The dis-orienting orients – a Lacanian reading of Philip Massinger's tragicomedy The Renegado.Published in:Comedy Studies, 2017, v. 8, n. 1, p. 22, doi. 10.1080/2040610X.2017.1294412By:Hui, IsaacPublication type:Article
Het venster op het Ottomaanse Rijk.Published in:De Zeventiende Eeuw, 2013, v. 29, n. 1, p. 19, doi. 10.18352/dze.8462By:BLOM, FRANS R. E.Publication type:Article
DE L’ILLUSTRATION À L’IDENTIFICATION: QUELQUES REMARQUES AU SUJET DE LA REPRÉSENTATION DES POPULATIONS TURCO-IRANIENNES DANS LE CODEX CASANATENSE 1889.Published in:Anais de História de Além-Mar, 2013, v. 14, p. 133By:RESENDE, VASCOPublication type:Article
THE OTTOMAN IMAGE IN THE ADORATION OF THE MAGI BY ANDREA MANTEGNA AND PRINCE CEM.Published in:Journal of Turkish Studies, 2005, v. 29, n. 1, p. 53By:Berksoy, FundaPublication type:Article
ANDREA MANTEGNA'NIN `MÜNECCİM KRALLARIN TAPINMASI' İSİMLİ RESMİNDE GÖRÜLEN OSMANLI İMGESİ VE SULTAN CEM.Published in:Journal of Turkish Studies, 2005, v. 29, n. 1, p. 37By:Berksoy, FundaPublication type:Article
Das Türkenbild in Österreich-Ungarn während des Ersten Weltkriegs im Spiegel der Kriegspostkarten.Published in:2010By:Džambo, JozoPublication type:Book Review