Silence and Sound in Kurosawa's Throne of Blood.
- Published in:
- 2004
- By:
- Publication type:
- Film/TV Criticism and Review
Works matching DE "SOUND in motion pictures"
Results: 215
1
2
The Voice of Technology: Soviet Cinema’s Transition to Sound, 1928-1935.
- Published in:
- 2019
- By:
- Publication type:
- Book Review
3
Understanding Sound Tracks Through Film Theory/Sound: Dialogue, Music, and Effects.
- Published in:
- 2018
- By:
- Publication type:
- Book Review
4
Castaing-Taylor and Paravel’s GoPro Sensorium: Leviathan (2012), Experimental Documentary, and Subjective Sounds.
- Published in:
- 2017
- By:
- Publication type:
- Film/TV Criticism and Review
5
Of Machines and Routines: Mundane Rhythms and Sounds in Whisky (2004) and Blue Eyelids (2007).
- Published in:
- 2015
- By:
- Publication type:
- Film/TV Criticism and Review
6
Aural Narrative Planes in Djibril Diop Mambety's Films.
- Published in:
- 2012
- By:
- Publication type:
- Film/TV Criticism and Review
7
end of the Great Speed-Up—and after.
- Published in:
- Digital Scholarship in the Humanities, 2022, v. 37, n. 1, p. 218, doi. 10.1093/llc/fqab049
- By:
- Publication type:
- Article
8
EEEEEEEYOOOOOO!: REFLECTIONS ON PROTECTING PITBULL'S FAMOUS GRITO.
- Published in:
- Journal of Intellectual Property & Entertainment Law, 2020, v. 9, n. 2, p. 179
- By:
- Publication type:
- Article
9
Hurlements en faveur de vous.
- Published in:
- 2013
- By:
- Publication type:
- Film/TV Criticism and Review
10
From Content to Context: Considering Embodied Implications for Film Sound Practitioners.
- Published in:
- Australian Humanities Review, 2022, n. 70, p. 1, doi. 10.56449/14013567
- By:
- Publication type:
- Article
11
Hitchcock and the Internalization of Soviet Sound Theory.
- Published in:
- Film Matters, 2022, v. 13, n. 1, p. 148, doi. 10.1386/fm_00211_1
- By:
- Publication type:
- Article
12
Massaging the Ears: The Centrality of Sound in Raise the Red Lantern.
- Published in:
- 2015
- By:
- Publication type:
- Literary Criticism
13
IN-BETWEEN WAVES, REELS AND GROOVES: ZAGREB PROFESSIONAL MUSICIANS OF THE 1930s AND THE MENACE OF MECHANICAL MUSIC.
- Published in:
- Croatian Musicological Review / Arti Musices, 2022, v. 53, n. 2, p. 297, doi. 10.21857/moxpjh123m
- By:
- Publication type:
- Article
14
The two sides of the scalpel: The polarizing image of surgery in early cinema.
- Published in:
- PLoS ONE, 2022, v. 17, n. 12, p. 1, doi. 10.1371/journal.pone.0279422
- By:
- Publication type:
- Article
15
Absurd justice: documenting the show trial in Sergei Loznitsa's The Trial (2018).
- Published in:
- Studies in Russian & Soviet Cinema, 2023, v. 17, n. 2, p. 94, doi. 10.1080/17503132.2023.2202071
- By:
- Publication type:
- Article
16
The Voice of Technology: Soviet Cinema's Transition to Sound, 1928–1935: by Lilya Kaganovsky, Bloomington, Indiana University Press, 2018, xix + 271 pp., illustrations, bibliography, index, $95.00 (hbk), $36.00 (pbk), ISBN: 978-0253032645.
- Published in:
- 2019
- By:
- Publication type:
- Book Review
17
The development of sound technology in the Soviet film industry during the first Five-Year Plan.
- Published in:
- Studies in Russian & Soviet Cinema, 2013, v. 7, n. 2, p. 189, doi. 10.1386/srsc.7.2.189_1
- By:
- Publication type:
- Article
18
ANDREI TARKOVSKII: ZVUCHASHCHII MIR FIL'MA, NATAL'IA KONONENKO.
- Published in:
- 2012
- By:
- Publication type:
- Book Review
19
THE CHICAGO FILM INDUSTRY.
- Published in:
- Illinois Geographer, 2021, v. 63, n. 2, p. 52
- By:
- Publication type:
- Article
20
Sound of Metal: An Immersive Analysis.
- Published in:
- Music, Sound & the Moving Image, 2023, v. 17, n. 2, p. 111, doi. 10.3828/msmi.2023.9
- By:
- Publication type:
- Article
21
In the Slammer: Acoustemologies of the Carceral in the Prisons of Classical Hollywood.
- Published in:
- Music, Sound & the Moving Image, 2023, v. 17, n. 1, p. 43, doi. 10.3828/msmi.2023.3
- By:
- Publication type:
- Article
22
The Architecture of Film Sound: The Construction of Sonic Space in Michelangelo Antonioni's The Passenger.
- Published in:
- Music, Sound & the Moving Image, 2023, v. 17, n. 1, p. 23, doi. 10.3828/msmi.2023.2
- By:
- Publication type:
- Article
23
Tape Recording Hollywood: The Inaudibility of New Film Sound Technology.
- Published in:
- Music, Sound & the Moving Image, 2022, v. 16, n. 2, p. 101, doi. 10.3828/msmi.2022.8
- By:
- Publication type:
- Article
24
Editorial.
- Published in:
- Music, Sound & the Moving Image, 2022, v. 16, n. 2, p. 95, doi. 10.3828/msmi.2022.6
- By:
- Publication type:
- Article
25
Multiple-Music Versions?: A German Sound Film-Operetta and Its Versions for France and Italy<sup />.
- Published in:
- Music, Sound & the Moving Image, 2021, v. 15, n. 2, p. 133, doi. 10.3828/msmi.2021.9
- By:
- Publication type:
- Article
26
Editorial.
- Published in:
- 2021
- By:
- Publication type:
- Editorial
27
The World Within the Home Tracing the Sound in Satyajit Ray's Films.
- Published in:
- Music, Sound & the Moving Image, 2017, v. 11, n. 2, p. 131, doi. 10.3828/msmi.2017.9
- By:
- Publication type:
- Article
28
'Bring the Noise!' Sonic Intensified Continuity in the Films of Edgar Wright.
- Published in:
- 2013
- By:
- Publication type:
- Film/TV Criticism and Review
29
Spaces, Gaps, and Levels.
- Published in:
- Music, Sound & the Moving Image, 2012, v. 6, n. 1, p. 21, doi. 10.3828/msmi.2012.4
- By:
- Publication type:
- Article
30
Natural Sound in the Early Talkie Western.
- Published in:
- Music, Sound & the Moving Image, 2011, v. 5, n. 2, p. 113, doi. 10.3828/msmi.2011.6
- By:
- Publication type:
- Article
31
[Bones cracking]: Reading and listening to Foley and captions.
- Published in:
- Soundtrack, 2024, v. 16, n. 1, p. 45, doi. 10.1386/ts_00032_1
- By:
- Publication type:
- Article
32
Introduction to Foley sound.
- Published in:
- 2024
- By:
- Publication type:
- Editorial
33
Crystal sounds in contemporary film and TV.
- Published in:
- Soundtrack, 2022, v. 14, n. 1, p. 3, doi. 10.1386/ts_00018_1
- By:
- Publication type:
- Article
34
Writing sound in the screenplay: Traditions and innovations.
- Published in:
- Soundtrack, 2023, v. 15, n. 1, p. 61, doi. 10.1386/ts_00027_1
- By:
- Publication type:
- Article
35
'Can you hear me?' 'Son sur le scenario': The act of writing sound in Mark Jenkin's script of Enys Men (2022).
- Published in:
- Soundtrack, 2023, v. 15, n. 1, p. 45, doi. 10.1386/ts_00026_1
- By:
- Publication type:
- Article
36
Screenwriting sound and music: Towards a new field of study.
- Published in:
- Soundtrack, 2023, v. 15, n. 1, p. 3, doi. 10.1386/ts_00023_2
- By:
- Publication type:
- Article
37
Rainbow remixes: Cut and paste sound in the films of Len Lye.
- Published in:
- Soundtrack, 2021, v. 13, n. 1, p. 3, doi. 10.1386/ts_00013_1
- By:
- Publication type:
- Article
38
Towards a radically different understanding of experience: Looking for an heautonomous auditory field in film.
- Published in:
- Soundtrack, 2010, v. 3, n. 2, p. 139, doi. 10.1386/st.3.2.139_1
- By:
- Publication type:
- Article
39
The Soundtrack-CINESONIKA 1 Issue.
- Published in:
- Soundtrack, 2011, v. 4, n. 1, p. 3, doi. 10.1386/st.4.1.3_2
- By:
- Publication type:
- Article
40
Lowering the Boom: Critical Studies in Film Sound.
- Published in:
- 2009
- By:
- Publication type:
- Book Review
41
Sound and Music in Film and Visual Media.
- Published in:
- 2009
- By:
- Publication type:
- Book Review
42
Working with Hitch.
- Published in:
- Soundtrack, 2010, v. 3, n. 1, p. 25, doi. 10.1386/st.3.1.25_1
- By:
- Publication type:
- Article
43
Electronic realities and identity fugue in Chris Petit's Radio On (1979).
- Published in:
- Soundtrack, 2009, v. 2, n. 2, p. 143, doi. 10.1386/st.2.2.143/1
- By:
- Publication type:
- Article
44
The omnipresent soundscape of drones: reflections on Bill Viola's sound design in Five Angels for the Millennium.
- Published in:
- Soundtrack, 2009, v. 2, n. 2, p. 127, doi. 10.1386/st.2.2.127/1
- By:
- Publication type:
- Article
45
School of Sound Symposium, London 2009; keynote lecture.
- Published in:
- Soundtrack, 2009, v. 2, n. 2, p. 111, doi. 10.1386/st.2.2.111/1
- Publication type:
- Article
46
Cold world: the deathly void of sound.
- Published in:
- Soundtrack, 2009, v. 2, n. 2, p. 87, doi. 10.1386/st.2.2.87/1
- By:
- Publication type:
- Article
47
The equivalence of space and music: Eisenstein and Frank Lloyd Wright.
- Published in:
- Soundtrack, 2009, v. 2, n. 2, p. 99, doi. 10.1386/st.2.2.99/1
- By:
- Publication type:
- Article
48
The voice and the uncanny.
- Published in:
- Soundtrack, 2008, v. 1, n. 2, p. 127, doi. 10.1386/st.1.2.127_1
- By:
- Publication type:
- Article
49
Aspects of synchrony in animation.
- Published in:
- Soundtrack, 2008, v. 1, n. 2, p. 95, doi. 10.1386/st.1.2.95_1
- By:
- Publication type:
- Article
50
Conceiving the rhythms of silence.
- Published in:
- Soundtrack, 2008, v. 1, n. 2, p. 87, doi. 10.1386/st.1.2.87_1
- By:
- Publication type:
- Article