Works matching DE "SPECIAL effects (Motion pictures)"
Results: 141
Genre and Fantasy: Melodrama, Horror, and the Gothic in Martin Scorsese's Cape Fear (1991).
- Published in:
- Atlantis (0210-6124), 2004, v. 26, n. 1, p. 61
- By:
- Publication type:
- Article
Richard Mansfield, Jekyll and Hyde and the History of Special Effects.
- Published in:
- Nineteenth Century Theatre & Film, 2012, v. 39, n. 2, p. 54, doi. 10.7227/NCTF.39.2.4
- By:
- Publication type:
- Article
The enchanted worlds of the FTII Diploma films.
- Published in:
- Screen, 2017, v. 58, n. 1, p. 90, doi. 10.1093/screen/hjx007
- By:
- Publication type:
- Article
pectacular Digital Effects: CGI and Contemporary Cinema.
- Published in:
- 2016
- By:
- Publication type:
- Book Review
Mediality, materiality, narrative: successive incarnations of a special effect in Vanishing Point and Death Proof.
- Published in:
- 2016
- By:
- Publication type:
- Film/TV Criticism and Review
'Practically infinite manipulability': domestic dogs, canine performance and digital cinema.
- Published in:
- 2015
- By:
- Publication type:
- Film/TV Criticism and Review
The DreamWorks effect the case for studying the ideology of production design.
- Published in:
- Screen, 2004, v. 45, n. 4, p. 383, doi. 10.1093/screen/45.4.383
- By:
- Publication type:
- Article
CGI effects in Hollywood science-fiction cinema 1989-95: the wonder years.
- Published in:
- Screen, 1999, v. 40, n. 2, p. 158, doi. 10.1093/screen/40.2.158
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- Publication type:
- Article
Introduction. Le réel, c'est I'impossible: the sublime time of special effects.
- Published in:
- Screen, 1999, v. 40, n. 2, p. 123, doi. 10.1093/screen/40.2.123
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- Publication type:
- Article
CONTINUOUS SKELETON-DRIVEN SKINNING — A GENERAL APPROACH FOR MODELING SKIN DEFORMATION.
- Published in:
- International Journal of Image & Graphics, 2009, v. 9, n. 4, p. 591, doi. 10.1142/S0219467809003599
- By:
- Publication type:
- Article
The Interchangeability of VFX and Live Action and Its Implications for Realism.
- Published in:
- Journal of Film & Video, 2017, v. 69, n. 1, p. 3, doi. 10.5406/jfilmvideo.69.1.0003
- By:
- Publication type:
- Article
Contests and Simulations: Tron: Legacy's Connections with Technologies.
- Published in:
- 2014
- By:
- Publication type:
- Film/TV Criticism and Review
Perceptual Realism and Digital VFXs in the Korean Blockbuster of the 2010s: The Admiral: Roaring Currents and Ode to My Father.
- Published in:
- 2019
- By:
- Publication type:
- Film/TV Criticism and Review
Life Out of Death—Violent FX and Its Vivacious Power.
- Published in:
- 2017
- By:
- Publication type:
- Film/TV Criticism and Review
Blood in the Corridor: The Digital Mastery of Hero Run Shoot-outs in Kick-Ass and Wanted.
- Published in:
- 2017
- By:
- Publication type:
- Film/TV Criticism and Review
Digital Visceral: Textural Play and the Flamboyant Gesture in Digital Screen Violence.
- Published in:
- 2017
- By:
- Publication type:
- Film/TV Criticism and Review
Digital Mayhem, Optical Decimation: The Technopoetics of Special Effects.
- Published in:
- 2017
- By:
- Publication type:
- Film/TV Criticism and Review
The Digital Aesthetic of Violence: Introducing the Special Issue.
- Published in:
- Journal of Popular Film & Television, 2017, v. 45, n. 1, p. 2, doi. 10.1080/01956051.2017.1270133
- By:
- Publication type:
- Article
The New Language of the Digital Film.
- Published in:
- Journal of Popular Film & Television, 2014, v. 42, n. 1, p. 47, doi. 10.1080/01956051.2012.759898
- By:
- Publication type:
- Article
Blood on Boylston: Digital Memory and the Dramatisation of Recent History in Patriots Day.
- Published in:
- M/C Journal, 2017, v. 20, n. 5, p. 1, doi. 10.5204/mcj.1288
- By:
- Publication type:
- Article
The History of Contact Lenses: Part 3 Therapeutic Contact Lenses.
- Published in:
- Eye Care Review, 2008, v. 2, n. 5, p. 7
- By:
- Publication type:
- Article
#standby.
- Published in:
- Ephemera: Theory & Politics in Organization, 2021, v. 21, n. 1, p. 301
- By:
- Publication type:
- Article
‘What the Moon is Like’: technology, modernity, and experience in a late-nineteenth-century astronomical entertainment.
- Published in:
- Early Popular Visual Culture, 2017, v. 15, n. 2, p. 175, doi. 10.1080/17460654.2017.1318521
- By:
- Publication type:
- Article
Patient research on the slapstick lots: From trick men to special effects artists in silent Hollywood.
- Published in:
- Early Popular Visual Culture, 2015, v. 13, n. 2, p. 152, doi. 10.1080/17460654.2015.1025531
- By:
- Publication type:
- Article
Performing illusions: cinema, special effects and the virtual actor.
- Published in:
- 2012
- By:
- Publication type:
- Book Review
Making Culture Into Nature; or, Who Put the "Special" into "Special Effects"?
- Published in:
- Science Fiction Studies, 1980, v. 7, n. 3, p. 263
- By:
- Publication type:
- Article
THE TECHNIQUE OF SPECIAL-EFFECTS CINEMATOGRAPHY (Book).
- Published in:
- 1967
- By:
- Publication type:
- Book Review
"Time Destroys All Things": An Interview With Gaspar Noé.
- Published in:
- 2007
- By:
- Publication type:
- Interview
The Vatican to Vegas: A History of Special Effects by Norman M. Klein (New York and London: The New Press, 2004).
- Published in:
- 2007
- By:
- Publication type:
- Book Review
Crossing Borders and Opening Boxes: Disney and Hybrid Animation.
- Published in:
- Quarterly Review of Film & Video, 2007, v. 24, n. 2, p. 107, doi. 10.1080/10509200500486155
- By:
- Publication type:
- Article
Personal Perspective through Digital Art in Contemporary Theatre and Performance.
- Published in:
- Theatrical Colloquia, 2023, v. 13, n. 2, p. 133, doi. 10.35218/tco.2023.13.2.13
- By:
- Publication type:
- Article
Special effects and uncanny affect: CGI and the post-cinematic uncanny.
- Published in:
- Ubiquity (2045-6271), 2016, v. 5, n. 1, p. 75, doi. 10.1386/ubiq.5.1.75_1
- By:
- Publication type:
- Article
Seeing through Spirits: Superimposition, Cognition, and The Phantom Carriage.
- Published in:
- Film History, 2016, v. 28, n. 2, p. 114, doi. 10.2979/filmhistory.28.2.05
- By:
- Publication type:
- Article
The True Stars of Star Wars? Experimental Filmmakers in the 1970s and 1980s Special Effects Industry.
- Published in:
- Film History, 2014, v. 26, n. 4, p. 120, doi. 10.2979/filmhistory.26.4.120
- By:
- Publication type:
- Article
The ILM Version: Recent Digital Effects and the Aesthetics of 1970s Cinematography.
- Published in:
- 2012
- By:
- Publication type:
- Essay
Old Tropes in New Dimensions: Stereoscopy and Franchise Spectatorship.
- Published in:
- 2013
- By:
- Publication type:
- Film/TV Criticism and Review
Digital Frames and Visible Grain: Spatial and Material Reintegration in Irréversible.
- Published in:
- Film Criticism, 2007, v. 32, n. 1, p. 95
- By:
- Publication type:
- Article
Pixel Visions: Digital Intermediates and Micromanipulations of the Image.
- Published in:
- Film Criticism, 2007, v. 32, n. 1, p. 72
- By:
- Publication type:
- Article
Sensing an Intellectual Nemesis.
- Published in:
- Film Criticism, 2007, v. 32, n. 1, p. 49
- By:
- Publication type:
- Article
The Migration of Forms: Bullet Time as Microgenre.
- Published in:
- Film Criticism, 2007, v. 32, n. 1, p. 26
- By:
- Publication type:
- Article
Digital Visual Effects and Popular Cinema: An Introduction.
- Published in:
- Film Criticism, 2007, v. 32, n. 1, p. 2
- By:
- Publication type:
- Article
Spectacular Optics: The Deployment of Special Effects in David Cronenberg's Films.
- Published in:
- Film Criticism, 2004, v. 29, n. 2, p. 34
- By:
- Publication type:
- Article
Costuming and the Color System of Leave Her to Heaven.
- Published in:
- Film Criticism, 1987, v. 11, n. 3, p. 11
- By:
- Publication type:
- Article
The Approach to Create: James Wong Howe.
- Published in:
- Image, 1977, v. 20, n. 1, p. 1
- By:
- Publication type:
- Article
LE FILS DU DIABLE FAIT LA NOCE EN PARIS.
- Published in:
- Image, 1957, v. 6, n. 5, p. 122
- Publication type:
- Article
THE BATTLE IN THE CLOUDS.
- Published in:
- Image, 1957, v. 6, n. 5, p. 122
- Publication type:
- Article
THE ENCHANTED GLASSES.
- Published in:
- Image, 1957, v. 6, n. 5, p. 122
- Publication type:
- Article
Elastic Cinema.
- Published in:
- Convergence: The Journal of Research into New Media Technologies, 2003, v. 9, n. 3, p. 56, doi. 10.1177/135485650300900305
- By:
- Publication type:
- Article
The analogue and the digital head-death.
- Published in:
- Visual Studies, 2015, v. 30, n. 1, p. 68, doi. 10.1080/1472586X.2015.996399
- By:
- Publication type:
- Article
Are "outsiders" in? Exploring the impact of outsourced workers' perceived insider status and job value status on job performance.
- Published in:
- Frontiers in Psychology, 2023, p. 1, doi. 10.3389/fpsyg.2023.1159022
- By:
- Publication type:
- Article