Hispanism's Digital Turn.
- Published in:
- Bulletin of Spanish Studies: Hispanic Studies & Researches on Spain, Portugal & Latin America, 2015, v. 92, n. 3, p. 439, doi. 10.1080/14753820.2015.1003764
- By:
- Publication type:
- Article
Works matching Dreyer, Carl Theodor, 1889-1968
Results: 37
1
2
The Time-Image in Carlos Reygadas’ Stellet Licht : A Cinema of Immanence.
- Published in:
- 2013
- By:
- Publication type:
- Film/TV Criticism and Review
3
Om Carl Th. Dreyer's Thorvaldsens kunst.
- Published in:
- Journal of Art History / Konsthistorisk Tidskrift, 1995, v. 64, n. 1-4, p. 117
- By:
- Publication type:
- Article
4
Dreyer and the National Film in Denmark.
- Published in:
- Film History, 2001, v. 13, n. 1, p. 23, doi. 10.2979/FIL.2001.13.1.23
- By:
- Publication type:
- Article
5
Introduction: Nordic Cinema.
- Published in:
- Film History, 2001, v. 13, n. 1, p. 3
- By:
- Publication type:
- Article
6
The Spectre of JOAN OF ARC: Textual Variations in the Key Prints of Carl Dreyer's Film.
- Published in:
- Film History, 1988, v. 2, n. 4, p. 301
- By:
- Publication type:
- Article
7
"Words Don't Come Easy": The Transcendental Style of Paul Schrader's First Reformed.
- Published in:
- Image & Narrative, 2021, v. 22, n. 1, p. 70
- By:
- Publication type:
- Article
8
Vampyr and the Fantastic.
- Published in:
- Screen, 1976, v. 17, n. 3, p. 29, doi. 10.1093/screen/17.3.29
- By:
- Publication type:
- Article
9
Polyphonies of Sound and Space: Motet, Montage, Voices of Light, and La Passion de Jeanne d'Arc.
- Published in:
- 2013
- By:
- Publication type:
- Film/TV Criticism and Review
10
An incandescent self-exploration: Ambiguities and unconscious logic in Day of Wrath (Vredens Dag), directed by Carl Theodor Dreyer (Denmark 1943).
- Published in:
- 2021
- By:
- Publication type:
- Film/TV Criticism and Review
11
Contrasting Visions of a Saint: Carl Dreyer's The Passion of Joan of Arc and Luc Besson's The Messenger.
- Published in:
- 2004
- By:
- Publication type:
- Arts/Entertainment Review
12
Joseph Delteil: The Passion of Joan of Arc.
- Published in:
- Literature Film Quarterly, 1975, v. 3, n. 4, p. 292
- By:
- Publication type:
- Article
13
Theses on Cinema as Philosophy.
- Published in:
- Journal of Aesthetics & Art Criticism, 2006, v. 64, n. 1, p. 11, doi. 10.1111/j.0021-8529.2006.00225.x
- By:
- Publication type:
- Article
14
Framing Lars von Trier's Medea.
- Published in:
- Classical Receptions Journal, 2020, v. 12, n. 3, p. 375, doi. 10.1093/crj/clz032
- By:
- Publication type:
- Article
15
Trying Truths: Dreyer, Bresson and the Meaning Effect.
- Published in:
- 2015
- By:
- Publication type:
- Essay
16
'The Epidermis of Reality': Artaud, the Material Body and Dreyer's The Passion of Joan of Arc.
- Published in:
- 2013
- By:
- Publication type:
- Film/TV Criticism and Review
17
Day of Wrath, the Spirit of Tragedy, and the Judgment of the Creator.
- Published in:
- 2011
- By:
- Publication type:
- Film/TV Criticism and Review
18
Haunted Screens and Spiritual Scenes: Film as a Medium in the Cinema of Carl Theodor Dreyer.
- Published in:
- Scandinavica: An International Journal of Scandinavian Studies, 2009, v. 48, n. 1, p. 31, doi. 10.54432/scand/bqcz5543
- By:
- Publication type:
- Article
19
'I Bid Thee Arise!': Reverse-Editing and Reversal Miracles in Carl Theodor Dreyer's Ordet.
- Published in:
- 2012
- By:
- Publication type:
- Essay
20
Queer Derailment and Pederast Adoration in Carl Theodor Dreyer's Michael (1924).
- Published in:
- German Quarterly, 2019, v. 92, n. 3, p. 311, doi. 10.1111/gequ.12111
- By:
- Publication type:
- Article
21
Issue Information.
- Published in:
- 2019
- Publication type:
- Table of Contents
22
Influences of the Danish Film.
- Published in:
- Image, 1956, v. 5, n. 3, p. 51
- By:
- Publication type:
- Article
23
VISIT WITH CARL TH. DREYER.
- Published in:
- Image, 1953, v. 2, n. 9, p. 61
- By:
- Publication type:
- Article
24
Love, Sacrifice and Redemption: A triadic tale of women in Dreyer's Day of Wrath (1943), Fellini's La Strada (1954) and von Trier's Breaking the Waves (1996).
- Published in:
- 2012
- By:
- Publication type:
- Film/TV Criticism and Review
25
Carl Theodor Dreyer. Un cineasta en el umbral del arte neoclásico.
- Published in:
- Comunicación y Sociedad, 2000, v. 13, n. 1, p. 71
- By:
- Publication type:
- Article
26
The Fullness of Time: Kierkegaardian Themes in Dreyer's Ordet.
- Published in:
- 2019
- By:
- Publication type:
- Film/TV Criticism and Review
27
RISEN FROM THE ASHES: The Complex Print History of Carl Dreyer's The Passion of Joan of Arc (1928).
- Published in:
- Moving Image (15323978), 2017, v. 17, n. 1, p. 52, doi. 10.5749/movingimage.17.1.0052
- By:
- Publication type:
- Article
28
Out of Dreyer's shadow? The quandary of Dogme95.
- Published in:
- New Cinemas: Journal of Contemporary Film, 2002, v. 1, n. 2, p. 69, doi. 10.1386/ncin.1.2.69
- By:
- Publication type:
- Article
29
When grand ambitions meet the harsh realities of filmmaking: Celebrating the 100th anniversary of two classic letters by Danish director Carl Th. Dreyer on his artistically ambitious silent film Leaves from Satan's Book.
- Published in:
- Journal of Scandinavian Cinema, 2019, v. 9, n. 2, p. 143, doi. 10.1386/jsca.9.2.143_1
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- Publication type:
- Article
30
The archive, the auteur and the unfilmed film: Reflections on Dreyer's and von Trier's Medea.
- Published in:
- Journal of Scandinavian Cinema, 2017, v. 7, n. 2, p. 99, doi. 10.1386/jsca.7.2.99_1
- By:
- Publication type:
- Article
31
short subject: Carl Theodor Dreyer and the revelation of high definition.
- Published in:
- Journal of Scandinavian Cinema, 2015, v. 5, n. 3, p. 217, doi. 10.1386/jsca.5.3.217_1
- By:
- Publication type:
- Article
32
feature article: Lurking in the blind space: Vampyr and the multilinguals.
- Published in:
- Journal of Scandinavian Cinema, 2015, v. 5, n. 3, p. 223, doi. 10.1386/jsca.5.3.223_1
- By:
- Publication type:
- Article
33
Editorial.
- Published in:
- Journal of Scandinavian Cinema, 2015, v. 5, n. 3, p. 209, doi. 10.1386/jsca.5.3.209_2
- By:
- Publication type:
- Article
34
Carl Th. Dreyer: the man and his work.
- Published in:
- Journal of Scandinavian Cinema, 2010, v. 1, n. 1, p. 75, doi. 10.1386/jsca.1.1.75_1
- Publication type:
- Article
35
Framing Immanence in Carl Theodor Dreyer's Ordet and Carlos Reygadas's Stellet Licht.
- Published in:
- Journal of Religion & Film, 2024, v. 28, n. 2, p. 1
- By:
- Publication type:
- Article
36
An Old Film in a New Light: Lighting as the Key to Johannine Identity in "Ordet".
- Published in:
- Journal of Religion & Film, 2018, v. 22, n. 2, p. 1, doi. 10.32873/uno.dc.jrf.22.02.02
- By:
- Publication type:
- Article
37
Jest in Time: The Problems and Promises of the Holy Fool in Francesco, giullare di Dio, Ordet, and Ikiru.
- Published in:
- Journal of Religion & Film, 2013, v. 17, n. 1, p. 1, doi. 10.32873/uno.dc.jrf.17.01.35
- By:
- Publication type:
- Article