‘The exchange of two fantasies and the contact of two epidermises’: gestures of touch in Gattaca (1997), The Talented Mr. Ripley (1999) and The Piano (1993).Published in:2015By:Segal, NaomiPublication type:Essay
On Touching, Where Tender Meets Tough.Published in:2022By:Asante, GodfriedPublication type:Film/TV Criticism and Review
“The Man with the Midas Touch”: The Haptic Geographies of James Bond's Body.Published in:Journal of Popular Film & Television, 2015, v. 43, n. 3, p. 121, doi. 10.1080/01956051.2015.1034644By:Funnell, Lisa;Dodds, KlausPublication type:Article
Handling pressures: analysing touch in American films about youth sport.Published in:Sport, Education & Society, 2013, v. 18, n. 5, p. 663, doi. 10.1080/13573322.2013.784864By:Chare, NicholasPublication type:Article
Personal Identity and Angelic Touch in Wim Wenders' Wings of Desire.Published in:2015By:Venner, ChrisPublication type:Film/TV Criticism and Review
LA POÉTICA DE LOS SENTIDOS EN LOS FILMES DE LUCRECIA MARTEL.Published in:Atenea, 2008, v. 28, n. 2, p. 9By:Ríos, HugoPublication type:Article