Eisenstein in Colour.
- Published in:
- Journal of Art History / Konsthistorisk Tidskrift, 2004, v. 73, n. 4, p. 212, doi. 10.1080/00233600410003585
- By:
- Publication type:
- Article
Works matching Eisenstein, Sergei, 1898-1948
Results: 189
1
2
The Eisenstein-Vygotsky Luria Collaboration: Triangulation and Third Culture Debates.
- Published in:
- Projections: The Journal for Movies & Mind, 2019, v. 13, n. 1, p. 23, doi. 10.3167/proj.2019.130103
- By:
- Publication type:
- Article
3
A Picturesque vertical montage: auditory and visual sequences at Rousham garden.
- Published in:
- Landscape Research, 2022, v. 47, n. 5, p. 523, doi. 10.1080/01426397.2022.2045263
- By:
- Publication type:
- Article
4
Sergei Eisenstein and the Haitian Revolution: ‘The Confrontation Between Black and White Explodes Into Red’.
- Published in:
- History Workshop Journal, 2014, v. 78, n. 1, p. 157, doi. 10.1093/hwj/dbu011
- By:
- Publication type:
- Article
5
Visions of Disrupted Chronologies: Sergei Eisenstein and Hedwig Fechheimer's Cubist Egypt.
- Published in:
- Arts (2076-0752), 2022, v. 11, n. 5, p. N.PAG, doi. 10.3390/arts11050092
- By:
- Publication type:
- Article
6
Sergei Tret'iakov's Roar, China! between Moscow and China.
- Published in:
- Itinerario, 2012, v. 36, n. 2, p. 91, doi. 10.1017/S0165115312000587
- By:
- Publication type:
- Article
7
More Films about Filmmakers.
- Published in:
- Literature Film Quarterly, 1976, v. 4, n. 4, p. 360
- By:
- Publication type:
- Article
8
On Eisenstein.
- Published in:
- Modernism/Modernity, 1995, v. 2, n. 3, p. 163, doi. 10.1353/mod.1995.0054
- By:
- Publication type:
- Article
9
Sergei Eisenstein and William Shakespeare: A Dialectical Love Story.
- Published in:
- Anglistica AION: An Interdisciplinary Journal, 2022, v. 26, n. 2, p. 5, doi. 10.6093/2035-8504/11239
- By:
- Publication type:
- Article
10
'Without Contraries There is No Progression': Cinematic Montage and the Relationship of Illustration to Text in William Blake's "The [First] Book of Urizen."
- Published in:
- 2011
- By:
- Publication type:
- Essay
11
Movement, Action, Image, Montage: Sergei Eisenstein and the Cinema in Crisis.
- Published in:
- 2019
- By:
- Publication type:
- Book Review
12
MUTINY ON THE POTEMKIN.
- Published in:
- History Today, 2013, v. 63, n. 5, p. 26
- By:
- Publication type:
- Article
13
AN AMERICAN TRAGEDY.
- Published in:
- History Today, 2002, v. 52, n. 5, p. 31
- By:
- Publication type:
- Article
14
“Reanimating the spirit of the avant-garde”, but with Ideology Critique: Montage in Solomon and Jude’s films.
- Published in:
- Revista Transilvania, 2023, n. 8, p. 67, doi. 10.51391/trva.2023.08.09
- By:
- Publication type:
- Article
15
RADU JUDE’S MONTAGE EXPERIMENTS WITH DOCUMENTS OF OPPRESSION AND MASS MURDER.
- Published in:
- Revista Transilvania, 2022, n. 9, p. 1, doi. 10.51391/trva.2022.09.01
- By:
- Publication type:
- Article
16
Sergei Eisenstein.
- Published in:
- 2010
- By:
- Publication type:
- Book Review
17
Einstein, Shub and the gender of the author as producer.
- Published in:
- Film History, 2002, v. 14, n. 1, p. 87, doi. 10.2979/FIL.2002.14.1.87
- By:
- Publication type:
- Article
18
Flirting with Masochism.
- Published in:
- Angelaki: Journal of the Theoretical Humanities, 2010, v. 15, n. 1, p. 123, doi. 10.1080/0969725X.2010.496175
- By:
- Publication type:
- Article
19
Theatricality as Cruelty.
- Published in:
- Image & Narrative, 2016, v. 17, n. 5, p. 54
- By:
- Publication type:
- Article
20
Sergei Eisenstein's ¡Que viva México! in the Light of Mexico's Post-revolutionary Politics.
- Published in:
- 2010
- By:
- Publication type:
- Arts/Entertainment Review
21
In Between the Arts: Peter Greenaway and Sergei Eisenstein.
- Published in:
- Quarterly Review of Film & Video, 2018, v. 35, n. 4, p. 333, doi. 10.1080/10509208.2018.1434753
- By:
- Publication type:
- Article
22
A Review of “Eisenstein on the Audiovisual: The Montage of Music, Image and Sound in Cinema”.
- Published in:
- 2013
- By:
- Publication type:
- Book Review
23
Tracking Star Guitar.
- Published in:
- Quarterly Review of Film & Video, 2013, v. 30, n. 2, p. 127, doi. 10.1080/10509208.2011.563208
- By:
- Publication type:
- Article
24
Come and See (1985): Klimov's Intimate Epic.
- Published in:
- Quarterly Review of Film & Video, 2008, v. 25, n. 3, p. 212, doi. 10.1080/10509200601091458
- By:
- Publication type:
- Article
25
Moving Explosions: Metaphors of Emotion in Sergei Eisenstein's Writings.
- Published in:
- Quarterly Review of Film & Video, 2004, v. 21, n. 4, p. 303, doi. 10.1080/10509200490446196
- By:
- Publication type:
- Article
26
IMMERSION THROUGH CULTURE: REPRESENTATIONS OF THE “DAY OF THE DEAD” IN FILM.
- Published in:
- Revista Canaria de Estudios Ingleses, 2020, n. 81, p. 61, doi. 10.25145/j.recaesin.2020.81.05
- By:
- Publication type:
- Article
27
Sergei M. Eisenstein: Notes for a General History of Cinema.
- Published in:
- 2017
- By:
- Publication type:
- Book Review
28
Sergei Eisenstein.
- Published in:
- 2010
- By:
- Publication type:
- Book Review
29
"Ça fait d'excellents montages": Documentary Technique in Le chagrin et la pitié.
- Published in:
- 2008
- By:
- Publication type:
- Essay
30
Dance of Values: Reading Eisenstein's Capital.
- Published in:
- Grey Room, 2018, v. 72, p. 94, doi. 10.1162/grey_a_00251
- By:
- Publication type:
- Article
31
The Architectural Postcard: Photography, Cinema, and Modernist Mass Media.
- Published in:
- Grey Room, 2018, v. 70, p. 80, doi. 10.1162/GREY_a_00232
- By:
- Publication type:
- Article
32
The Idea and the Image. On Sergei Eisenstein's Battleship Potemkin.
- Published in:
- Hermeneia: Journal of Hermeneutics, Art Theory & Criticism, 2020, n. 24, p. 77
- By:
- Publication type:
- Article
33
Sergei Eisenstein and Montage: When Cultures Collide in Once Upon a Time in China II.
- Published in:
- Film Matters, 2012, v. 3, n. 4, p. 3, doi. 10.1386/fm.3.4.3_1
- By:
- Publication type:
- Article
34
Eisenstein in America: The Qué Viva México! Debates and the Emergent Popular Front in U.S. Film Theory and Criticism.
- Published in:
- Velvet Light Trap: A Critical Journal of Film & Television, 2004, n. 54, p. 18, doi. 10.1353/vlt.2004.0017
- By:
- Publication type:
- Article
35
Os fundamentos de Eisenstein na montagem hollywoodiana de conflitos.
- Published in:
- Comunicação & Sociedade, 2022, v. 44, n. 2, p. 163, doi. 10.15603/2175-7755/cs.v44n2p163-191
- By:
- Publication type:
- Article
36
The Mexican, as visualised by Sergei Eisenstein.
- Published in:
- Contemporary Theatre Review, 1995, v. 4, n. 1, p. 5, doi. 10.1080/10486809508568354
- By:
- Publication type:
- Article
37
Animating the Memory Theatre.
- Published in:
- Performance Research, 2012, v. 17, n. 3, p. 16, doi. 10.1080/13528165.2012.696854
- By:
- Publication type:
- Article
38
Sergei Eisenstein's ¡Que viva Mexico! through time: Historicizing value judgement.
- Published in:
- Continuum: Journal of Media & Cultural Studies, 2010, v. 24, n. 5, p. 693, doi. 10.1080/10304312.2010.505336
- By:
- Publication type:
- Article
39
Taking Hollywood Back: The Historical Costume Drama, the Biopic, and Popular Front U.S. Film Criticism.
- Published in:
- Cinema Journal, 2009, v. 48, n. 2, p. 70, doi. 10.1353/cj.0.0082
- By:
- Publication type:
- Article
40
Montage in Fernando Pérez Valdez's Suite Habana (2003).
- Published in:
- Confluencia: Revista Hispánica de Cultura y Literatura, 2011, v. 26, n. 2, p. 31
- By:
- Publication type:
- Article
41
Towards a natural history of animated backgrounds.
- Published in:
- Screen, 2020, v. 61, n. 2, p. 296, doi. 10.1093/screen/hjaa028
- By:
- Publication type:
- Article
42
‘The miracle of our century’: Sergei Eisenstein, Élie Faure and colour in the Silly Symphonies.
- Published in:
- Screen, 2010, v. 51, n. 4, p. 383, doi. 10.1093/screen/hjq046
- By:
- Publication type:
- Article
43
Addressing the dialectics of sexual difference in Eisenstein's Que viva México!
- Published in:
- 2007
- By:
- Publication type:
- Essay
44
Eisenstein, rhetoric and imaginicity: towards a revolutionary memoria.
- Published in:
- Screen, 2000, v. 41, n. 4, p. 349, doi. 10.1093/screen/41.4.349
- By:
- Publication type:
- Article
45
CORRESPONDENCE.
- Published in:
- Screen, 1981, v. 22, n. 4, p. 79, doi. 10.1093/screen/22.4.79
- By:
- Publication type:
- Article
46
Eisenstein's Epistemological Shift.
- Published in:
- 1974
- By:
- Publication type:
- Essay
47
Editorial Note.
- Published in:
- 1974
- By:
- Publication type:
- Editorial
48
Cinéma d'Aujourd'hui.
- Published in:
- 1971
- By:
- Publication type:
- Book Review
49
Reasons for failure.
- Published in:
- 1971
- Publication type:
- Film/TV Criticism and Review
50
The Lef Arena. Comrades: Fight out your ideas!
- Published in:
- 1971
- Publication type:
- Film/TV Criticism and Review