The Ties that Bind: Cinematic Representations by Black Women Filmmakers.Published in:Quarterly Review of Film & Video, 1994, v. 15, n. 2, p. 25, doi. 10.1080/10509209409361431By:Gibson-Hudson, Gloria J.Publication type:Article
LIBERATING BICYCLES IN NIKI CARO'S WHALE RIDER AND IN HAIFAA AL MANSOUR'S WADJDA.Published in:Cognitivismo Clinico, 2019, v. 10, n. 2, p. 195By:HAMBUCH, DORISPublication type:Article
On cable, tech gods, and the hidden costs of DIY filmmaking: thoughts on "The Woman with the Movie Camera".Published in:Jump Cut: A Review of Contemporary Media, 2011, n. 53, p. 28By:Seiter, EllenPublication type:Article