Between Sensibility and History: The Count de Rethel (1779) by Georgiana Spencer Cavendish, Duchess of Devonshire.Published in:Humanities (2076-0787), 2024, v. 13, n. 4, p. 101, doi. 10.3390/h13040101By:Vidal, HélènePublication type:Article
Sirens & Scandals.Published in:History Today, 2008, v. 58, n. 10, p. 32By:Greig, HannahPublication type:Article
Georgiana, Duchess of Devonshire, and Princess Diana: a parallel.Published in:Journal of the Royal Society of Medicine, 1998, v. 91, n. 4, p. 217, doi. 10.1177/014107689809100414By:Bergman, Norman A.Publication type:Article
Georgiana, the Duchess of Devonshire and Emma; Or, The Unfortunate Attachment: a case for de-attribution.Published in:Notes & Queries, 2014, v. 61, n. 1, p. 47, doi. 10.1093/notesj/gjt224By:Brandtzæg, Siv GørilPublication type:Article
New light on the painter and engraver Thomas Hardy (1757-1804).Published in:British Art Journal, 2011, v. 12, n. 1, p. 37By:Davison, AlanPublication type:Article
'SOMETHING IN MME DE GENLIS STILE': GEORGIANA, DUCHESS OF DEVONSHIRE'S 'ZILLIA', PLAYWRITING AND FEMALE ARISTOCRATIC AUTHORSHIP.Published in:2011By:Heuer, ImkePublication type:Literary Criticism
“BOSOM'D FOXES TOOK THEIR FLIGHT”: THE DUCHESS OF DEVONSHIRE AND THE REPRESENTATION OF CIVIC VIRTUE IN HANNAH COWLEY'S ROLE FOR SARAH SIDDONS.Published in:2010By:Escott, AngelaPublication type:Literary Criticism