Intertextuality in Drama: Strategic Remodelling of Motifs and Character Figurations in Synge and O'Casey by Irish Women Playwrights.Published in:Eger Journal of English Studies, 2010, v. 10, p. 3By:Kurdi, MáriaPublication type:Article
Body, Violence and Space: Anne Devlin's "Naming the Names".Published in:Hecate, 2015, v. 41, n. 1/2, p. 39By:Ransirini, ShamaraPublication type:Article
Disembodiment and the Re-membering of Female Identity in the Plays of Anne Devlin.Published in:2012By:Maloy, KelliPublication type:Literary Criticism
A Woman Leaving Twice to Arrive: The Journey as Quest for a Gendered Diasporic Identity in Anne Devlin's After Easter.Published in:Estudios Irlandeses, 2010, n. 5, p. 58, doi. 10.24162/ei2010-2270By:Kurdi, MáriaPublication type:Article
Awakening from the Troubles in Anne Devlin's Ourselves Alone.Published in:Studies: An Irish Quarterly, 2014, v. 103, n. 410, p. 169By:Kao, Wei H.Publication type:Article
CONTESTING AND REVERSING GENDER STEREOTYPES IN THREE PLAYS BY CONTEMPORARY IRISH WOMEN WRITERS.Published in:2009By:KURDI, MÁRIAPublication type:Essay
One anOther: Englishness in Contemporary Irish Short Fiction.Published in:2012By:Palacios, ManuelaPublication type:Essay
The Northern Athens or A City Of Horrors? Belfast as Presented by Some Irish Women Writers.Published in:Nordic Journal of English Studies, 2014, v. 13, n. 2, p. 109, doi. 10.35360/njes.308By:Olinder, BrittaPublication type:Article