Feminist documentary cinema as a diffraction apparatus for the visualisation of care labour: the Spanish collective film Cuidado, resbala (2013).
- Published in:
- 2017
- By:
- Publication type:
- Film/TV Criticism and Review
Works matching DE "SPANISH films -- History %26 criticism"
Results: 44
1
2
Turning the camera into a weapon: Juan Piqueras’s radical noncommercial film projects and their afterlives (1930s–1970s).
- Published in:
- Journal of Spanish Cultural Studies, 2017, v. 18, n. 4, p. 341, doi. 10.1080/14636204.2017.1380148
- By:
- Publication type:
- Article
3
Anachronism and the militant image: temporal disturbances of the political imagination.
- Published in:
- Journal of Spanish Cultural Studies, 2017, v. 18, n. 4, p. 331, doi. 10.1080/14636204.2017.1380147
- By:
- Publication type:
- Article
4
Ghostly resonance: sound, memory and matter in Las olas and Dies d ' agost.
- Published in:
- Journal of Spanish Cultural Studies, 2014, v. 15, n. 3, p. 323, doi. 10.1080/14636204.2014.972097
- By:
- Publication type:
- Article
5
Spectacle as spectralization, untimely timelessness: Marcelino pan y vino and mid-1950s' Francoism.
- Published in:
- Journal of Spanish Cultural Studies, 2014, v. 15, n. 3, p. 337, doi. 10.1080/14636204.2014.972101
- By:
- Publication type:
- Article
6
Spanish Cinema 1973-2010. Auteurism, Politics, Landscape and Memory.
- Published in:
- 2015
- By:
- Publication type:
- Book Review
7
Silencios de pánico. Historia del cine fantástico y de terror español, 1897-2010.
- Published in:
- 2014
- By:
- Publication type:
- Book Review
8
Our Amateur Cinema in Nuestro cinema.
- Published in:
- Cinema Journal, 2012, v. 51, n. 4, p. 142
- By:
- Publication type:
- Article
9
Juan Piqueras Biography.
- Published in:
- 2012
- By:
- Publication type:
- Biography
10
Transition, circularity and haptic space in the representation of the city. From Ruth Rendell’s Live Flesh to Pedro Almodóvar’s Carne Trémula.
- Published in:
- 2017
- By:
- Publication type:
- Film/TV Criticism and Review
11
El símbolo perdido: estética y pensamiento en las adaptaciones cinematográficas de obras de Antonio Buero Vallejo.
- Published in:
- Comunicación y Sociedad, 2012, v. 25, n. 1, p. 217
- By:
- Publication type:
- Article
12
La creación de discurso ideológico en el cine popular del tardofranquismo (1966-1975): el ‘ciclo Paco Martínez Soria'.
- Published in:
- Comunicación y Sociedad, 2012, v. 25, n. 1, p. 289
- By:
- Publication type:
- Article
13
From Garbancito de la Mancha to Los sueños de Tay Pi.
- Published in:
- Con A de Animación, 2012, n. 2, p. 162, doi. 10.4995/caa.2012.1056
- By:
- Publication type:
- Article
14
De Garbancito de la Mancha a Los sueños de Tay-Pi.
- Published in:
- Con A de Animación, 2012, n. 2, p. 119, doi. 10.4995/caa.2012.1056
- By:
- Publication type:
- Article
15
Domesticidad e imaginarios del consumo en El inquilino (1957), La vida por delante (1958) y El pisito (1959).
- Published in:
- 2016
- By:
- Publication type:
- Film/TV Criticism and Review
16
(Dis)locating Spain: Performance Intertextualities in Pedro Almodóvar's Todo sobre mi madre.
- Published in:
- 2018
- By:
- Publication type:
- Film/TV Criticism and Review
17
La representación de la homosexualidad en el cine de la dictadura franquista.
- Published in:
- Zer: Journal of Communication Studies / Revista de Estudios de Comunicacion / Komunikazio Ikasketen Aldizkaria, 2014, v. 19, n. 36, p. 189
- By:
- Publication type:
- Article
18
Profundidad de campo. Más de un siglo de cine rural en España.
- Published in:
- 2011
- By:
- Publication type:
- Book Review
19
Border-crossing with Borau: At home, abroad.
- Published in:
- Studies in Spanish & Latin American Cinemas, 2015, v. 12, n. 1, p. 3, doi. 10.1386/slac.12.1.3_2
- By:
- Publication type:
- Article
20
The politics of age and disability in contemporary Spanish film: plus ultra pluralism.
- Published in:
- 2015
- By:
- Publication type:
- Book Review
21
Pleasure and Historical Memory in Spanish Gothic Film.
- Published in:
- 2019
- By:
- Publication type:
- Film/TV Criticism and Review
22
Rubén Darío, Fascist? Francoist readings of Modernismo.
- Published in:
- Bulletin of Hispanic Studies (1475-3839), 2017, v. 94, n. 2, p. 163, doi. 10.3828/bhs.2017.11
- By:
- Publication type:
- Article
23
ROCÍO : ENSAYO DE UNA MIRADA SOBRE LOS SILENCIOS DE LA TRANSICIÓN.
- Published in:
- 2017
- By:
- Publication type:
- Film/TV Criticism and Review
24
Religion and Spanish Film: Luis Buñuel, the Franco Era, and Contemporary Directors.
- Published in:
- 2016
- By:
- Publication type:
- Book Review
25
Fascismo, kitsch y cine histórico español (1939-1953).
- Published in:
- 2010
- By:
- Publication type:
- Book Review
26
VORACIOUS VAMPIRES AND OTHER MONSTERS: MASCULINITY AND THE TERROR GENRE IN SPANISH CINEMA OF THE TRANSICIÓN.
- Published in:
- Romance Notes, 2015, v. 55, n. 1, p. 125, doi. 10.1353/rmc.2015.0010
- By:
- Publication type:
- Article
27
Global Genres, Local Films: The Transnational Dimension of Spanish Cinema.
- Published in:
- 2017
- By:
- Publication type:
- Book Review
28
EL CINE Y LA CELEBRACIÓN DE LA NACIÓN VASCA. LAS FILMACIONES DEL ABERRI EGUNA DURANTE LA II REPÚBLICA.
- Published in:
- Historia Contemporanea, 2014, v. 48, n. 1, p. 283
- By:
- Publication type:
- Article
29
'Volvemos a empezar': Return Journeys of the Spanish maquis.
- Published in:
- Journal of Iberian & Latin American Research, 2011, v. 17, n. 1, p. 27, doi. 10.1080/13260219.2011.579883
- By:
- Publication type:
- Article
30
(S)Movies, New York City, 12-16 December 2011.
- Published in:
- 2012
- By:
- Publication type:
- Proceeding
31
The Woman on the Edge of the Story. Some examples of female presence in the Spanish cinema of the 1940s.
- Published in:
- Communication & Society, 2017, v. 30, n. 3, p. 29, doi. 10.15581/003.30.3.29-39
- By:
- Publication type:
- Article
32
Segundo de Chomón and the fascination for colour.
- Published in:
- Film History, 2009, v. 21, n. 1, p. 94, doi. 10.2979/FIL.2009.21.1.94
- By:
- Publication type:
- Article
33
Framing the invisible hands. Work, cinema and crisis in La mano invisible (Macián 2016).
- Published in:
- 2019
- By:
- Publication type:
- Film/TV Criticism and Review
34
‘Y te sacarán los ojos…’: the defiance of reconstituted sight in dictatorship and post-dictatorship Spanish cinema.
- Published in:
- 2016
- By:
- Publication type:
- Film/TV Criticism and Review
35
Postscript: ‘la travesía del desierto’.
- Published in:
- Bulletin of Spanish Studies: Hispanic Studies & Researches on Spain, Portugal & Latin America, 2015, v. 92, n. 3, p. 481, doi. 10.1080/14753820.2015.1003766
- By:
- Publication type:
- Article
36
The Disintegration of Spanish Cinema.
- Published in:
- Bulletin of Spanish Studies: Hispanic Studies & Researches on Spain, Portugal & Latin America, 2015, v. 92, n. 3, p. 423, doi. 10.1080/14753820.2015.1003763
- By:
- Publication type:
- Article
37
Introduction.
- Published in:
- Bulletin of Spanish Studies: Hispanic Studies & Researches on Spain, Portugal & Latin America, 2015, v. 92, n. 3, p. 325, doi. 10.1080/14753820.2015.1003756
- By:
- Publication type:
- Article
38
La Guerra Civil en el cine español de la democracia o cómo perduran los mitos.
- Published in:
- Bulletin of Spanish Studies: Hispanic Studies & Researches on Spain, Portugal & Latin America, 2012, v. 89, n. 7/8, p. 61, doi. 10.1080/14753820.2012.731557
- By:
- Publication type:
- Article
39
Spanish Cinema during the Final Year of the Civil War: The Republicans' Last Documentaries and Francoist Triumphalism.
- Published in:
- Bulletin of Spanish Studies: Hispanic Studies & Researches on Spain, Portugal & Latin America, 2012, v. 89, n. 7/8, p. 23, doi. 10.1080/14753820.2012.731554
- By:
- Publication type:
- Article
40
A history of Spanish film. Cinema and society 1910–2010.
- Published in:
- 2015
- By:
- Publication type:
- Book Review
41
Spanish Cinema 1973–2010: auteurism, politics, scenery and remembrance.
- Published in:
- 2014
- By:
- Publication type:
- Book Review
42
100 Years of Spanish Cinema.
- Published in:
- 2010
- By:
- Publication type:
- Book Review
43
The 'Golden Age' of Spanish-Language Theaters in Los Angeles: The Formation of a Transnational Cinema Audience.
- Published in:
- Film Matters, 2015, v. 6, n. 1, p. 38, doi. 10.1386/fm.6.1.38_1
- By:
- Publication type:
- Article
44
Por un cine patrio: cultura cinematográfica y nacionalismo español (1926-1936).
- Published in:
- 2014
- By:
- Publication type:
- Book Review