Works matching DE "SUBJECTIVITY in music"
Results: 16
A Note from the Guest Editor.
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- Opera Quarterly, 2008, v. 24, n. 3/4, p. 149, doi. 10.1093/oq/kbp025
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- Article
Monteverdi's Voices: The Construction of Subjectivity.
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- 2008
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- Essay
Singing Together/Meaning Apart: Popular Music, Participation, and Cultural Politics in Salvador, Brazil.
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- Latin American Music Review / Revista de Música Latinoamericana, 2010, v. 31, n. 2, p. 241, doi. 10.1353/lat.2010.0021
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- Article
Reflections on musical strangement.
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- Semiotica, 2004, v. 2004, n. 150, p. 333, doi. 10.1515/semi.2004.050
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- Article
Boundary Situations: Translation and Agency in Wolpe's Modernism.
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- Contemporary Music Review, 2008, v. 27, n. 2/3, p. 323, doi. 10.1080/07494460801951439
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- Article
The Subject of Music as Subject of Excess and Emergence: Resonances and Divergences between Slavoj Žižek and Björk Guðmundsdóttir.
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- International Journal of Zizek Studies, 2017, v. 11, n. 3, p. 203
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- Article
"There is No Such Thing as an Interdisciplinary Relationship": A Žižekian Critique of Postmodern Music Analysis.
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- International Journal of Zizek Studies, 2017, v. 11, n. 3, p. 53
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- Article
Negotiated Moments: Improvisation, Sound, and Subjectivity.
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- 2019
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- Book Review
Performing your self? Autonomy and self-expression in the work of jazz musicians and classical string players.
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- Music Performance Research, 2010, v. 3, p. 42
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- Article
İnsanın Müziksel İşgörüsü.
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- Eurasian Journal of Educational Research (EJER), 2006, n. 23, p. 20
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- Article
MUSIC EDUCATION DESIRE(ING) LANGUAGE, LITERACY, AND LIEDER.
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- Philosophy of Music Education Review, 2009, v. 17, n. 1, p. 41, doi. 10.2979/PME.2009.17.1.41
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- Article
RESPONSE TO DEBORAH BRADLEY, "OH THAT MAGIC FEELING! MULTICULTURAL HUMAN SUBJECTIVITY, COMMUNITY, AND FASCISM'S FOOTPRINTS".
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- Philosophy of Music Education Review, 2009, v. 17, n. 1, p. 85, doi. 10.2979/PME.2009.17.1.85
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OH, THAT MAGIC FEELING!: MULTICULTURAL HUMAN SUBJECTIVITY, COMMUNITY, AND FASCISM'S FOOTPRINTS.
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- Philosophy of Music Education Review, 2009, v. 17, n. 1, p. 56, doi. 10.2979/PME.2009.17.1.56
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- Article
"I"-Tunes: Multiple Subjectivities and Narrative Method in Computer Music.
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- 2012
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- Essay
The Take and the Stutter: Glenn Gould's Time Synthesis.
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- Deleuze Studies, 2015, v. 9, n. 4, p. 558, doi. 10.3366/dls.2015.0204
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- Article
Gaga Gothic.
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- Textus, 2012, v. 25, n. 3, p. 161
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- Article