Self-Portraiture and Historical Memory: Zhang Mengqi's Documentary Practice.Published in:Critical Arts: A South-North Journal of Cultural & Media Studies, 2019, v. 33, n. 2, p. 29, doi. 10.1080/02560046.2019.1671887By:Hu, LidanPublication type:Article
Post-cultural revolution Chinese cinema of betrayal: the figure of the collaborator and the doubling paradigm.Published in:Continuum: Journal of Media & Cultural Studies, 2020, v. 34, n. 4, p. 556, doi. 10.1080/10304312.2020.1750566By:Morag, RayaPublication type:Article
The Memory Project: Final Report.Published in:Journal of East Asian Libraries, 2019, n. 168, p. 21By:Luo ZhouPublication type:Article
Special issue on the Tibetan cinema of Pema Tseden.Published in:2016By:Lo, Kwai-Cheung;Yee Yeung, Jessica WaiPublication type:Editorial