Subjectivity, Institutions and Language in Contemporary Israeli Film.
- Published in:
- CLCWeb: Comparative Literature & Culture: A Web Journal, 2019, v. 21, n. 2, p. 1, doi. 10.7771/1481-4374.3574
- By:
- Publication type:
- Article
Works matching DE "SUBJECTIVITY in motion pictures"
Results: 97
1
2
Psychoanalysis and the Scene of Love: Lars and the Real Girl, In the Mood for Love, and Mulholland Drive.
- Published in:
- 2013
- By:
- Publication type:
- Film/TV Criticism and Review
3
Landscapes of subjectivity in contemporary Mexican cinema.
- Published in:
- New Cinemas: Journal of Contemporary Film, 2012, v. 9, n. 2/3, p. 161, doi. 10.1386/ncin.9.2-3.161_1
- By:
- Publication type:
- Article
4
Global Subjects in Motion: Strategies for Representing Globalization in Film.
- Published in:
- Journal of Film & Video, 2010, v. 62, n. 3, p. 36, doi. 10.1353/jfv.2010.0003
- By:
- Publication type:
- Article
5
Leaving It Up to the Imagination: POV Shots and Imagining from the Inside.
- Published in:
- Journal of Aesthetics & Art Criticism, 2005, v. 63, n. 1, p. 17, doi. 10.1111/j.0021-8529.2005.00177.x
- By:
- Publication type:
- Article
6
In Threads and Tatters: Costume, Identification and Female Subjectivity in Mulholland Dr.
- Published in:
- 2011
- By:
- Publication type:
- Film/TV Criticism and Review
7
Allegorized Subaltern: Subjectivity and Death in the Works of Bahman Ghobadi.
- Published in:
- Theory & Practice in Language Studies (TPLS), 2015, v. 5, n. 2, p. 370, doi. 10.17507/tpls.0502.18
- By:
- Publication type:
- Article
8
Seeing Triple: Identification and Gamic Vision in Film and FPS Games.
- Published in:
- Film Matters, 2021, v. 12, n. 2, p. 61, doi. 10.1386/fm_00155_7
- By:
- Publication type:
- Article
9
Amorphous forms: time and subjectivity in Shadows of Forgotten Ancestors.
- Published in:
- Studies in Russian & Soviet Cinema, 2014, v. 8, n. 1, p. 24, doi. 10.1080/17503132.2014.881670
- By:
- Publication type:
- Article
10
Sergei Eisenstein: Catch Up and Overtake.
- Published in:
- Studies in Russian & Soviet Cinema, 2008, v. 2, n. 2, p. 219
- Publication type:
- Article
11
Horrorspace: Reading House of Leaves.
- Published in:
- Horror Studies, 2015, v. 6, n. 2, p. 239, doi. 10.1386/host.6.2.239_1
- By:
- Publication type:
- Article
12
La representación fílmica de la memoria personal: las películas de memoria.
- Published in:
- Zer: Journal of Communication Studies / Revista de Estudios de Comunicacion / Komunikazio Ikasketen Aldizkaria, 2017, v. 22, n. 42, p. 175, doi. 10.1387/zer.17842
- By:
- Publication type:
- Article
13
In Translation: re-conceptualising 'home' through Le Mépris and its source texts.
- Published in:
- Critical Quarterly, 2011, p. 168, doi. 10.1111/j.1467-8705.2011.00041.x
- By:
- Publication type:
- Article
14
Discourse, Linguistic Production, and Subjectivity: Disney-fying Language.
- Published in:
- Taboo: The Journal of Culture & Education, 2006, v. 10, n. 2, p. 109
- By:
- Publication type:
- Article
15
De/re-construction of subjectivity in contemporary Croatian cinema: becoming European.
- Published in:
- New Review of Film & Television Studies, 2008, v. 6, n. 1, p. 83, doi. 10.1080/17400300701850665
- By:
- Publication type:
- Article
16
Identity in a notion of the Eastern and Western European cinema.
- Published in:
- New Review of Film & Television Studies, 2008, v. 6, n. 1, p. 41, doi. 10.1080/17400300701850616
- By:
- Publication type:
- Article
17
THE DEATH OF THE CAMERA.
- Published in:
- New Review of Film & Television Studies, 2006, v. 4, n. 3, p. 311, doi. 10.1080/17400300600982114
- By:
- Publication type:
- Article
18
Introduction to the First Issue of New Review of Film and Television Studies . Meaningful research in film and television studies.
- Published in:
- New Review of Film & Television Studies, 2003, v. 1, n. 1, p. 1, doi. 10.1080/1740030032000137531
- By:
- Publication type:
- Article
19
Is there a Minority Report?, or: What is Subjectivity?
- Published in:
- 2007
- By:
- Publication type:
- Editorial
20
Destabilizing and Hypnotic Power of the Modern Seductress in the Movie Madam Ahou's Husband (1968).
- Published in:
- Quarterly Review of Film & Video, 2024, v. 41, n. 7, p. 1091, doi. 10.1080/10509208.2023.2183736
- By:
- Publication type:
- Article
21
Female Subjectivity, Sexuality, and the Femme Fatale in Born to Kill.
- Published in:
- 2016
- By:
- Publication type:
- Film/TV Criticism and Review
22
The Dismantling of the Fourth Wall.
- Published in:
- 2015
- By:
- Publication type:
- Essay
23
Murnau's The Last Laugh and Hitchcock's Subjective Camera.
- Published in:
- Quarterly Review of Film & Video, 2006, v. 23, n. 3, p. 257, doi. 10.1080/105092090503349
- By:
- Publication type:
- Article
24
The Point of View.
- Published in:
- Quarterly Review of Film & Video, 1989, v. 11, n. 2, p. 1, doi. 10.1080/10509208909361295
- By:
- Publication type:
- Article
25
Esoteric Archaeologies and Interplanetary Becoming in Laura Kraning's Meridian Plain.
- Published in:
- 2021
- By:
- Publication type:
- Film/TV Criticism and Review
26
A Philopoetic Engagement Deleuze and The Element of Crime.
- Published in:
- 2015
- By:
- Publication type:
- Film/TV Criticism and Review
27
Color names, stimulus color, and their subjective links.
- Published in:
- Color Research & Application, 2017, v. 42, n. 1, p. 89, doi. 10.1002/col.22034
- By:
- Publication type:
- Article
28
Structures in Service to Wonder: Ivy Pochoda's Wonder Valley.
- Published in:
- 2017
- By:
- Publication type:
- Book Review
29
Screenwriting for Sound.
- Published in:
- New Soundtrack, 2011, v. 1, n. 2, p. 103, doi. 10.3366/sound.2011.0013
- By:
- Publication type:
- Article
30
Interactive engagement with embodied agents: an empirically validated framework.
- Published in:
- Computer Animation & Virtual Worlds, 2009, v. 20, n. 2/3, p. 195
- By:
- Publication type:
- Article
31
What Maisie Heard: Sound, Sexuality, and the Subjective Camera.
- Published in:
- Henry James Review, 2022, v. 43, n. 2, p. 178, doi. 10.1353/hjr.2022.0013
- By:
- Publication type:
- Article
32
The Horror of Discorrelation: Mediating Unease in Post-Cinematic Screens and Networks.
- Published in:
- JCMS: Journal of Cinema & Media Studies, 2020, v. 60, n. 1, p. 26, doi. 10.1353/cj.2020.0061
- By:
- Publication type:
- Article
33
The End of the Line: Who is Most at Risk from the Crisis in Global Fisheries?
- Published in:
- 2010
- By:
- Publication type:
- Film/TV Criticism and Review
34
Family Film: From Family Registers to Historical Artifacts.
- Published in:
- Visual Anthropology, 2008, v. 21, n. 2, p. 112, doi. 10.1080/08949460701849682
- By:
- Publication type:
- Article
35
Projector calibration from the camera image point of view.
- Published in:
- Optical Engineering, 2009, v. 48, n. 11, p. 117208, doi. 10.1117/1.3265551
- By:
- Publication type:
- Article
36
Cinematic subjectivity in Zepo.
- Published in:
- Short Film Studies, 2018, v. 8, n. 1, p. 25, doi. 10.1386/sfs.8.1.25_1
- By:
- Publication type:
- Article
37
The invisible stalker in It Can Pass Through the Wall.
- Published in:
- Short Film Studies, 2017, v. 7, n. 2, p. 191, doi. 10.1386/sfs.7.2.191_1
- By:
- Publication type:
- Article
38
'But There Are No Lions in the Scottish Highlands': Reading the trunk in Matka.
- Published in:
- Short Film Studies, 2014, v. 4, n. 1, p. 51, doi. 10.1386/sfs.4.1.51_1
- By:
- Publication type:
- Article
39
Interrogating the Look of the Gaze: Theorizing a Latina Cine-subjectivity.
- Published in:
- Women, 2012, v. 23, n. 3, p. 323, doi. 10.1080/09574042.2012.708229
- By:
- Publication type:
- Article
40
TO ACT OR TO PERFORM: DISTINGUISHING FILMIC AUTOBIOGRAPHY.
- Published in:
- Biography: An Interdisciplinary Quarterly, 2006, v. 29, n. 1, p. 1, doi. 10.1353/bio.2006.0022
- By:
- Publication type:
- Article
41
JULIO MEDEM Y LA POÉTICA DEL COMPROMISO.
- Published in:
- Alpha: Revista de Artes, Letras y Filosofía, 2004, n. 20, p. 121
- By:
- Publication type:
- Article
42
Morphing Realities: The Current Status of the Real in Film and Television.
- Published in:
- Framework: The Journal of Cinema & Media, 2008, v. 49, n. 1, p. 48
- By:
- Publication type:
- Article
43
Sans soleil by Chris Marker. The essay film and its cinematic thinking process: reflecting on postmodernity.
- Published in:
- 2024
- By:
- Publication type:
- Film/TV Criticism and Review
44
Documenting work: Manuela Pellarin's non-fiction films in the industrial Veneto.
- Published in:
- Studies in European Cinema, 2011, v. 8, n. 2, p. 141, doi. 10.1386/seci.8.2.141_1
- By:
- Publication type:
- Article
45
Bergman and the Film Image.
- Published in:
- Midwest Studies In Philosophy (Wiley-Blackwell), 2010, v. 34, n. 1, p. 323, doi. 10.1111/j.1475-4975.2010.00199.x
- By:
- Publication type:
- Article
46
Fiction Film and the Varieties of Empathic Engagement.
- Published in:
- Midwest Studies In Philosophy (Wiley-Blackwell), 2010, v. 34, n. 1, p. 158, doi. 10.1111/j.1475-4975.2010.00200.x
- By:
- Publication type:
- Article
47
La construcción de la imagen de México en Estados Unidos desde una perspectiva de riesgo.
- Published in:
- Frontera Norte, 2008, v. 20, n. 39, p. 37
- By:
- Publication type:
- Article
48
Sandhya Suri's I for India: Documenting Transnational Subjectivity.
- Published in:
- IAFOR Journal of Media, Communication & Film, 2014, v. 1, n. 2, p. 61
- By:
- Publication type:
- Article
49
The Exo-Postural Gaze: A Way out of Representation and Visual Recollection.
- Published in:
- Caietele Echinox, 2015, v. 28, p. 355
- By:
- Publication type:
- Article
50
Masters of the Nation.
- Published in:
- China Perspectives, 2015, n. 2, p. 15
- By:
- Publication type:
- Article