Documentary / Modernism: Convergence and Complementarity in the 1930s.
- Published in:
- Modernism/Modernity, 2002, v. 9, n. 2, p. 225, doi. 10.1353/mod.2002.0032
- By:
- Publication type:
- Article
Works matching DE "SOVIET films"
Results: 132
1
2
The Mass Production of the Senses: Classical Cinema as Vernacular Modernism.
- Published in:
- 1999
- By:
- Publication type:
- Essay
3
Gianni Rodari and Tamara Lisitsian: Western Communist Parties as Vehicles of Cultural Encounter.
- Published in:
- Valahian Journal of Historical Studies, 2013, v. 20, p. 187
- By:
- Publication type:
- Article
4
The Industry Production Screenplay.
- Published in:
- Cinema Journal, 2012, v. 51, n. 4, p. 133, doi. 10.1353/cj.2012.0091
- By:
- Publication type:
- Article
5
Introduction to Sergei Tretyakov: The Industry Production Screenplay.
- Published in:
- Cinema Journal, 2012, v. 51, n. 4, p. 130, doi. 10.1353/cj.2012.0091
- By:
- Publication type:
- Article
6
Renoir and Murder.
- Published in:
- Cinema Journal, 2009, v. 48, n. 2, p. 26, doi. 10.1353/cj.0.0078
- By:
- Publication type:
- Article
7
Taking Hollywood Back: The Historical Costume Drama, the Biopic, and Popular Front U.S. Film Criticism.
- Published in:
- Cinema Journal, 2009, v. 48, n. 2, p. 70, doi. 10.1353/cj.0.0082
- By:
- Publication type:
- Article
8
Why Stalinist Cinema Had No Detective Films, or How Three Becomes Two in Engineer Kochin's Mistake.
- Published in:
- 2014
- By:
- Publication type:
- Film/TV Criticism and Review
9
IMAGINED RESIDENCE: REPRESENTATION OF RIGA'S RESIDENTIAL APARTMENT IN SOVIET MOVIES.
- Published in:
- Culture Crossroads, 2018, v. 12, p. 35
- By:
- Publication type:
- Article
10
UNESCO's Humanity of Hope - The Orient Catalogue and the Story of the East.
- Published in:
- Analele Universităţii. Seria Ştiinţele Limbii, Literatură şi Didactica Predării, Limbi şi Literaturi Străine, 2018, p. 70
- By:
- Publication type:
- Article
11
This Is Not a Pipe: Soviet Historical Reality and Spectatorial Belief in Perestroika and Post-Soviet Cinema.
- Published in:
- Slavonica, 2011, v. 17, n. 2, p. 145, doi. 10.1179/136174211X13122749974320
- By:
- Publication type:
- Article
12
Bollywood in the Hollywood Era: Narratives of Ultra-nationalism, Terrorism and Violence.
- Published in:
- CINEJ Cinema Journal, 2017, v. 6, n. 2, p. 71, doi. 10.5195/cinej.2017.170
- By:
- Publication type:
- Article
13
The Return of Mother Russia: Representations of Women in Soviet Wartime Cinema.
- Published in:
- Aspasia, 2010, v. 4, n. 1, p. 121, doi. 10.3167/asp.2010.040108
- By:
- Publication type:
- Article
14
Labor Demonstrations: Aleksei Gan's "Island of the Young Pioneers," Dziga Vertov's "Kino-Eye," and the Rationalization of Artistic Labor.
- Published in:
- 2013
- By:
- Publication type:
- Essay
15
The Metabiotic State: Dziga Vertov's "The Eleventh Year."
- Published in:
- October, 2013, n. 145, p. 3, doi. 10.1162/OCTO_a_00146
- By:
- Publication type:
- Article
16
Marxism and film criticism: the current situation (1977).
- Published in:
- Jump Cut: A Review of Contemporary Media, 2014, n. 56, p. 22
- By:
- Publication type:
- Article
17
How the East Was Won American Westerns and Soviet Georgia.
- Published in:
- Journal of the West, 2010, v. 49, n. 3, p. 3
- By:
- Publication type:
- Article
18
Hypnotic Screen: The Early Soviet Experiment with Film Psychotherapy.
- Published in:
- Social History of Medicine, 2022, v. 35, n. 3, p. 946, doi. 10.1093/shm/hkac031
- By:
- Publication type:
- Article
19
Beyond the ideology principle: the two faces of dubbed foreign films in PRC, 1949–1966.
- Published in:
- Journal of Chinese Cinemas, 2015, v. 9, n. 2, p. 141, doi. 10.1080/17508061.2015.1010304
- By:
- Publication type:
- Article
20
Translating 'montage': The discreet attractions of Soviet montage for Chinese revolutionary cinema.
- Published in:
- 2011
- By:
- Publication type:
- Film/TV Criticism and Review
21
Soviet Cinema: Politics and Persuasion under Stalin.
- Published in:
- 2012
- By:
- Publication type:
- Book Review
22
Slipping Beauty Past the Soviet Censors.
- Published in:
- 2014
- By:
- Publication type:
- Book Review
23
Composing for the Red Screen: Prokofiev and Soviet Film.
- Published in:
- 2013
- By:
- Publication type:
- Book Review
24
The Death of Dark Animation in Europe: Priit Pärn's Hotel E.
- Published in:
- 2011
- By:
- Publication type:
- Film/TV Criticism and Review
25
Reflections of Self and Surrounding Circumstances in Priit Pärn's Films The Triangle and Hotel E.
- Published in:
- 2011
- By:
- Publication type:
- Film/TV Criticism and Review
26
Neither Nosferatu nor Chaplin: FEKS's Overcoat and Eccentrism's Protagonist.
- Published in:
- JCMS: Journal of Cinema & Media Studies, 2020, v. 59, n. 4, p. 32, doi. 10.1353/cj.2020.0040
- By:
- Publication type:
- Article
27
Sentir el sentido del filme: la dimensión corporal de la composición visual en la teoría de Serguéi M. Eisenstein.
- Published in:
- 2017
- By:
- Publication type:
- Film/TV Criticism and Review
28
The Phantom Holocaust: Soviet Cinema and Jewish Catastrophe.
- Published in:
- 2014
- By:
- Publication type:
- Book Review
29
LA CONSTRUCCIÓN DE UN MITO: LA INFLUENCIA DEL CINE SOVIÉTICO EN MADRID DURANTE LA GUERRA CIVIL ESPAÑOLA (1936-1939).
- Published in:
- Spagna Contemporanea, 2009, v. 18, n. 36, p. 99
- By:
- Publication type:
- Article
30
Feeling Revolution: Cinema, Genre, and the Politics of Affect under Stalin, by Anna Toropova.
- Published in:
- 2022
- By:
- Publication type:
- Book Review
31
Scientists, punks, engineers and gurus: Soviet experimental film culture in the 1960s–1980s.
- Published in:
- 2016
- By:
- Publication type:
- Essay
32
EAST OR WEST, RODINA IS BEST: SHAPING A SOCIALIST 'HEIMAT' IN GERMAN AND SOVIET FILM OF THE OCCUPATION PERIOD.
- Published in:
- German Life & Letters, 2016, v. 69, n. 4, p. 519, doi. 10.1111/glal.12134
- By:
- Publication type:
- Article
33
I AM CUBA AND THE SPACE OF REVOLUTION.
- Published in:
- 2014
- By:
- Publication type:
- Film/TV Criticism and Review
34
Feeling Revolution: Cinema, Genre, and the Politics of Affect under Stalin. By Anna Toropova.
- Published in:
- 2022
- By:
- Publication type:
- Book Review
35
Private Space in Soviet Cinema: Case Study of Riga.
- Published in:
- Architecture & Urban Planning, 2018, v. 14, n. 1, p. 75, doi. 10.2478/aup-2018-0010
- By:
- Publication type:
- Article
36
Ways of Seeing: On Kira Muratova's Brief Encounters and Larisa Shepit′ko's Wings.
- Published in:
- 2012
- By:
- Publication type:
- Film/TV Criticism and Review
37
SOVIET PERIOD FILMS IN TODAY'S COPYRIGHT LAW: GERMAN AND BALTIC EXPERIENCE.
- Published in:
- TRAMES: A Journal of the Humanities & Social Sciences, 2014, v. 18, n. 3, p. 199, doi. 10.3176/tr.2014.3.01
- By:
- Publication type:
- Article
38
The Model of Cultural Identity, Represented in the Russian Cinema of the second half of the 1980s - 2010s.
- Published in:
- Media Education / Mediaobrazovanie, 2024, v. 20, n. 4, p. 643, doi. 10.13187/me.2024.4.643
- By:
- Publication type:
- Article
39
Family and Family Education in the Mirror of Soviet Feature Films (1960-1985).
- Published in:
- Media Education / Mediaobrazovanie, 2024, v. 20, n. 4, p. 623, doi. 10.13187/me.2024.4.623
- By:
- Publication type:
- Article
40
Images of Family and Family Education in Russian Feature Films of the 1920s and the early 1930s.
- Published in:
- Media Education / Mediaobrazovanie, 2024, v. 20, n. 4, p. 548, doi. 10.13187/me.2024.4.548
- By:
- Publication type:
- Article
41
The Model of Cultural Identity Represented in Soviet Cinematography of the Second Half of the 1950s – First Half of the 1980s (The Era of “Thaw” and “Stagnation”).
- Published in:
- Media Education / Mediaobrazovanie, 2024, v. 20, n. 3, p. 503, doi. 10.13187/me.2024.3.503
- By:
- Publication type:
- Article
42
Western Cinematography on the Pages of the Soviet Cinema Screen Magazine: 1939–1941.
- Published in:
- Media Education / Mediaobrazovanie, 2023, v. 19, n. 2, p. 281, doi. 10.13187/me.2023.2.281
- By:
- Publication type:
- Article
43
Theoretical Articles by Film Critic Semyon Freilich in the Cinema Art Journal.
- Published in:
- Media Education / Mediaobrazovanie, 2023, v. 19, n. 2, p. 270, doi. 10.13187/me.2023.2.270
- By:
- Publication type:
- Article
44
“Enemy Number One” in the Soviet and American Movies Suring the Cold War .
- Published in:
- Media Education / Mediaobrazovanie, 2023, v. 19, n. 1, p. 148, doi. 10.13187/me.2023.1.148
- By:
- Publication type:
- Article
45
The Best Films of Soviet Film Distribution: What Were They Like for Readers of Soviet Screen Magazine (1958-1991)?
- Published in:
- Media Education / Mediaobrazovanie, 2021, v. 17, n. 4, p. 715, doi. 10.13187/me.2021.4.715
- By:
- Publication type:
- Article
46
The Image of the Teacher of English in Soviet and Post-Soviet Films.
- Published in:
- Media Education / Mediaobrazovanie, 2020, v. 60, n. 1, p. 178, doi. 10.13187/me.2020.1.178
- By:
- Publication type:
- Article
47
Leaders of Soviet Film Distribution (1930-1991): Trends and Patterns.
- Published in:
- Media Education / Mediaobrazovanie, 2020, v. 60, n. 1, p. 24, doi. 10.13187/me.2020.1.24
- By:
- Publication type:
- Article
48
The hermeneutic analysis of Soviet films of the "stagnation" period (1969-1984) on the school topic.
- Published in:
- Media Education / Mediaobrazovanie, 2018, v. 58, n. 1, p. 129
- By:
- Publication type:
- Article
49
Anna Toropova. Feeling Revolution: Cinema, Genre, and the Politics of Affect under Stalin.
- Published in:
- 2023
- By:
- Publication type:
- Book Review
50
Female warrior imagery in the North Korean film A Partisan Maiden (1954) and the Soviet film Zoya (1944).
- Published in:
- Journal of Japanese & Korean Cinema, 2021, v. 13, n. 2, p. 172, doi. 10.1080/17564905.2021.1968762
- By:
- Publication type:
- Article