Labor Demonstrations: Aleksei Gan's "Island of the Young Pioneers," Dziga Vertov's "Kino-Eye," and the Rationalization of Artistic Labor.
- Published in:
- 2013
- By:
- Publication type:
- Essay
Works matching DE "SOVIET films"
Results: 132
1
2
The Metabiotic State: Dziga Vertov's "The Eleventh Year."
- Published in:
- October, 2013, n. 145, p. 3, doi. 10.1162/OCTO_a_00146
- By:
- Publication type:
- Article
3
This Is Not a Pipe: Soviet Historical Reality and Spectatorial Belief in Perestroika and Post-Soviet Cinema.
- Published in:
- Slavonica, 2011, v. 17, n. 2, p. 145, doi. 10.1179/136174211X13122749974320
- By:
- Publication type:
- Article
4
Anna Toropova. Feeling Revolution: Cinema, Genre, and the Politics of Affect under Stalin.
- Published in:
- 2023
- By:
- Publication type:
- Book Review
5
Scientists, punks, engineers and gurus: Soviet experimental film culture in the 1960s–1980s.
- Published in:
- 2016
- By:
- Publication type:
- Essay
6
Private Space in Soviet Cinema: Case Study of Riga.
- Published in:
- Architecture & Urban Planning, 2018, v. 14, n. 1, p. 75, doi. 10.2478/aup-2018-0010
- By:
- Publication type:
- Article
7
The Phantom Holocaust: Soviet Cinema and Jewish Catastrophe.
- Published in:
- 2014
- By:
- Publication type:
- Book Review
8
Soviet Politics and the Mezhrabpom Studio in the Soviet Union during the 1920s and 1930s.
- Published in:
- Historical Journal of Film, Radio & Television, 2012, v. 32, n. 4, p. 521, doi. 10.1080/01439685.2012.727340
- By:
- Publication type:
- Article
9
Moscow Believes in Tears: Russians and their movies.
- Published in:
- 2012
- By:
- Publication type:
- Book Review
10
Navigating Treacherous Waters: Soviet Satire, National Identity, and Georgii Daneliia's Films of the 1970s.
- Published in:
- Historical Journal of Film, Radio & Television, 2009, v. 29, n. 3, p. 343, doi. 10.1080/01439680903145587
- By:
- Publication type:
- Article
11
Competition from Ukraine: VUFKU and the Soviet Film Industry in the 1920s.
- Published in:
- Historical Journal of Film, Radio & Television, 2009, v. 29, n. 2, p. 159, doi. 10.1080/01439680902890654
- By:
- Publication type:
- Article
12
'A Very Profitable Enterprise': South Wales Miners' Institute Cinemas in the 1930S.
- Published in:
- Historical Journal of Film, Radio & Television, 2007, v. 27, n. 1, p. 27, doi. 10.1080/01439680601177114
- By:
- Publication type:
- Article
13
Hypnotic Screen: The Early Soviet Experiment with Film Psychotherapy.
- Published in:
- Social History of Medicine, 2022, v. 35, n. 3, p. 946, doi. 10.1093/shm/hkac031
- By:
- Publication type:
- Article
14
Familiar Strangers: Images and Voices of Soviet Allies in Dubbed Films in 1950s China.
- Published in:
- China Perspectives, 2020, n. 1, p. 25, doi. 10.4000/chinaperspectives.9907
- By:
- Publication type:
- Article
15
Soviet Cinema: Politics and Persuasion under Stalin.
- Published in:
- 2012
- By:
- Publication type:
- Book Review
16
An Unmappable System: The Collapse of Public Space in Late-Soviet Film.
- Published in:
- Film Criticism, 1996, v. 21, n. 2, p. 8
- By:
- Publication type:
- Article
17
The Holocaust in the Soviet Mass Media during the War and in the First Postwar Years Re-examined.
- Published in:
- Yad Vashem Studies, 2011, v. 39, n. 2, p. 121
- By:
- Publication type:
- Article
18
Reflections of Self and Surrounding Circumstances in Priit Pärn's Films The Triangle and Hotel E.
- Published in:
- 2011
- By:
- Publication type:
- Film/TV Criticism and Review
19
The Death of Dark Animation in Europe: Priit Pärn's Hotel E.
- Published in:
- 2011
- By:
- Publication type:
- Film/TV Criticism and Review
20
The Model of Cultural Identity Represented in Soviet Cinema from the 1930s to the Early 1950s (Stalin-era Cinema).
- Published in:
- International Journal of Media & Information Literacy, 2023, v. 8, n. 2, p. 371, doi. 10.13187/ijmil.2023.2.371
- By:
- Publication type:
- Article
21
One Thousand and One Highest-grossing Soviet Film: Opinions of Film Critics and Viewers. Leaders in the Box Office through the Eyes of a Movie Expert.
- Published in:
- International Journal of Media & Information Literacy, 2022, v. 7, n. 2, p. 589, doi. 10.13187/ijmil.2022.2.589
- By:
- Publication type:
- Article
22
Neither Nosferatu nor Chaplin: FEKS's Overcoat and Eccentrism's Protagonist.
- Published in:
- JCMS: Journal of Cinema & Media Studies, 2020, v. 59, n. 4, p. 32, doi. 10.1353/cj.2020.0040
- By:
- Publication type:
- Article
23
Late 1920s film theory and criticism as a test-case for Benjamin's generalizations on the experiential effects of editing.
- Published in:
- Early Popular Visual Culture, 2016, v. 14, n. 3, p. 215, doi. 10.1080/17460654.2016.1199322
- By:
- Publication type:
- Article
24
I AM CUBA AND THE SPACE OF REVOLUTION.
- Published in:
- 2014
- By:
- Publication type:
- Film/TV Criticism and Review
25
Bollywood in the Hollywood Era: Narratives of Ultra-nationalism, Terrorism and Violence.
- Published in:
- CINEJ Cinema Journal, 2017, v. 6, n. 2, p. 71, doi. 10.5195/cinej.2017.170
- By:
- Publication type:
- Article
26
The Return of Mother Russia: Representations of Women in Soviet Wartime Cinema.
- Published in:
- Aspasia, 2010, v. 4, n. 1, p. 121, doi. 10.3167/asp.2010.040108
- By:
- Publication type:
- Article
27
The Industry Production Screenplay.
- Published in:
- Cinema Journal, 2012, v. 51, n. 4, p. 133, doi. 10.1353/cj.2012.0091
- By:
- Publication type:
- Article
28
Introduction to Sergei Tretyakov: The Industry Production Screenplay.
- Published in:
- Cinema Journal, 2012, v. 51, n. 4, p. 130, doi. 10.1353/cj.2012.0091
- By:
- Publication type:
- Article
29
Taking Hollywood Back: The Historical Costume Drama, the Biopic, and Popular Front U.S. Film Criticism.
- Published in:
- Cinema Journal, 2009, v. 48, n. 2, p. 70, doi. 10.1353/cj.0.0082
- By:
- Publication type:
- Article
30
Renoir and Murder.
- Published in:
- Cinema Journal, 2009, v. 48, n. 2, p. 26, doi. 10.1353/cj.0.0078
- By:
- Publication type:
- Article
31
Police Aesthetics. Literature, Film and the Secret Police in Soviet Times.
- Published in:
- 2012
- By:
- Publication type:
- Book Review
32
Documentary / Modernism: Convergence and Complementarity in the 1930s.
- Published in:
- Modernism/Modernity, 2002, v. 9, n. 2, p. 225, doi. 10.1353/mod.2002.0032
- By:
- Publication type:
- Article
33
The Mass Production of the Senses: Classical Cinema as Vernacular Modernism.
- Published in:
- 1999
- By:
- Publication type:
- Essay
34
Marxism and film criticism: the current situation (1977).
- Published in:
- Jump Cut: A Review of Contemporary Media, 2014, n. 56, p. 22
- By:
- Publication type:
- Article
35
Sentir el sentido del filme: la dimensión corporal de la composición visual en la teoría de Serguéi M. Eisenstein.
- Published in:
- 2017
- By:
- Publication type:
- Film/TV Criticism and Review
36
EAST OR WEST, RODINA IS BEST: SHAPING A SOCIALIST 'HEIMAT' IN GERMAN AND SOVIET FILM OF THE OCCUPATION PERIOD.
- Published in:
- German Life & Letters, 2016, v. 69, n. 4, p. 519, doi. 10.1111/glal.12134
- By:
- Publication type:
- Article
37
Shen and Cinema in 1930s Shanghai.
- Published in:
- CLCWeb: Comparative Literature & Culture: A Web Journal, 2013, v. 15, n. 2, p. 1, doi. 10.7771/1481-4374.2226
- By:
- Publication type:
- Article
38
Mit Herz und Auge. Liebe im sowjetischen Film und in der Literatur.
- Published in:
- 2014
- By:
- Publication type:
- Book Review
39
Ways of Seeing: On Kira Muratova's Brief Encounters and Larisa Shepit′ko's Wings.
- Published in:
- 2012
- By:
- Publication type:
- Film/TV Criticism and Review
40
Feeling Revolution: Cinema, Genre, and the Politics of Affect under Stalin. By Anna Toropova.
- Published in:
- 2022
- By:
- Publication type:
- Book Review
41
Gianni Rodari and Tamara Lisitsian: Western Communist Parties as Vehicles of Cultural Encounter.
- Published in:
- Valahian Journal of Historical Studies, 2013, v. 20, p. 187
- By:
- Publication type:
- Article
42
The USSR and East-Central European Countries at the Venice International Film Festival (1946-1953).
- Published in:
- 2013
- By:
- Publication type:
- Essay
43
Female warrior imagery in the North Korean film A Partisan Maiden (1954) and the Soviet film Zoya (1944).
- Published in:
- Journal of Japanese & Korean Cinema, 2021, v. 13, n. 2, p. 172, doi. 10.1080/17564905.2021.1968762
- By:
- Publication type:
- Article
44
LA CONSTRUCCIÓN DE UN MITO: LA INFLUENCIA DEL CINE SOVIÉTICO EN MADRID DURANTE LA GUERRA CIVIL ESPAÑOLA (1936-1939).
- Published in:
- Spagna Contemporanea, 2009, v. 18, n. 36, p. 99
- By:
- Publication type:
- Article
45
Feeling Revolution: Cinema, Genre, and the Politics of Affect under Stalin, by Anna Toropova.
- Published in:
- 2022
- By:
- Publication type:
- Book Review
46
SOVIET PERIOD FILMS IN TODAY'S COPYRIGHT LAW: GERMAN AND BALTIC EXPERIENCE.
- Published in:
- TRAMES: A Journal of the Humanities & Social Sciences, 2014, v. 18, n. 3, p. 199, doi. 10.3176/tr.2014.3.01
- By:
- Publication type:
- Article
47
Beyond the ideology principle: the two faces of dubbed foreign films in PRC, 1949–1966.
- Published in:
- Journal of Chinese Cinemas, 2015, v. 9, n. 2, p. 141, doi. 10.1080/17508061.2015.1010304
- By:
- Publication type:
- Article
48
Translating 'montage': The discreet attractions of Soviet montage for Chinese revolutionary cinema.
- Published in:
- 2011
- By:
- Publication type:
- Film/TV Criticism and Review
49
The visual in documentary: Sergei Loznitsa and the importance of the image.
- Published in:
- Studies in Documentary Film, 2013, v. 7, n. 2, p. 135, doi. 10.1386/sdf.7.2.135_1
- By:
- Publication type:
- Article
50
Unfilmed Stalingrad: child-actors of the great battle in Russian and German cinema.
- Published in:
- Studies in Russian & Soviet Cinema, 2025, v. 19, n. 1, p. 2, doi. 10.1080/17503132.2024.2448892
- By:
- Publication type:
- Article