Wenyi, Wenqing and pure love: The European imaginary in Xu Jinglei's films.Published in:Journal of Chinese Cinemas, 2018, v. 12, n. 1, p. 41, doi. 10.1080/17508061.2017.1368237By:Guo, ShaohuaPublication type:Article
Product placement with ‘Chinese characteristics’: Feng Xiaogang's films and Go Lala Go!Published in:2015By:Wing-Fai, LeungPublication type:Case Study
Acting through the Camera Lens: The Global Imaginary and Middle Class Aspirations in Chinese Urban Cinema.Published in:Journal of Contemporary China, 2017, v. 26, n. 104, p. 311, doi. 10.1080/10670564.2016.1223099By:Guo, ShaohuaPublication type:Article
Performativities in Brief einer Unbekannten.Published in:Orbis Litterarum, 2015, v. 70, n. 3, p. 175, doi. 10.1111/oli.12063By:Zheng, AiliPublication type:Article
XU Jinglei's Chinese domestication of Stefan Zweig's Brief einer Unbekannten.Published in:Journal of Adaptation in Film & Performance, 2018, v. 11, n. 3, p. 259, doi. 10.1386/jafp.11.3.259_1By:JIANG, XiaohuPublication type:Article
"Appropriate Circumstances:" From Stefan Zweig's Vienna to Xu Jinglei's Beijing.Published in:2014By:Aili ZhengPublication type:Literary Criticism