Film Theory and Synchronization.
- Published in:
- CR: The New Centennial Review, 2018, v. 18, n. 2, p. 69
- By:
- Publication type:
- Article
Works matching DE "SOUND in motion pictures"
Results: 212
1
2
'Taken by my wife' – Challenging the Amateur/Professional Binary in Wessex Film and Sound Archive's (WFSA) Early Films (1895–1922).
- Published in:
- Open Screens: Journal of the British Association of Film, Television & Screen Studies, 2024, v. 6, n. 3, p. 1, doi. 10.16995/os.18210
- By:
- Publication type:
- Article
3
India Song's politics of sound.
- Published in:
- French Screen Studies, 2021, v. 21, n. 1, p. 60, doi. 10.1080/26438941.2020.1766234
- By:
- Publication type:
- Article
4
end of the Great Speed-Up—and after.
- Published in:
- Digital Scholarship in the Humanities, 2022, v. 37, n. 1, p. 218, doi. 10.1093/llc/fqab049
- By:
- Publication type:
- Article
5
Czy da się usłyszeć Baczyńskiego? Mówienie filmem o głosie poety.
- Published in:
- Teksty Drugie, 2024, n. 3, p. 137, doi. 10.18318/td.2024.3.8
- By:
- Publication type:
- Article
6
Vaudeville and the Making of Modern Entertainment, 1890---1925.
- Published in:
- New York History, 2022, v. 103, n. 1, p. 206, doi. 10.1353/nyh.2022.0027
- By:
- Publication type:
- Article
7
Unplugging the Matrix.
- Published in:
- New Soundtrack, 2018, v. 8, n. 1, p. 78, doi. 10.3366/sound.2018.0119
- By:
- Publication type:
- Article
8
Engagement versus Immersion.
- Published in:
- New Soundtrack, 2018, v. 8, n. 1, p. 73, doi. 10.3366/sound.2018.0118
- By:
- Publication type:
- Article
9
From Sync to Surround: Walt Disney and its Contribution to the Aesthetics of Music in Animation.
- Published in:
- New Soundtrack, 2018, v. 8, n. 1, p. 61, doi. 10.3366/sound.2018.0117
- By:
- Publication type:
- Article
10
Internal Soundscapes: An Interview with Dan Jones.
- Published in:
- 2018
- Publication type:
- Interview
11
The Soundscape in Michelangelo Antonioni's Cinema.
- Published in:
- New Soundtrack, 2018, v. 8, n. 1, p. 1, doi. 10.3366/sound.2018.0113
- By:
- Publication type:
- Article
12
Sound, Space, Gravity : A Kaleidoscopic Hearing (part II).
- Published in:
- New Soundtrack, 2016, v. 6, n. 2, p. 191, doi. 10.3366/sound.2016.0091
- By:
- Publication type:
- Article
13
The Undersea World of the Sound Department: The Construction of Sonic Conventions in Sub-aqua Screen Environments.
- Published in:
- New Soundtrack, 2016, v. 6, n. 2, p. 143, doi. 10.3366/sound.2016.0088
- By:
- Publication type:
- Article
14
Photographic Sound Art and the Silent Modernity of Walter Ruttmann's Weekend (1930).
- Published in:
- New Soundtrack, 2016, v. 6, n. 2, p. 109, doi. 10.3366/sound.2016.0086
- By:
- Publication type:
- Article
15
I will leave you now and this loudspeaker will take my place.
- Published in:
- New Soundtrack, 2016, v. 6, n. 1, p. 17, doi. 10.3366/sound.2016.0080
- By:
- Publication type:
- Article
16
Why use Linear Workflows with Non-linear Tools?
- Published in:
- New Soundtrack, 2016, v. 6, n. 1, p. 51, doi. 10.3366/sound.2016.0082
- By:
- Publication type:
- Article
17
Digital 3D and the Contemporary Soundtrack: Competing Cinema Spaces.
- Published in:
- New Soundtrack, 2016, v. 6, n. 1, p. 63, doi. 10.3366/sound.2016.0083
- By:
- Publication type:
- Article
18
Sound, Space, Gravity: A Kaleidoscopic Hearing (part I).
- Published in:
- New Soundtrack, 2016, v. 6, n. 1, p. 1, doi. 10.3366/sound.2016.0079
- By:
- Publication type:
- Article
19
Aural ImaginationPaul Davies talks about Kevin ... and Ratcatcher, Hunger, Love is the Devil, The American, Jonny Greenwood and Robert Bresson.
- Published in:
- 2012
- Publication type:
- Interview
20
The Innovation of Re-Recording in the Hollywood Studios.
- Published in:
- Film History, 2012, v. 24, n. 1, p. 5, doi. 10.2979/filmhistory.24.1.5
- By:
- Publication type:
- Article
21
Escribiendo un guión para el sonido.
- Published in:
- Palabra Clave, 2013, v. 16, n. 3, p. 995, doi. 10.3366/sound.2011.0013
- By:
- Publication type:
- Article
22
Making Stereo Fit: The History of a Disquieting Film Technology by Eric Dienstfrey (review).
- Published in:
- Technology & Culture, 2025, v. 66, n. 2, p. 598, doi. 10.1353/tech.2025.a956888
- By:
- Publication type:
- Article
23
The Age of Electroacoustics: Transforming Science and Sound by Roland Wittje (review).
- Published in:
- Technology & Culture, 2023, v. 64, n. 1, p. 245, doi. 10.1353/tech.2023.0052
- By:
- Publication type:
- Article
24
Sonic Diegesis: Reality and the Expressive Potential of Sound in Narrative Film.
- Published in:
- Quarterly Review of Film & Video, 2019, v. 36, n. 8, p. 643, doi. 10.1080/10509208.2019.1593027
- By:
- Publication type:
- Article
25
Substituting Speech for Style: Technique and Discourse in Monsieur Verdoux , Limelight, and A King in New York.
- Published in:
- 2014
- By:
- Publication type:
- Film/TV Criticism and Review
26
The Aural Fold and the Sonic Jump Cut: Godard's (Baroque) Sound.
- Published in:
- 2012
- By:
- Publication type:
- Film/TV Criticism and Review
27
Análisis de la estrategia de diseño sonoro de la película de Sebastián Cordero Ratas, Ratones, Rateros (Ecuador, 1999).
- Published in:
- Ñawi: Arte, Diseño y Comunicación, 2025, v. 9, n. 1, p. 123, doi. 10.37785/nw.v9n1.a7
- By:
- Publication type:
- Article
28
Non-destructive mapping of stress and strain in soft thin films through sound waves.
- Published in:
- Communications Physics, 2022, v. 5, n. 1, p. 1, doi. 10.1038/s42005-022-01000-3
- By:
- Publication type:
- Article
29
An alternative storyboarding approach for designing films with immersive 3-D sound.
- Published in:
- New Cinemas: Journal of Contemporary Film, 2022, v. 20, n. 1, p. 35, doi. 10.1386/ncin_00033_1
- By:
- Publication type:
- Article
30
The Aesthetics of Early Sound Film: Media Change around 1930: DANIEL WIEGAND (ed), 2024, Amsterdam, Amsterdam University Press, pp. 308, €129 (hardback).
- Published in:
- 2025
- By:
- Publication type:
- Book Review
31
The Art of the Observer: A Personal View of Documentary: DAVID MACDOUGALL, 2022, Manchester, England, Manchester University Press, pp.xii + 239, illus., $30.55 (paper).
- Published in:
- 2024
- By:
- Publication type:
- Product Review
32
Campbeltown Speaks: Small-Town Cinema and the Coming of Sound.
- Published in:
- Historical Journal of Film, Radio & Television, 2024, v. 44, n. 1, p. 1, doi. 10.1080/01439685.2023.2256081
- By:
- Publication type:
- Article
33
'ISLANDS OF SOUND IN THE SILENT FLOW OF FILM': GERMAN PART-TALKIES AROUND 1930 AS A HYBRID MEDIUM.
- Published in:
- Historical Journal of Film, Radio & Television, 2022, v. 42, n. 3, p. 427, doi. 10.1080/01439685.2021.1976916
- By:
- Publication type:
- Article
34
Blackpool Goes All-Talkie: Cinema and Society at the Seaside in Thirties Britain.
- Published in:
- Historical Journal of Film, Radio & Television, 2009, v. 29, n. 1, p. 27, doi. 10.1080/01439680802704633
- By:
- Publication type:
- Article
35
Hurlements en faveur de vous.
- Published in:
- 2013
- By:
- Publication type:
- Film/TV Criticism and Review
36
FILMOVÝ ZVUK V MATERIÁLOVÝCH MANIFESTACÍCH: NA PŘÍKLADU SBÍRKY NÁRODNÍHO FILMOVÉHO ARCHIVU, S PŘIHLÉDNUTÍM K DÍLU ZDEŇKA LIŠKY.
- Published in:
- ProInflow, 2022, v. 14, n. 1/2, p. 171, doi. 10.5817/ProIn2022-2-10
- By:
- Publication type:
- Article
37
Hitchcock and the Internalization of Soviet Sound Theory.
- Published in:
- Film Matters, 2022, v. 13, n. 1, p. 148, doi. 10.1386/fm_00211_1
- By:
- Publication type:
- Article
38
Massaging the Ears: The Centrality of Sound in Raise the Red Lantern.
- Published in:
- 2015
- By:
- Publication type:
- Literary Criticism
39
THEORIZING "BAD" SOUND: What Puts the "Mumble" into Mumblecore?
- Published in:
- Velvet Light Trap: A Critical Journal of Film & Television, 2014, n. 74, p. 67, doi. 10.7560/VLT7407
- By:
- Publication type:
- Article
40
INTRODUCTION.
- Published in:
- Velvet Light Trap: A Critical Journal of Film & Television, 2014, n. 74, p. 1, doi. 10.7560/VLT7401
- Publication type:
- Article
41
How Long?—Not Long.
- Published in:
- 2014
- By:
- Publication type:
- Film/TV Criticism and Review
42
Xenochrony: aural media and neoliberal time in Shane Carruth's Primer.
- Published in:
- 2015
- By:
- Publication type:
- Film/TV Criticism and Review
43
Unpacking a Punch: Transduction and the Sound of Combat Foley in Fight Club.
- Published in:
- 2014
- By:
- Publication type:
- Film/TV Criticism and Review
44
Sound and Domestic Screens.
- Published in:
- 2012
- By:
- Publication type:
- Essay
45
The Benshi Track: Mizoguchi Kenji's The Downfall of Osen and the Sound Transition.
- Published in:
- 2011
- By:
- Publication type:
- Essay
46
The 17th Annual Screen Conference.
- Published in:
- 2009
- By:
- Publication type:
- Proceeding
47
El análisis semiótico y estético de la banda de sonido: una propuesta taxonómica.
- Published in:
- Signo y Pensamiento, 2022, v. 41, p. 1, doi. 10.11144/Javeriana.syp41.aseb
- By:
- Publication type:
- Article
48
Immoral music: Private Property (1960), ethical condemnation, and the national legion of decency.
- Published in:
- Journal of American Culture, 2024, v. 47, n. 4, p. 263, doi. 10.1111/jacc.13587
- By:
- Publication type:
- Article
49
Winner of the William M. Jones Best Graduate Student Paper Award at the 2016 American Culture Association Conference.
- Published in:
- Journal of American Culture, 2016, v. 39, n. 3, p. 313, doi. 10.1111/jacc.12571
- By:
- Publication type:
- Article
50
If film is dead, what is cinema?
- Published in:
- 2014
- By:
- Publication type:
- Essay