White Christmas, or Modernism.
- Published in:
- 2006
- By:
- Publication type:
- Film/TV Criticism and Review
Works matching DE "WIDESCREEN motion pictures"
Results: 13
1
2
Stretching the Screen: Horizontality, the CinemaScope Film, and the Cold War.
- Published in:
- Quarterly Review of Film & Video, 2015, v. 32, n. 5, p. 456, doi. 10.1080/10509208.2015.994695
- By:
- Publication type:
- Article
3
The Italian Widescreen Era: The Adoption of Widescreen Technology as Periodizing Element in the History of Italian Cinema.
- Published in:
- 2012
- By:
- Publication type:
- Essay
4
Transnational collaboration of the multisensory kind: exploiting Korean 4D cinema in China.
- Published in:
- Media International Australia (8/1/07-current), 2016, v. 159, n. 1, p. 22, doi. 10.1177/1329878X16640104
- By:
- Publication type:
- Article
5
A Changing Visual Landscape: British Cinematography in the 1960s.
- Published in:
- Journal of British Cinema & Television, 2018, v. 15, n. 2, p. 204, doi. 10.3366/jbctv.2018.0415
- By:
- Publication type:
- Article
6
Widescreen Worldwide.
- Published in:
- 2012
- By:
- Publication type:
- Book Review
7
Widescreen Worldwide.
- Published in:
- 2014
- By:
- Publication type:
- Book Review
8
Widescreen Worldwide , edited by John Belton, Sheldon Hall, and Steve Neale.
- Published in:
- 2012
- By:
- Publication type:
- Book Review
9
Validation of a Miniaturized Permeability Assay Compatible with CRISPR-Mediated Genome-Wide Screen.
- Published in:
- Scientific Reports, 2019, v. 9, n. 1, p. N.PAG, doi. 10.1038/s41598-019-50588-0
- By:
- Publication type:
- Article
10
The Persistence of the Rectangle.
- Published in:
- Film History, 2017, v. 29, n. 3, p. 136, doi. 10.2979/filmhistory.29.3.06
- Publication type:
- Article
11
Amateur widescreen; or, some forgotten skirmishes in the battle of the gauges.
- Published in:
- Film History, 2007, v. 19, n. 4, p. 401, doi. 10.2979/FIL.2007.19.4.401
- By:
- Publication type:
- Article
12
THE IPCRESS FILE.
- Published in:
- 2012
- By:
- Publication type:
- Film/TV Criticism and Review
13
The Spirit is Willing, but the Flesh is Weak: Embodied Transcendence and Sacred Spectatorship in The Robe (1953).
- Published in:
- Material Religion, 2019, v. 15, n. 3, p. 347, doi. 10.1080/17432200.2019.1607058
- By:
- Publication type:
- Article