Surveillance Cinema.
- Published in:
- 2017
- By:
- Publication type:
- Book Review
Works matching DE "SURVEILLANCE in motion pictures"
Results: 15
1
2
Something to (Not) See: Reading Whiteness through Voyeurism in the Desktop Horror.
- Published in:
- Quarterly Review of Film & Video, 2024, v. 41, n. 7, p. 849, doi. 10.1080/10509208.2023.2172978
- By:
- Publication type:
- Article
3
"I Look'd Upon Her with a Soldier's Eye": The Normalization of Surveillance Culture in Whedon's Much Ado.
- Published in:
- Slayage, 2016, v. 43, p. 120
- By:
- Publication type:
- Article
4
Seeing around the next corner: The politics of time travel surveillance cinema.
- Published in:
- Science Fiction Film & Television, 2019, v. 12, n. 2, p. 195, doi. 10.3828/sfftv.2019.12
- By:
- Publication type:
- Article
5
Soiveillance: Self-Consciousness and the Social Network in Hideaki Anno's Love & Pop.
- Published in:
- 2018
- By:
- Publication type:
- Film/TV Criticism and Review
6
Arresting Cinema: Surveillance in Hong Kong Film.
- Published in:
- 2017
- By:
- Publication type:
- Book Review
7
Surveillance on Screen: Monitoring Contemporary Films and Television Programs.
- Published in:
- 2014
- By:
- Publication type:
- Book Review
8
Surveillance Cinema: Narrative between Technology and Politics.
- Published in:
- 2011
- By:
- Publication type:
- Essay
9
From Agent to Subject: Panoptic and Post-Panoptic Surveillance in Contemporary Eastern European Television Series.
- Published in:
- Studies in Eastern European Cinema, 2024, v. 15, n. 2, p. 230, doi. 10.1080/2040350X.2022.2137006
- By:
- Publication type:
- Article
10
High-Rise Visions: Surveillance, Architecture, and the Lacanian Gaze in Andrea Arnold’s Red Road.
- Published in:
- 2022
- By:
- Publication type:
- Film/TV Criticism and Review
11
System Error: Complicity with Surveillance in Contemporary Workplace Documentaries.
- Published in:
- Seminar -- A Journal of Germanic Studies, 2016, v. 52, n. 4, p. 465, doi. 10.3138/seminar.52.4.07
- By:
- Publication type:
- Article
12
Watching the Night: Surveillance and Cross-Sectional Montage in Nikolaus Geyrhalter's Abendland (2011).
- Published in:
- Seminar -- A Journal of Germanic Studies, 2016, v. 52, n. 4, p. 449, doi. 10.3138/seminar.52.4.06
- By:
- Publication type:
- Article
13
Secret Police in Style: The Aesthetics of Remembering Socialism.
- Published in:
- Seminar -- A Journal of Germanic Studies, 2016, v. 52, n. 4, p. 426, doi. 10.3138/seminar.52.4.05
- By:
- Publication type:
- Article
14
Introduction: Critical Perspectives on Surveillance in Contemporary German Literature and Film.
- Published in:
- Seminar -- A Journal of Germanic Studies, 2016, v. 52, n. 4, p. 353, doi. 10.3138/seminar.52.4.01
- By:
- Publication type:
- Article
15
Mechanisms of Control: Yaara Bou Melhem on Unseen Skies.
- Published in:
- 2022
- By:
- Publication type:
- Film/TV Criticism and Review