A THEATRICAL AND TEXTUAL LABORATORY: THE CLAUDE E. ANIBAL COLLECTION OF SPANISH DRAMA.
- Published in:
- Theatre Survey, 2012, v. 53, n. 2, p. 279, doi. 10.1017/S0040557412000099
- By:
- Publication type:
- Article
Works matching DE "SPANISH drama (Comedy)"
Results: 92
1
2
«El huésped mucho gusto da, pero cuando se va»: comportamiento interpersonal y espacial en relación con el binomio huésped-secreto en dos comedias calderonianas.
- Published in:
- Memoria y Civilizacion, 2016, v. 19, p. 255, doi. 10.15581/001.19.255-269
- By:
- Publication type:
- Article
3
Cantar y callar: secretos sonoros en el teatro de Bances Candamo.
- Published in:
- Memoria y Civilizacion, 2016, v. 19, p. 131, doi. 10.15581/001.19.131-145
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- Publication type:
- Article
4
Presentación: los secretos en el Siglo de Oro y el teatro de los secretos.
- Published in:
- Memoria y Civilizacion, 2016, v. 19, p. 11, doi. 10.15581/001.19.9-15
- By:
- Publication type:
- Article
5
Hacia una lectura política de Cómo ha de ser el privado de Francisco de Quevedo.
- Published in:
- Perinola, 2014, n. 18, p. 369, doi. 10.15581/017.18.861
- By:
- Publication type:
- Article
6
Sobre el texto de la comedia Cómo ha de ser el privado, de Quevedo. Deturpaciones y enmiendas.
- Published in:
- 2013
- By:
- Publication type:
- Literary Criticism
7
Más allá de la inversión paródica: la crítica del género de capa y espada y del drama de honor en el entremés de El marión de Quevedo.
- Published in:
- 2013
- By:
- Publication type:
- Literary Criticism
8
La dramatización de un ars gubernandi: Cómo ha de ser el privado de Francisco de Quevedo.
- Published in:
- 2013
- By:
- Publication type:
- Literary Criticism
9
PUBLIC-FACING COMEDIA, ENGAGING MULTILINGUALISM.
- Published in:
- Hispanófila, 2023, v. 198, p. 35, doi. 10.1353/hsf.2023.a901028
- By:
- Publication type:
- Article
10
DIRECT ADDRESS, METATHEATRE, AND THE CAMERA: THE COMEDIAAS EXPERIMENTAL SHORT FILM.
- Published in:
- Hispanófila, 2023, v. 198, p. 21, doi. 10.1353/hsf.2023.a901027
- By:
- Publication type:
- Article
11
A TOUR GUIDE TO THE SEVENTEENTH CENTURY: DOING DRAMATURGY FOR THE COMEDIA ONSTAGE.
- Published in:
- Hispanófila, 2023, v. 198, p. 11, doi. 10.1353/hsf.2023.a901026
- By:
- Publication type:
- Article
12
Gustos and gastos : Anxiety, Economy, Nation and the Theatre in Nineteenth-Century Spain.
- Published in:
- Bulletin of Spanish Studies: Hispanic Studies & Researches on Spain, Portugal & Latin America, 2015, v. 92, n. 8-10, p. 387, doi. 10.1080/14753820.2016.1103561
- By:
- Publication type:
- Article
13
Comicidad entremesil en comedias de algunos dramaturgos del Siglo de Oro.
- Published in:
- 2013
- By:
- Publication type:
- Essay
14
La única edición de las Seis comedias de Lope de Vega (Lisboa, 1603).
- Published in:
- Bulletin of Spanish Studies: Hispanic Studies & Researches on Spain, Portugal & Latin America, 2013, v. 90, n. 4/5, p. 719, doi. 10.1080/14753820.2013.802589
- By:
- Publication type:
- Article
15
Manuel Fernández y González y la pervivencia posromántica de las comedias de capa y espada.
- Published in:
- Bulletin of Spanish Studies: Hispanic Studies & Researches on Spain, Portugal & Latin America, 2013, v. 90, n. 3, p. 341, doi. 10.1080/14753820.2013.784042
- By:
- Publication type:
- Article
16
El castigo del penseque. Quien calla, otorga.
- Published in:
- 2014
- By:
- Publication type:
- Book Review
17
Visión de la conquista y de América en La conquista de México (1668) de Fernando de Zárate.
- Published in:
- 2013
- By:
- Publication type:
- Literary Criticism
18
Función de la pintura y la mitología en La quinta de Florencia.
- Published in:
- 2011
- By:
- Publication type:
- Literary Criticism
19
“En boca del mentiroso hasta lo cierto se hace dudoso": ¿fue Lope de Vega realmente un poeta soldado?
- Published in:
- RILCE. Revista de Filología Hispánica, 2011, v. 27, n. 2, p. 354
- By:
- Publication type:
- Article
20
Actor y verso en su esencia más pura: La verdad sospechosa (1991) de Pilar Miró.
- Published in:
- Gestos: Revista de Teoría y Práctica del Teatro Hispánico, 2014, v. 29, n. 58, p. 65
- By:
- Publication type:
- Article
21
Comedias. Parte XI. Tomos I y II.
- Published in:
- 2015
- By:
- Publication type:
- Book Review
22
El gusto del público español por las comedias de carácter histórico en la España barroca - El prodigioso príncipe transilvano y El príncipe prodigioso.
- Published in:
- Bulletin of Hispanic Studies (1475-3839), 2012, v. 89, n. 1, p. 31, doi. 10.3828/bhs.2012.3
- By:
- Publication type:
- Article
23
Discontinuidades y contradicciones en los personajes de la comedia.
- Published in:
- Bulletin of Hispanic Studies (1475-3839), 2006, v. 83, n. 1, p. 27
- By:
- Publication type:
- Article
24
The Ingenious Simpleton. Upending Imposed Ideologies through Brief Comic Theatre.
- Published in:
- 2014
- By:
- Publication type:
- Book Review
25
LE ROI, CETTE DIVINE INCORPORATION DE L'AUTORITÉ, D'APRÈS UNE PIÈCE DE PÉREZ DE MONTALBÁN.
- Published in:
- Philological Research & Studies. Romance Languages Series / Studii şi Cercetări Filologice. Seria Limbi Romanice, 2012, v. 1, n. 12, p. 64
- By:
- Publication type:
- Article
26
Estrategias de construcción del espacio en el primer Lope: algunas observaciones sobre El galán escarmentado.
- Published in:
- eHumanista, 2015, v. 30, p. 1
- By:
- Publication type:
- Article
27
Where Comedias Sueltas Go to Be Discovered.
- Published in:
- Bulletin of the Comediantes, 2021, v. 73, n. 1, p. 1, doi. 10.1353/boc.2021.0002
- By:
- Publication type:
- Article
28
Entremeses nuevos (1643).
- Published in:
- 2013
- By:
- Publication type:
- Book Review
29
Mothers of Invention: Toward a Reevaluation of Cervantine Dramatic Heroines.
- Published in:
- 2010
- By:
- Publication type:
- Literary Criticism
30
"¿Ley ser, morir el más feo?": Calderón's Morisco Gracioso Teases out Spain's Violence.
- Published in:
- 2010
- By:
- Publication type:
- Essay
31
Diccionario de la comedia del Siglo de Oro.
- Published in:
- 2010
- By:
- Publication type:
- Book Review
32
Editor's Note.
- Published in:
- Bulletin of the Comediantes, 2010, v. 62, n. 1, p. 1
- By:
- Publication type:
- Article
33
Conscience on Stage: The Comedia as Casuistry in Early Modern Spain.
- Published in:
- 2009
- By:
- Publication type:
- Book Review
34
Damas indias: America's Iconic Body and the Wars of Conquest in the Spanish Comedia.
- Published in:
- Bulletin of the Comediantes, 2010, v. 62, n. 1, p. 103, doi. 10.1353/boc.2010.0009
- By:
- Publication type:
- Article
35
Dating Calderón's Autobiographical Ballad "Curiosísima señora.".
- Published in:
- Bulletin of the Comediantes, 2010, v. 62, n. 1, p. 47, doi. 10.1353/boc.2010.0002
- By:
- Publication type:
- Article
36
The Body Politic and Its Parts in El médico de su honra.
- Published in:
- Bulletin of the Comediantes, 2010, v. 62, n. 1, p. 31, doi. 10.1353/boc.2010.0000
- By:
- Publication type:
- Article
37
Royal Obligation and the "Uncontrolled Female" in Ana Caro's El conde Partinuplés.
- Published in:
- Bulletin of the Comediantes, 2010, v. 62, n. 1, p. 15, doi. 10.1353/boc.2010.0012
- By:
- Publication type:
- Article
38
2009 Festival de Teatro Clásico de Almagro.
- Published in:
- Bulletin of the Comediantes, 2009, v. 61, n. 2, p. 159, doi. 10.1353/boc.0.0026
- By:
- Publication type:
- Article
39
Teatro colegial en Nueva España: Texto y contexto de "El esposo por enigma (1646).".
- Published in:
- 2009
- By:
- Publication type:
- Book Review
40
Editor's Note.
- Published in:
- Bulletin of the Comediantes, 2009, v. 61, n. 2, p. 1
- By:
- Publication type:
- Article
41
Supersession, the Comedia nueva, and Tirso's La mejor espigadera.
- Published in:
- Bulletin of the Comediantes, 2009, v. 61, n. 1, p. 35, doi. 10.1353/boc.0.0011
- By:
- Publication type:
- Article
42
The Paradisal Geography of Tirso's La mujer que manda en casa.
- Published in:
- Bulletin of the Comediantes, 2008, v. 60, n. 2, p. 41, doi. 10.1353/boc.2008.0004
- By:
- Publication type:
- Article
43
Lope de Vega's Peribáñez in Translation French-Colombian Style: Omar Porras's "Masks of Reality" on the Boards of The Comédie-Française.
- Published in:
- Bulletin of the Comediantes, 2008, v. 60, n. 2, p. 17, doi. 10.1353/boc.2008.0008
- By:
- Publication type:
- Article
44
The Quest for Identity at the Onset of the Age of Reason: Calderón's Hado y divisa de Leonido y Marfisa.
- Published in:
- Bulletin of the Comediantes, 2008, v. 60, n. 2, p. 77, doi. 10.1353/boc.2008.0021
- By:
- Publication type:
- Article
45
Gendering America: Women and the American Landscape in Tirso de Molina's Trilogía de los Pizarros.
- Published in:
- Bulletin of the Comediantes, 2008, v. 60, n. 2, p. 57, doi. 10.1353/boc.2008.0026
- By:
- Publication type:
- Article
46
SACRAMENTAL INSTRUMENTALITY: REPRESENTATION, DEMONSTRATION, AND THE CALDERONIAN AUTO.
- Published in:
- Bulletin of the Comediantes, 2006, v. 58, n. 2, p. 479, doi. 10.1353/boc.2006.0016
- By:
- Publication type:
- Article
47
THE DRAMATIZATION OF THE ARTE NUEVO: REVISITING LO FINGIDO VERDADERO.
- Published in:
- Bulletin of the Comediantes, 2006, v. 58, n. 2, p. 340, doi. 10.1353/boc.2006.0009
- By:
- Publication type:
- Article
48
INGENIOUS EXAMINATIONS: SCIENCE, GOLDEN AGE THEATER, AND TWENTY--FIRST CENTURY CRITICISM.
- Published in:
- Bulletin of the Comediantes, 2006, v. 58, n. 2, p. 469, doi. 10.1353/boc.2006.0012
- By:
- Publication type:
- Article
49
PAINTING AND PERSPECTIVE IN CALDRÓN'S EL PRÍNCIPE CONSTANTE.
- Published in:
- Bulletin of the Comediantes, 2006, v. 58, n. 2, p. 399, doi. 10.1353/boc.2006.0024
- By:
- Publication type:
- Article
50
THE SCIENTIFIC ARTS OF THEATER: THE BIO-SOCIAL WORLD-THEATER WITH EXAMPLES FROM LOPE, CALDERÓN, AND OTHERS.
- Published in:
- Bulletin of the Comediantes, 2006, v. 58, n. 2, p. 457, doi. 10.1353/boc.2006.0007
- By:
- Publication type:
- Article