The collaborative film work of Greengrass and Damon: A stylistic state of exception.
- Published in:
- 2012
- By:
- Publication type:
- Film/TV Criticism and Review
Works matching DE "TERRORISM in motion pictures"
Results: 79
1
2
Dead Man Walking: The Aldo Moro kidnap and Palimpsest History in Buongiorno, notte.
- Published in:
- New Cinemas: Journal of Contemporary Film, 2008, v. 6, n. 1, p. 33, doi. 10.1386/ncin.6.1.33_1
- By:
- Publication type:
- Article
3
The Living Body and the Corpse--Israeli Documentary Cinema and the Intifadah.
- Published in:
- Journal of Film & Video, 2008, v. 60, n. 3/4, p. 3, doi. 10.1353/jfv.0.0016
- By:
- Publication type:
- Article
4
HOLLYWOOD'S WAR ON TERROR IN THE POST 9/11 WORLD.
- Published in:
- Online Journal Modelling the New Europe, 2014, n. 11, p. 68
- By:
- Publication type:
- Article
5
IN BRIEF.
- Published in:
- Africa Research Bulletin: Political, Social & Cultural Series, 2006, v. 43, n. 7, p. 16736
- Publication type:
- Article
6
At War with the Unknown: Hollywood, Homeland Security, and the Cultural Imaginary of Terrorism after 9/11.
- Published in:
- Amerikastudien, 2015, v. 60, n. 4, p. 485
- By:
- Publication type:
- Article
7
Lights, camera, ARMAGEDDON.
- Published in:
- Bulletin of the Atomic Scientists, 2005, v. 61, n. 3, p. 42, doi. 10.2968/061003012
- By:
- Publication type:
- Article
8
Cinema's Right to Tragedy: A Personal Exploration of 9/11's Inclusion in Thomas Bidegain's Les Cowboys (2015).
- Published in:
- Film Matters, 2016, v. 7, n. 3, p. 58, doi. 10.1386/fm.7.3.58_1
- By:
- Publication type:
- Article
9
Outsiders and bystanders in Erik Skjoldbjærg’s The Pyromaniac (2016).
- Published in:
- Journal of Aesthetics & Culture, 2018, v. 10, p. 1, doi. 10.1080/20004214.2018.1438731
- By:
- Publication type:
- Article
10
Contemporary Hollywood Terrorism and 'London has Fallen' Cinema.
- Published in:
- London Journal, 2020, v. 45, n. 1, p. 146, doi. 10.1080/03058034.2019.1649515
- By:
- Publication type:
- Article
11
Tragedia all'italiana. Italian Cinema and Italian Terrorisms, 1970–2010.
- Published in:
- 2012
- By:
- Publication type:
- Book Review
12
International terrorism? Indian popular cinema and the politics of terror.
- Published in:
- Critical Studies on Terrorism, 2015, v. 8, n. 3, p. 337, doi. 10.1080/17539153.2015.1070531
- By:
- Publication type:
- Article
13
Visual rehumanisation: torture and terror in In the Name of the Father and Fifty Dead Men Walking.
- Published in:
- Critical Studies on Terrorism, 2014, v. 7, n. 2, p. 205, doi. 10.1080/17539153.2014.912914
- By:
- Publication type:
- Article
14
The blurring of boundaries: images of abjection as the terrorist and the reel Arab intersect.
- Published in:
- Critical Studies on Terrorism, 2011, v. 4, n. 3, p. 351, doi. 10.1080/17539153.2011.623403
- By:
- Publication type:
- Article
15
Screening terror: Hollywood, the United States and the construction of danger.
- Published in:
- Critical Studies on Terrorism, 2008, v. 1, n. 2, p. 227, doi. 10.1080/17539150802184629
- By:
- Publication type:
- Article
16
Terrorism in film media: An international view of theatrical films.
- Published in:
- Journal of War & Culture Studies, 2011, v. 4, n. 2, p. 207, doi. 10.1386/jwcs.4.2.207_1
- By:
- Publication type:
- Article
17
Introduction: TheWar on Terror in news and popular culture.
- Published in:
- Journal of War & Culture Studies, 2011, v. 4, n. 2, p. 155, doi. 10.1386/jwcs.4.2.155_1
- By:
- Publication type:
- Article
18
Fatal Attraction: The politics of terror.
- Published in:
- Journal of Popular Culture (Wiley-Blackwell), 1992, v. 26, n. 3, p. 83, doi. 10.1111/j.0022-3840.1992.2603_83.x
- By:
- Publication type:
- Article
19
Intimacy in Non-Western Discourses of Terrorism: An Analysis of Three Bollywood Films.
- Published in:
- GeoHumanities, 2018, v. 4, n. 2, p. 380, doi. 10.1080/2373566X.2018.1479649
- By:
- Publication type:
- Article
20
MILITANTS AND CINEMA: DIGITAL ATTEMPTS TO MAKE THE MULTITUDE IN HUNGER, CHE, AND PUBLIC ENEMIES.
- Published in:
- 2011
- By:
- Publication type:
- Essay
21
Mediating Terrorism: Text and Protest in Interpretations of The Siege.
- Published in:
- Critical Studies in Media Communication, 2002, v. 19, n. 4, p. 419, doi. 10.1080/07393180216571
- By:
- Publication type:
- Article
22
Terrorism, Conspiracy, and Surveillance in Bombay's Urban Cinema.
- Published in:
- 2011
- By:
- Publication type:
- Essay
23
Schermi di piombo: il terrorismo nel cinema italiano, edited by Christian Uva.
- Published in:
- 2010
- By:
- Publication type:
- Book Review
24
No laughing matter? Comedy and the politics of the terrorist/victim.
- Published in:
- Continuum: Journal of Media & Cultural Studies, 2011, v. 25, n. 2, p. 227, doi. 10.1080/10304312.2011.553943
- By:
- Publication type:
- Article
25
Violent Release Comedy in All the Devil's Men.
- Published in:
- Cinematic Codes Review, 2019, v. 4, n. 1, p. 6
- By:
- Publication type:
- Article
26
THE KINGDOM.
- Published in:
- 2008
- By:
- Publication type:
- Film/TV Criticism and Review
27
The representation of September 11th and American Islamophobia in non-Western cinema.
- Published in:
- Media, War & Conflict, 2014, v. 7, n. 2, p. 152, doi. 10.1177/1750635214530208
- By:
- Publication type:
- Article
28
Framing a Terrorist: The Politics of Representation in Ici et ailleurs (1970-974), Four Lions (2010), and Essential Killing (2010).
- Published in:
- 2014
- By:
- Publication type:
- Film/TV Criticism and Review
29
Extracts from Terrorism Considered as One of the Fine Arts.
- Published in:
- 2011
- By:
- Publication type:
- Excerpt
30
Peter Whitehead and Terrorism.
- Published in:
- 2011
- By:
- Publication type:
- Essay
31
On Terrorism Considered as One of the Fine Arts.
- Published in:
- Framework: The Journal of Cinema & Media, 2011, v. 52, n. 2, p. 913, doi. 10.1353/frm.2011.0093
- By:
- Publication type:
- Article
32
Chronic Trauma, the Sound of Terror, and Current Israeli Cinema.
- Published in:
- Framework: The Journal of Cinema & Media, 2008, v. 49, n. 1, p. 121, doi. 10.1353/frm.0.0003
- By:
- Publication type:
- Article
33
Patriots Day.
- Published in:
- 2017
- By:
- Publication type:
- Film/TV Criticism and Review
34
Steven Spielberg's "Munich," a Film for Our Time: A Psychohi Perspective.
- Published in:
- 2015
- By:
- Publication type:
- Film/TV Criticism and Review
35
Italian cinema and the 'anni di piombo.'.
- Published in:
- 2010
- By:
- Publication type:
- Essay
36
The ISIS' Discourse from the Rise to the Collapse: Analysis of ISIS' Discourse through Films 'Flames of War I & II'.
- Published in:
- Media Watch, 2019, v. 10, n. 2, p. 278, doi. 10.15655/mw/2019/v10i2/49633
- By:
- Publication type:
- Article
37
"SO TONIGHT I'M GONNA PARTY LIKE IT'S 1999" LOOKING FORWARD TO THE MATRIX.
- Published in:
- Critical Studies, 2006, v. 29, p. 27
- By:
- Publication type:
- Article
38
Hitchcock's Terrorists: Sources and Significance.
- Published in:
- 2011
- By:
- Publication type:
- Film/TV Criticism and Review
39
"It was Just Like a Movie".
- Published in:
- Journal of Popular Film & Television, 2009, v. 37, n. 2, p. 50, doi. 10.3200/JPFT.37.2.50-59
- By:
- Publication type:
- Article
40
Terror as cinematic desire: Discourses of citizenry and the challenge of the ‘Non-Statist’.
- Published in:
- 2013
- By:
- Publication type:
- Essay
41
Killer not terrorist: Visual articulations of terror in Bangladeshi action cinema.
- Published in:
- South Asian Popular Culture, 2013, v. 11, n. 2, p. 121, doi. 10.1080/14746689.2013.784054
- By:
- Publication type:
- Article
42
"MIRRORING TERROR": THE IMPACT OF 9/11 ON HOLLYWOOD CINEMA.
- Published in:
- Imaginations Journal, 2014, v. 5, n. 2, p. 103, doi. 10.17742/IMAGE.TGVC.5-2.7
- By:
- Publication type:
- Article
43
"JEDES HERZ...": TERROR AND HORROR IN DIE FETTEN JAHRE SIND VORBEI.
- Published in:
- Imaginations Journal, 2014, v. 5, n. 2, p. 88, doi. 10.17742/IMAGE.TGVC.5-2.6
- By:
- Publication type:
- Article
44
"Inspired by real events" MEDIA (AND) MEMORY IN STEVEN SPIELBERG'S MUNICH (2005).
- Published in:
- Imaginations Journal, 2014, v. 5, n. 2, p. 67, doi. 10.17742/IMAGE.TGVC.5-2.5
- By:
- Publication type:
- Article
45
ASKEW POSITIONS--SCHIEFLAGEN: DEPICTIONS OF CHILDREN IN GERMAN TERRORISM FILMS.
- Published in:
- Imaginations Journal, 2014, v. 5, n. 2, p. 46, doi. 10.17742/IMAGE.TGVC.5-2.4
- By:
- Publication type:
- Article
46
TERRORISM AND ITS LEGACY IN GERMAN VISUAL CULTURE.
- Published in:
- Imaginations Journal, 2014, v. 5, n. 2, p. 4
- By:
- Publication type:
- Article
47
"We are Resilient by Force, not by Choice".
- Published in:
- Imaginations Journal, 2013, v. 4, n. 1, p. 51, doi. 10.17742/IMAGE.scandal.4-1.7
- By:
- Publication type:
- Article
48
The War on Terror (and Werewolves): Post-9/11 Horror and the Gothic Clash of Civilisations.
- Published in:
- 2015
- By:
- Publication type:
- Essay
49
HOW TERRORISM MODIFIED THE HORROR MOVIES.
- Published in:
- International Journal of Terrorism & Political Hot Spots, 2017, v. 12, n. 2/3, p. 353
- By:
- Publication type:
- Article
50
Spectator sports and terrorist reports: filming the Munich Olympics, (re)imagining the Munich Massacre.
- Published in:
- Sport in Society, 2008, v. 11, n. 2/3, p. 311, doi. 10.1080/17430430701823562
- By:
- Publication type:
- Article