Works matching DE "SUPREMATISM (Art movement)"
Results: 27
The Order of Battle at Trafalgar.
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- Salmagundi, 2015, n. 188/189, p. 596
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- Article
Abstract Questions.
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- Salmagundi, 2015, n. 188/189, p. 588
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- Article
Poetic Examination of Spatial Experience: Suprematist Composition No. 1, Black on Grey by Kristina Leko.
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- Ars & Humanitas, 2018, v. 12, n. 1, p. 163, doi. 10.4312/ah.12.1.163-176
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El Lissitzky∗.
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- October, 2020, n. 172, p. 111, doi. 10.1162/octo_a_00395
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Suprematism.
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- October, 2017, n. 162, p. 102
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Expression.
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- October, 2017, n. 162, p. 69
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The Many Hands of Thick Time: William Kentridge at the Whitechapel Gallery.
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- CounterText, 2018, v. 4, n. 1, p. 128, doi. 10.3366/count.2018.0120
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- Article
Osmanlı döneminden günümüze Saraybosna müslüman mezar taşları.
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- ITU Journal Series B: Social Sciences, 2009, v. 6, n. 2, p. 55
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- Article
Yeni-primitivizmden Süprematizme Maleviç'in sanatinda tersten perspektif dördüncü boyut ilişkisi.
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- ITU Journal Series B: Social Sciences, 2009, v. 6, n. 2, p. 41
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- Article
Das Schwarze Quadrat und die jüdische Kunst: Chagall, Lisickij und Malevič in Vitebsk.
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- Aschkenas: Zeitschrift für Geschichte und Kultur der Juden, 2014, v. 24, n. 1, p. 5, doi. 10.1515/asch-2014-0012
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Black Square: Malevich and the Origin of Suprematism.
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- 2015
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- Book Review
THE TRANSPERSONALITY OF KAZIMIR MALEVIČ.
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- Journal of Integral Theory & Practice, 2014, v. 9, n. 2, p. 22
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Sémiotique de l'abstraction picturale.
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- Semiotica, 1987, v. 67, n. 1/2, p. 1, doi. 10.1515/semi.1987.67.1-2.1
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MACH AND MALEVICH: SENSATION, SUPREMATISM, AND THE OBJECTLESS WORLD.
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- Structurist, 2009, n. 49/50, p. 58
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Soviet art and Kabbalah, the story behind El-Lissitzky's Self-Portrait.
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- Journal of Modern Jewish Studies, 2022, v. 21, n. 3, p. 342, doi. 10.1080/14725886.2021.1959145
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From perception to art: how vision creates meanings.
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- Spatial Vision, 2009, v. 22, n. 3, p. 225, doi. 10.1163/156856809788313147
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The Cosmic Visionariness of Kazimir Malevich.
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- Leonardo, 2021, v. 54, n. 1, p. 125, doi. 10.1162/leon_a_01991
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Advanced Constructivism and Postgravity Art: Theoretical and Philosophical Implications.
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- Leonardo, 2018, v. 51, n. 5, p. 475, doi. 10.1162/LEON_a_01383
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Kazimir Malevich's Negative Theology and Mystical Suprematism.
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- Religions, 2021, v. 12, n. 7, p. 542, doi. 10.3390/rel12070542
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Suprematist embroidered ornament.
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- Art Journal, 1995, v. 54, n. 1, p. 42, doi. 10.2307/777505
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The legacy of the suprematist square for a sensing pedagogy: A non-objective creative contemplation for education.
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- Educational Philosophy & Theory, 2021, v. 53, n. 7, p. 740, doi. 10.1080/00131857.2020.1861939
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The Florenskian icon 'in' Lacan?
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- Word & Image, 2010, v. 26, n. 1, p. 52, doi. 10.1080/02666280902903581
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- Article
ABSTRAKCIJOS KAITOS, KRIZĖS, KONTRAVERSIJOS.
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- Acta Academiae Artium Vilnensis, 2009, n. 53, p. 109
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- Article
BERLIN AND THE SWEDISH AVANT-GARDE - GAN, NELL WALDEN, VIKING EGGELING, AXEL OLSON AND BENGT ÖSTERBLOM.
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- Avant-Garde Critical Studies, 2012, v. 28, p. 201
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- Article
Theoretical Foundations and Collective Programme of Constructivism in Russian Avant-garde Painting.
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- KnE Social Sciences, 2018, p. 100, doi. 10.18502/kss.v3i7.2468
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Ilya Kabakov and the (Traumatic) Void of Soviet History.
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- Slavonica, 2011, v. 17, n. 2, p. 123, doi. 10.1179/136174211X13122749974249
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- Article
GROUND.
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- Scope: Contemporary Research Topics (Art & Design), 2008, n. 3, p. 149
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- Article