Plastic Reality: Special Effects, Technology, and the Emergence of 1970s Blockbuster Aesthetics.
- Published in:
- 2016
- By:
- Publication type:
- Book Review
Works matching DE "SPECIAL effects (Motion pictures)"
Results: 148
1
2
'The Scream Instead of the Statement?' Two Landmark Films in Science Fiction's Meandering Path to Critical Relevance.
- Published in:
- Film Matters, 2011, v. 2, n. 4, p. 24, doi. 10.1386/fm.2.4.24_1
- By:
- Publication type:
- Article
3
An Aggravated Film Student's Look at Remakes.
- Published in:
- Film Matters, 2011, v. 2, n. 2, p. 30, doi. 10.1386/fm.2.2.30_1
- By:
- Publication type:
- Article
4
Students' Perception In Problem-Based Digital Visual Effects Programs.
- Published in:
- Technology, Instruction, Cognition & Learning, 2009, v. 6, n. 4, p. 273
- By:
- Publication type:
- Article
5
Genre and Fantasy: Melodrama, Horror, and the Gothic in Martin Scorsese's Cape Fear (1991).
- Published in:
- Atlantis (0210-6124), 2004, v. 26, n. 1, p. 61
- By:
- Publication type:
- Article
6
Fast and stable simulation of virtual water scenes with interactions.
- Published in:
- Virtual Reality, 2013, v. 17, n. 1, p. 77, doi. 10.1007/s10055-013-0222-0
- By:
- Publication type:
- Article
7
TÜRK SİNEMASINDA ÖZEL EFEKT TEKNOLOJİLERİ ARACILIĞIYLA OLUŞTURULAN KORKU İKONLARI.
- Published in:
- Global Media Journal: Turkish Edition, 2014, v. 5, n. 9, p. 372
- By:
- Publication type:
- Article
8
Nature Caught in the Act: On the Transformation of an Idea of Art in Early Cinema.
- Published in:
- Comparative Critical Studies, 2009, v. 6, n. 3, p. 373, doi. 10.3366/E1744185409000858
- By:
- Publication type:
- Article
9
FROM DARK TO LIGHT.
- Published in:
- Australian Screen Education, 2002, n. 29, p. 20
- By:
- Publication type:
- Article
10
BEYOND THE CRYPT.
- Published in:
- Metro, 2014, n. 180, p. 50
- By:
- Publication type:
- Article
11
FILMING THE FANTASTIC: A GUIDE TO VISUAL EFFECTS CINEMATOGRAPHY.
- Published in:
- 2008
- By:
- Publication type:
- Book Review
12
Old Tropes in New Dimensions: Stereoscopy and Franchise Spectatorship.
- Published in:
- 2013
- By:
- Publication type:
- Film/TV Criticism and Review
13
Digital Frames and Visible Grain: Spatial and Material Reintegration in Irréversible.
- Published in:
- Film Criticism, 2007, v. 32, n. 1, p. 95
- By:
- Publication type:
- Article
14
Pixel Visions: Digital Intermediates and Micromanipulations of the Image.
- Published in:
- Film Criticism, 2007, v. 32, n. 1, p. 72
- By:
- Publication type:
- Article
15
Sensing an Intellectual Nemesis.
- Published in:
- Film Criticism, 2007, v. 32, n. 1, p. 49
- By:
- Publication type:
- Article
16
The Migration of Forms: Bullet Time as Microgenre.
- Published in:
- Film Criticism, 2007, v. 32, n. 1, p. 26
- By:
- Publication type:
- Article
17
Digital Visual Effects and Popular Cinema: An Introduction.
- Published in:
- Film Criticism, 2007, v. 32, n. 1, p. 2
- By:
- Publication type:
- Article
18
Spectacular Optics: The Deployment of Special Effects in David Cronenberg's Films.
- Published in:
- Film Criticism, 2004, v. 29, n. 2, p. 34
- By:
- Publication type:
- Article
19
Costuming and the Color System of Leave Her to Heaven.
- Published in:
- Film Criticism, 1987, v. 11, n. 3, p. 11
- By:
- Publication type:
- Article
20
"Fellini's Toby Darnmit" an original adaptation.
- Published in:
- Film Criticism, 1976, v. 1, n. 1, p. 26
- Publication type:
- Article
21
Contemporary mainstream cinema is good for you: connections between surrealism and today's digital blockbusters.
- Published in:
- Studies in European Cinema, 2009, v. 6, n. 1, p. 17, doi. 10.1386/seci.6.1.17/1
- By:
- Publication type:
- Article
22
Editorial.
- Published in:
- 2004
- By:
- Publication type:
- Editorial
23
Fear at the hands of technology: The proto-Surrealism of the films of Segundo de Chomón.
- Published in:
- 2008
- By:
- Publication type:
- Essay
24
Unfinished Bodies: The Sticky Materiality of Prosthetic Effects.
- Published in:
- JCMS: Journal of Cinema & Media Studies, 2021, v. 60, n. 3, p. 104, doi. 10.1353/cj.2021.0029
- By:
- Publication type:
- Article
25
More Than Meets the Eye: Special Effects and the Fantastic Transmedia Franchise by Bob Rehak (review).
- Published in:
- 2020
- By:
- Publication type:
- Book Review
26
SPECIAL EFFECTS IN MODERN UZBEK ANIMATED FILMS.
- Published in:
- European Science Review, 2021, n. 3/4, p. 20, doi. 10.29013/ESR-21-3.4-20-24
- By:
- Publication type:
- Article
27
CINEMATOGRAPHY OF UZBEKISTAN IN THE YEARS OF INDEPENDENCE.
- Published in:
- European Science Review, 2021, n. 3/4, p. 3, doi. 10.29013/ESR-21-3.4-3-7
- By:
- Publication type:
- Article
28
The Interchangeability of VFX and Live Action and Its Implications for Realism.
- Published in:
- Journal of Film & Video, 2017, v. 69, n. 1, p. 3, doi. 10.5406/jfilmvideo.69.1.0003
- By:
- Publication type:
- Article
29
Contests and Simulations: Tron: Legacy's Connections with Technologies.
- Published in:
- 2014
- By:
- Publication type:
- Film/TV Criticism and Review
30
Perceptual Realism and Digital VFXs in the Korean Blockbuster of the 2010s: The Admiral: Roaring Currents and Ode to My Father.
- Published in:
- 2019
- By:
- Publication type:
- Film/TV Criticism and Review
31
Digital Mayhem, Optical Decimation: The Technopoetics of Special Effects.
- Published in:
- 2017
- By:
- Publication type:
- Film/TV Criticism and Review
32
Life Out of Death—Violent FX and Its Vivacious Power.
- Published in:
- 2017
- By:
- Publication type:
- Film/TV Criticism and Review
33
Blood in the Corridor: The Digital Mastery of Hero Run Shoot-outs in Kick-Ass and Wanted.
- Published in:
- 2017
- By:
- Publication type:
- Film/TV Criticism and Review
34
Digital Visceral: Textural Play and the Flamboyant Gesture in Digital Screen Violence.
- Published in:
- 2017
- By:
- Publication type:
- Film/TV Criticism and Review
35
The Digital Aesthetic of Violence: Introducing the Special Issue.
- Published in:
- Journal of Popular Film & Television, 2017, v. 45, n. 1, p. 2, doi. 10.1080/01956051.2017.1270133
- By:
- Publication type:
- Article
36
The New Language of the Digital Film.
- Published in:
- Journal of Popular Film & Television, 2014, v. 42, n. 1, p. 47, doi. 10.1080/01956051.2012.759898
- By:
- Publication type:
- Article
37
Special effects and uncanny affect: CGI and the post-cinematic uncanny.
- Published in:
- Ubiquity (2045-6271), 2016, v. 5, n. 1, p. 75, doi. 10.1386/ubiq.5.1.75_1
- By:
- Publication type:
- Article
38
Thinking filming thinking filming.
- Published in:
- Journal of Aesthetics & Culture, 2009, v. 1, p. 1, doi. 10.3402/jac.v1i0.2122
- By:
- Publication type:
- Article
39
Introduction: Digital Labor behind the Screen.
- Published in:
- Critical Studies in Media Communication, 2015, v. 32, n. 3, p. 158, doi. 10.1080/15295036.2015.1061681
- By:
- Publication type:
- Article
40
(Post)Production: Classifications and Infrastructures of Digital Visual Effects.
- Published in:
- Critical Studies in Media Communication, 2015, v. 32, n. 3, p. 161, doi. 10.1080/15295036.2015.1045304
- By:
- Publication type:
- Article
41
LE CINÉASTE COCTEAU : UNE CONCEPTION ARTISTIQUE AU CARREFOUR DE LA LITTÉRATURE ET DES ARTS VISUELS.
- Published in:
- Studia Universitatis Babeş-Bolyai, Dramatica, 2010, v. 55, n. 2, p. 81
- By:
- Publication type:
- Article
42
JAVNI VATROMETI.
- Published in:
- Sigurnost, 2010, v. 52, n. 4, p. 393
- Publication type:
- Article
43
The Approach to Create: James Wong Howe.
- Published in:
- Image, 1977, v. 20, n. 1, p. 1
- By:
- Publication type:
- Article
44
LE FILS DU DIABLE FAIT LA NOCE EN PARIS.
- Published in:
- Image, 1957, v. 6, n. 5, p. 122
- Publication type:
- Article
45
THE BATTLE IN THE CLOUDS.
- Published in:
- Image, 1957, v. 6, n. 5, p. 122
- Publication type:
- Article
46
THE ENCHANTED GLASSES.
- Published in:
- Image, 1957, v. 6, n. 5, p. 122
- Publication type:
- Article
47
At the movies.
- Published in:
- ITNOW, 2007, v. 49, n. 5, p. 08, doi. 10.1093/itnow/bwm023
- Publication type:
- Article
48
‘What the Moon is Like’: technology, modernity, and experience in a late-nineteenth-century astronomical entertainment.
- Published in:
- Early Popular Visual Culture, 2017, v. 15, n. 2, p. 175, doi. 10.1080/17460654.2017.1318521
- By:
- Publication type:
- Article
49
Patient research on the slapstick lots: From trick men to special effects artists in silent Hollywood.
- Published in:
- Early Popular Visual Culture, 2015, v. 13, n. 2, p. 152, doi. 10.1080/17460654.2015.1025531
- By:
- Publication type:
- Article
50
Performing illusions: cinema, special effects and the virtual actor.
- Published in:
- 2012
- By:
- Publication type:
- Book Review