I Have No Mouth (pts.1-6): Introducing Postdigital Spectralism.
- Published in:
- Leonardo Music Journal, 2014, v. 24, n. 1, p. 45, doi. 10.1162/LMJ_a_00201
- By:
- Publication type:
- Article
Works matching DE "SPECTRAL music"
Results: 27
1
2
Crowdsourcing the Corpus: Using Collective Intelligence as a Method for Composition.
- Published in:
- Leonardo Music Journal, 2011, v. 21, n. 1, p. 25, doi. 10.1162/LMJ_a_00057
- By:
- Publication type:
- Article
3
The Influences of Spectral Music on Slovenian Compositional Creativity in the Last Few Decades.
- Published in:
- Musicological Annual / Muzikoloski Zbornik, 2018, v. 54, n. 1, p. 193, doi. 10.4312/mz.54.1.191-194
- Publication type:
- Article
4
Spectral thought in the work of composer Octavian Nemescu.
- Published in:
- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2017, v. 10, p. 117
- By:
- Publication type:
- Article
5
Spectralism. Spectral composition techniques.
- Published in:
- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2017, v. 10, n. 2, p. 85
- By:
- Publication type:
- Article
6
PHILOSOPHY, LITERATURE AND (A)TONAL MUSIC AS INGREDIENTS OF SPECTRAL MUSIC. WHEN THE HILLS ARE TOSSING BLACK SHADOWS.
- Published in:
- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2013, v. 6, n. 2, p. 7
- By:
- Publication type:
- Article
7
„Nedvylikos sistemų“ sklaida XX a.: mikrointervalinės ir spektrinės kompozicijos ypatumai.
- Published in:
- Musicology of Lithuania / Lietuvos muzikologija, 2009, n. 10, p. 44
- By:
- Publication type:
- Article
8
Melody on the Threshold in Spectral Music.
- Published in:
- Music Theory Online, 2021, v. 27, n. 2, p. 128, doi. 10.30535/mto.27.2.9
- By:
- Publication type:
- Article
9
rgn.1 | ‘nt’rl’d’ | and rgn.2.
- Published in:
- Textual Practice, 2017, v. 31, n. 4, p. 595, doi. 10.1080/0950236X.2017.1296092
- By:
- Publication type:
- Article
10
Notes, sounds, outsides and insides: Perspectives on pitch in acousmatic music.
- Published in:
- Journal of Music, Technology & Education, 2013, v. 6, n. 3, p. 255, doi. 10.1386/jmte.6.3.255_1
- By:
- Publication type:
- Article
11
Musical Sound Separation Based on Binary Time-Frequency Masking.
- Published in:
- EURASIP Journal on Audio Speech & Music Processing, 2009, v. 2009, p. 1, doi. 10.1155/2009/130567
- By:
- Publication type:
- Article
12
Nonlinear dimensionality reduction for efficient and effective audio similarity searching.
- Published in:
- Multimedia Tools & Applications, 2011, v. 51, n. 3, p. 881, doi. 10.1007/s11042-009-0420-7
- By:
- Publication type:
- Article
13
Synchronization to metrical levels in music depends on low-frequency spectral components and tempo.
- Published in:
- Psychological Research, 2018, v. 82, n. 6, p. 1195, doi. 10.1007/s00426-017-0894-2
- By:
- Publication type:
- Article
14
Spectral Envelope Transformation in Singing Voice for Advanced Pitch Shifting.
- Published in:
- Applied Sciences (2076-3417), 2016, v. 6, n. 11, p. 368, doi. 10.3390/app6110368
- By:
- Publication type:
- Article
15
Entrevista con Tristan Murail: Diálogo y Reflexión en Torno a la Música Espectral.
- Published in:
- 2010
- By:
- Publication type:
- Interview
16
Gerard Grisey and the 'Nature' of Harmonymusa.
- Published in:
- Music Analysis, 2009, v. 28, n. 2/3, p. 349, doi. 10.1111/j.1468-2249.2011.00294.x
- By:
- Publication type:
- Article
17
Try this at home!
- Published in:
- 2013
- By:
- Publication type:
- Conference Paper/Materials
18
The Emergence of Spectra in Gérard Grisey's Compositional Process: From Dérives (1973–74) to Les espaces acoustiques (1974–85).
- Published in:
- Contemporary Music Review, 2011, v. 30, n. 5, p. 343, doi. 10.1080/07494467.2011.665582
- By:
- Publication type:
- Article
19
Metaboles as a Fork in the Road: Twin Paths in Dutilleux's Later Music.
- Published in:
- Contemporary Music Review, 2010, v. 29, n. 5, p. 485, doi. 10.1080/07494467.2010.589126
- By:
- Publication type:
- Article
20
Timbre, Process and accords fixes: Dutilleux and his Younger French Contemporaries.
- Published in:
- Contemporary Music Review, 2010, v. 29, n. 5, p. 447, doi. 10.1080/07494467.2010.589124
- By:
- Publication type:
- Article
21
The spectral music of James Tenney.
- Published in:
- Contemporary Music Review, 2008, v. 27, n. 1, p. 91, doi. 10.1080/07494460701671558
- By:
- Publication type:
- Article
22
Target Practice1.
- Published in:
- Contemporary Music Review, 2005, v. 24, n. 2/3, p. 149, doi. 10.1080/07494460500154814
- By:
- Publication type:
- Article
23
The Revolution of Complex Sounds.
- Published in:
- Contemporary Music Review, 2005, v. 24, n. 2/3, p. 121, doi. 10.1080/07494460500154780
- By:
- Publication type:
- Article
24
After-thoughts.
- Published in:
- Contemporary Music Review, 2005, v. 24, n. 2/3, p. 269, doi. 10.1080/07494460500154954
- By:
- Publication type:
- Article
25
Timbre versus spectralism.
- Published in:
- Contemporary Music Review, 2003, v. 22, n. 1/2, p. 87, doi. 10.1080/0749446032000134751
- By:
- Publication type:
- Article
26
"Wild Ocean": an interview with Horatiu Radulescu.
- Published in:
- 2003
- By:
- Publication type:
- Interview
27
Saturation: Metaphor for Composition?
- Published in:
- 2014
- By:
- Publication type:
- Abstract