V.Triumph and Oblivion The Piano after 1880: 2. Triumph: Passion and Professionalism: 2.1. A New Perspective on the Drawing Room.Published in:2008By:Trillini, Regula HohlPublication type:Book Chapter
V.Triumph and Oblivion The Piano after 1880: 1. Victorian Transmutation: 1.2. Fears and Fascination: Old and New.Published in:2008By:Trillini, Regula HohlPublication type:Book Chapter
III. "Accomplishments, Accomplishments, Accomplishments": The Piano-Forté: 2. Courtship Narratives: 2.3. "The net of courtship and the cage of matrimony.".Published in:2008By:Trillini, Regula HohlPublication type:Book Chapter
III. "Accomplishments, Accomplishments, Accomplishments": The Piano-Forté: 2. Courtship Narratives: 2.2. "Mere musical dolls set out for sale.".Published in:2008By:Trillini, Regula HohlPublication type:Book Chapter
III. "Accomplishments, Accomplishments, Accomplishments": The Piano-Forté: 1. "Accomplishments have taken virtue's place.": 1.3. Punishment by Plot.Published in:2008By:Trillini, Regula HohlPublication type:Book Chapter
III. "Accomplishments, Accomplishments, Accomplishments": The Piano-Forté: 1. "Accomplishments have taken virtue's place.": 1.2. "Addressed to the eye.".Published in:2008By:Trillini, Regula HohlPublication type:Book Chapter
From Hildegard to Holiday: Collection Development in Women in Music for the Small Library.Published in:Collection Management, 2001, v. 25, n. 3, p. 75, doi. 10.1300/J105v25n03_06By:Delaney-Lehman, Maureen J.Publication type:Article
Unseen international music idol femslash.Published in:Transformative Works & Cultures, 2017, v. 24, p. 16, doi. 10.3983/twc.2017.0926By:Lin, Elaine HanPublication type:Article