Voicing Gender: Castrati, Travesti, and the Second Woman in Early-Nineteenth-Century Italian Opera.Published in:2008By:Walker, LucyPublication type:Book Review
Dormez donc, mes chers amours: Hérold's La Somnambule (1827) and dream phenomena on the Parisian lyric stage (My thanks to Mark Everist, Anna McCready, Nanette Nielsen, Roger Parker and Ben Walton, together with the readers and editors of this journal for their extremely helpful comments and discussions about various drafts of this article.)Published in:Cambridge Opera Journal, 2004, v. 16, n. 2, p. 107, doi. 10.1017/S0954586704001818By:SARAH HIBBERDPublication type:Article