Bedensel Tabuların İncelenmesi.
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- Journal of German Language & Literature / Istanbul Üniversitesi Alman Dili ve Edebiyai Dergisi / Studien zur Deutschen Sprache und Literatur, 2023, n. 50, p. 77, doi. 10.26650/sdsl2023-1343223
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Elfriede Jelinek'in Piyanist Romanında Bedensel Tabuların İncelenmesi.
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- Alman Dili ve Edebiyati Dergisi / Studien zur Deutschen Sprache & Literatur, 2023, n. 50, p. 77, doi. 10.26650/sdsl2023-1343223
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„MEIN BETRIEBSKAPITAL AUS WORTEN". ELFRIEDE JELINEK IM LITERARISCHEN UND POLITISCHEN FELD UM 2000.
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- Kwartalnik Neofilologiczny, 2019, v. 66, n. 1, p. 28, doi. 10.24425/kn.2019.126502
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Imaginaire érotique féminin et masculin dans le roman La Pianiste d’Elfriede Jelinek.
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- Caietele Echinox, 2022, v. 42, p. 255, doi. 10.24193/cechinox.2022.42.18
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POLARITÉ ET MÉTAMORPHOSES DANS FAUSTIN AND OUT D’ELFRIEDE JELINEK.
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- Studia Universitatis Babes-Bolyai, Dramatica, 2012, v. 57, n. 2, p. 85
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Język wydrążony, język wygrzebany. Nekrotopografie Elfriede Jelinek i Paula Celana.
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- Teksty Drugie, 2022, n. 3, p. 359, doi. 10.18318/td.2022.3.21
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Alte und neue Medialität an der Schwelle zur digitalen Wende. Das mediale Echo Thomas Bernhards und die Selbstinszenierung Elfriede Jelineks.
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- Brünner Beiträge zur Germanistik und Nordistik, 2018, v. 32, n. 2, p. 111, doi. 10.5817/BBGN2018-2-10
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Notes on memory culture and the (un)translatable, with illustrative reference to Elfriede Jelinek's Die Kinder der Toten (1995).
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- 2019
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- Literary Criticism
Musically Trained Torture: Violence and Pleasure in Elfriede Jelinek's Die Klavierspielerin.
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- 2016
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- Literary Criticism
No Light against Entropy: Elfriede Jelinek's Translation of Thomas Pynchon's Gravity's Rainbow and Its Impact on Die Kinder der Toten.
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- Seminar -- A Journal of Germanic Studies, 2021, v. 57, n. 1, p. 61, doi. 10.3138/seminar.57.1.4
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A Forcible Return to the Womb: Elfriede Jelinek's <italic>Lust</italic> (1989) and the Melodramatic Mode.
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- German Quarterly, 2018, v. 91, n. 2, p. 108, doi. 10.1111/gequ.12062
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Webs of Entanglement: Complicity and Memorialization in Elfriede Jelinek's Die Kinder der Toten.
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- Germanic Review, 2014, v. 89, n. 4, p. 399, doi. 10.1080/00168890.2014.974491
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Wilhelm Müller's Leiermann, Elfriede Jelinek's Leierfrau, and Radical Repetition.
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- Publications of the English Goethe Society, 2019, v. 88, n. 1, p. 21, doi. 10.1080/09593683.2019.1572971
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Over Her Undead Body: Revenant Suicide in Heiner Müller's Die Hamletmaschine and Elfriede Jelinek's Ulrike Maria Stuart.
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- Oxford German Studies, 2023, v. 52, n. 2, p. 210, doi. 10.1080/00787191.2023.2194177
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Eine revolutionäre Solitärin?: Frühe Grenzüberschreitungen Elfriede Jelineks im österreichischen Feld der Literatur 1966–1969.
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- Arcadia -- International Journal for Literary Studies, 2017, v. 52, n. 1, p. 141, doi. 10.1515/arcadia-2017-0008
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FAMILY DISCOURSES ON RAF TERRORISM: ELFRIEDE JELINEK'S ULRIKE MARIA STUART AND BERNHARD SCHLINK'S DAS WOCHENENDE.
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- Forum for Modern Language Studies, 2015, v. 51, n. 3, p. 335, doi. 10.1093/fmls/cqv027
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Der Bodybuilder als autoritärer Charakter. Das „neue Dreß“ des national-sozialistischen Körperkults in Elfriede Jelineks Ein Sportstück (1998).
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- Colloquia Germanica, 2017, v. 50, n. 3/4, p. 339
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Schwarm und Schwelle: Migrationsbewegungen in Elfriede Jelineks Die Schutzbefohlenen.
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- Transit, 2015, v. 10, n. 1, p. 1, doi. 10.5070/t7101029569
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Strange Contracts: Elfriede Jelinek and Michael Haneke.
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- Projections: The Journal for Movies & Mind, 2007, v. 1, n. 2, p. 57, doi. 10.3167/proj.2007.010205
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Eine revolutionäre Solitärin? Frühe Grenzüberschreitungen Elfriede Jelineks im österreichischen Feld der Literatur 1966-1969.
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- Arcadia -- International Journal for Literary Studies, 2017, v. 52, n. 1, p. 141, doi. 10.1515/arcadia-2017-0008
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„Europas Wehr?“ - Überschreitung und Dekonstruktion von Grenzen in Elfriede Jelineks Addenda-Texten zu Die Schutzbefohlenen.
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- Aussiger Beiträge, 2024, v. 18, p. 209, doi. 10.21062/ab.2024.012
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Die Ästhetik der Schoah in Elfriede Jelineks Die Kinder der Toten und Neid. Privatroman.
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- Revista de Filología Alemana, 2021, v. 29, p. 45, doi. 10.5209/rfal.78401
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EMOTIONAL AMBIVALENCE AND THE MUSICAL CANON: ELFRIEDE JELINEK'S RESTAGING OF SCHUBERT'S SONGS IN WINTERREISE (2011).
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- German Life & Letters, 2018, v. 71, n. 3, p. 331, doi. 10.1111/glal.12198
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PSICOANÁLISIS Y LITERATURA: ELFRIEDE JELINEK O LA MUJER AL MARGEN.
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- Revista de Letras, 2018, v. 58, n. 2, p. 97
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... die ehernen Blöcke männlichen Schaffens umkreisen" - Elfriede Jelinek queert Lessing und Goethe.
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- Aussiger Beiträge, 2016, n. 10, p. 81
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The Terrorist in the Theatre: Elfriede Jelinek's/Nicolas Stemann's Ulrike Maria Stuart.
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- 2011
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- Essay
ETHISCHE AMBIVALENZ BEI ELFRIEDE JELINEK.
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- Sprachkunst: Beiträge zur Literaturwissenschaft, 2016, v. 47, n. 1, p. 53
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Znaczące ciało Gerti - szkic o Pożądaniu Elfriede Jelinek.
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- 2017
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- Literary Criticism
An Introduction to the Work of Elfriede Jelinek, Nobel Laureate in Literature 2004.
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- 2005
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- Literary Criticism
»DIE WELT GLAUBT NICHT AN DIE GERECHTIGKEIT DES WEIBES, SOBALD EIN WEIB DAS OPFER WIRD« GESCHICHTSTHEATER ALS LITERATURGESCHICHTSTHEATER ELFRIEDE JELINEKS ULRIKE MARIA STUART.
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- Jahrbuch der Deutschen Schillergesellschaft, 2022, v. 66, p. 271, doi. 10.46500/83535275-010
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Dead Lake and Hollowed Mountain: Reading Material Feminist Eco-Politics in Elfriede Jelinek's Greed.
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- ISLE: Interdisciplinary Studies in Literature & Environment, 2022, v. 29, n. 3, p. 798, doi. 10.1093/isle/isaa172
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Dramatist with a Talent for Dramatisation: Elfriede Jelinek's Manipulation of the Media.
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- 2004
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- Literary Criticism
Elfriede Jelinek: Tradition, Politik und Zitat.
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- 2010
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- Book Review
Elfriede Jelinek. "Ich willkein Theater." Mediale Überschreitungen.
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- 2009
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- Book Review
Greeting the Holocaust's Dead? Narrative Strategies and the Undead in Elfriede Jelinek's Die Kinder der Toten.
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- 2006
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- Book Review
After Life: Reflections on Elfriede Jelinek's Work since 1995.
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- Modern Austrian Literature, 2006, v. 39, n. 3/4, p. 3
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SVEMOĆNA MAJKA: PROBLEMATIKA ODNOSA MAJKE I KĆERI U ROMANU PIJANISTICA ELFRIEDE JELINEK.
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- Istraživanja: Casopis Fakulteta Humanističkih Nauka, 2016, v. 11, p. 209
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(Im)Mobilities in a postmigrant age: Narratives of forced migration in Jenny Erpenbeck's Go, Went, Gone and Elfriede Jelinek's Charges (The Supplicants).
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- Crossings: Journal of Migration & Culture, 2019, v. 10, n. 2, p. 315, doi. 10.1386/cjmc_00009_1
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Relating through Opacity: The Versatorium Translation Collective and Elfriede Jelinek's Die Schutzbefohlenen.
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- Seminar -- A Journal of Germanic Studies, 2024, v. 60, n. 4, p. 350, doi. 10.3138/seminar.60.4.4
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"Hollow Men" and Übermenschen: The Aporia of Competing Intertextual Motifs in Elfriede Jelinek's Rechnitz (Der Würgeengel).
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- Seminar -- A Journal of Germanic Studies, 2023, v. 59, n. 2, p. 175, doi. 10.3138/seminar.59.2.3
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Intertextualities in Elfriede Jelinek's Rein Gold: Ein Bühnenessay.
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- Seminar -- A Journal of Germanic Studies, 2021, v. 57, n. 2, p. 114, doi. 10.3138/seminar.57.2.2
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Jörg Haider as a Contemporary Orestes: Aeschylus's Oresteia in Elfriede Jelinek's Das Lebewohl.
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- Seminar -- A Journal of Germanic Studies, 2003, v. 39, n. 4, p. 329
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A Disenchanted View of Freedom Elfriede Jelinek's Continuation of Two Ibsen' Plays.
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- 2011
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- Arts/Entertainment Review
The Real and Illusory after September 11, 2001, in Elfriede Jelinek's Bambiland and Babel.
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- 2012
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- Literary Criticism
Of Gender and the Gaze: Constructing the Disease(d) in Elfriede Jelinek's Krankheit oder Moderne Frauen.
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- German Quarterly, 2001, v. 74, n. 3, p. 237, doi. 10.2307/3072785
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Elfriede Jelinek's Political Feminism: Die Ausgesperrten.
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- 1990
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- Literary Criticism
AUSTRIA'S POST-89: STAGING SUPPRESSED MEMORY IN ELFRIEDE JELINEK'S AND THOMAS BERNHARD'S PLAYS BURGTHEATER AND HELDENPLATZ.
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- European Studies: An Interdisciplinary Series in European Culture, History & Politics, 2012, v. 30, n. 1, p. 271
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