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THE CAGED ANIMAL: THE AVANT-GARDE ARTIST IN MANETTE SALOMON.Published in:Antennae: The Journal of Nature in Visual Culture, 2013, n. 24, p. 75By:Nettleton, ClairePublication type:Article
The Jew as Model: Anti-Semitism, Aesthetics, and Epistemology in the Goncourt Brothers' Manette Salomon.Published in:2009By:Bell, DorianPublication type:Essay
Vermilion, or why Cézanne took the shine off things.Published in:Word & Image, 2020, v. 36, n. 1, p. 64, doi. 10.1080/02666286.2019.1652010By:Smith, PaulPublication type:Article
Daily Writing and the Construction of the Author as Public Figure: the Journal des Goncourt.Published in:2011By:WILSON, SONIAPublication type:Literary Criticism
Germinie Lacerteux.Published in:Studi Francesi, 2022, n. 198, p. 717By:LE SAUX, ÈVEPublication type:Article
Œuvres complètes, Œuvres romanesques sous la direction de Alain MONTANDON, t. IV: Germinie Lacerteux.Published in:2012By:Merello, IdaPublication type:Book Review
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The Goncourt Brothers.Published in:History Today, 1975, v. 25, n. 8, p. 576By:Richardson, JoannaPublication type:Article