Found: 12
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Rural geographies and the New Chinese Cinemas: Imaging progressive places in Hou Hsiao-Hsien's Dust in the Wind and Jia Zhangke's Platform.
- Published in:
- New Cinemas: Journal of Contemporary Film, 2020, v. 17, n. 2, p. 131, doi. 10.1386/ncin_00013_1
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- Article
TEACHING TAIWAN: LITERATURE AND FILM.
- Published in:
- American Journal of Chinese Studies, 2020, v. 27, n. 1, p. 69
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- Publication type:
- Article
Tsai Ming Liang's Alternative Narratives of Working-Class Life in Taiwan.
- Published in:
- IAFOR Journal of Media, Communication & Film, 2017, v. 4, n. 1, p. 93, doi. 10.22492/ijmcf.4.1.07
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- Article
Translingual Narration: Colonial and Postcolonial Taiwanese Fiction and Film.
- Published in:
- 2016
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- Book Review
The Sinophone Cinema of Hou Hsiao-hsien: Culture, Style, Voice, and Motion.
- Published in:
- 2016
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- Publication type:
- Book Review
Passionately Documenting: Taiwan's Latest Cinematic Revival.
- Published in:
- 2015
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- Publication type:
- Film/Television Criticism
Ghosts in the Theatre: Generic play and temporality in Tsai Ming-liang's Goodbye, Dragon Inn.
- Published in:
- Asian Cinema, 2014, v. 25, n. 1, p. 33, doi. 10.1386/ac.25.1.33_1
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- Publication type:
- Article
Globalization's bottom: Subtitle and switch in Wang Yu-Lin's Taiwanese dialect films.
- Published in:
- Asian Cinema, 2014, v. 25, n. 1, p. 93, doi. 10.1386/ac.25.1.93_1
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- Article
Review.
- Published in:
- Asian Cinema, 2014, v. 25, n. 1, p. 111, doi. 10.1386/ac.25.1.111_5
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- Publication type:
- Article
Dialectics between Hakka Femininity, Hakkaness, and Taiwanness in the Film 1895.
- Published in:
- Archiv orientální (ArOr), 2011, v. 79, n. 3, p. 379
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- Publication type:
- Article
A Comic Vision in a Tragic World: On Wang Tong’s Taiwan Trilogy.
- Published in:
- 2011
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- Publication type:
- Film/Television Criticism
HAKKA CONSTRUCTION OF FEMININITY IN THE CHARACTER OF CHUNG PHIN-MOI IN THE FILM "CHINA, MY NATIVE LAND".
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- International Journal of Asia-Pacific Studies, 2010, v. 6, n. 1, p. 1
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- Publication type:
- Article