Measuring evolution acceptance using the GAENE: influences of gender, race, degree-plan, and instruction.Published in:Evolution: Education & Outreach, 2018, v. 12, n. 1, p. 1, doi. 10.1186/s12052-018-0091-9By:Sbeglia, Gena C.;Nehm, Ross H.Publication type:Article
MAJOR CHANGES IN "MINOR" THEATER: LUIS QUIÑONES DE BENAVENTE'S DRAMATIZATION OF DRAMATIC THEORY AND ITS EFFECTS ON THE INTERLUDE IN EARLY MODERN SPAIN.Published in:2007By:Grubbs, Anthony J.Publication type:Literary Criticism
Making A Liar of Truth: The 'Play' of Society, Fiction and Deceit in Cervantes's El viejo celoso.Published in:Revista de Estudios Hispánicos, 1999, v. 33, n. 2, p. 265By:Presberg, Charles D.Publication type:Article
Entre danzas antiguas y bailes nuevos: la huella de Francisco de Quevedo en la evolución del baile dramático.Published in:2013By:Sáez Raposo, FranciscoPublication type:Literary Criticism
De nuevo sobre la autoría de Los refranes del viejo celoso, entremés atribuido a Quevedo.Published in:2013By:Madroñal, AbrahamPublication type:Literary Criticism
Las formas de lo cómico en los entremeses de Quevedo.Published in:Perinola, 2008, n. 12, p. 79By:Maestro, Jesús G.Publication type:Article