Authenticity as authenticating--the case of New Orleans jazz revivalism: An approach from grounded theory and social world analysis.Published in:Popular Music History, 2012, v. 7, n. 1, p. 24By:Ekins, RichardPublication type:Article
The cultural and musical implications of the dixieland jazz and blues revivals.Published in:Arkansas Review: A Journal of Delta Studies, 1998, v. 29, n. 1, p. 11By:Lornell, KipPublication type:Article
THE DIXIELAND JAMBOREE: January - June 1956.Published in:American Music Magazine, 2020, n. 153, p. 8Publication type:Article
Another Woody: J. S. Bach in Dixieland.Published in:Bach: Journal of the Riemenschneider Bach Institute, 2019, v. 50, n. 2, p. 254, doi. 10.22513/bach.50.2.0254By:BROMAN, PER F.Publication type:Article
Swinging the Symposium: ICOHTEC's Jazz Evenings and Other Musical Events.Published in:Icon: Journal of the International Committee for the History of Technology, 2014, v. 20, n. 1, p. 131By:Schmidt Horning, SusanPublication type:Article