Works matching DE "SOLO instrument music"
Results: 23
For Frank O'Hara: Morton Feldman's Three Voices as Interpretation and Elegy.
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- Modernist Cultures, 2013, v. 8, n. 1, p. 120, doi. 10.3366/mod.2013.0054
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- Article
CSABA SZABÓ: THE BALLAD OF MASON CLEMENT.
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- Studia Universitatis Babes-Bolyai, Musica, 2016, v. 61, n. 2, p. 245
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- Article
A PROFILE SKETCH IN THE MIRROR OF ONE WORK: SINUS FOR CLARINET SOLO BY CRISTIAN MISIEVICI.
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- Studia Universitatis Babes-Bolyai, Musica, 2011, v. 56, n. 2, p. 287
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- Article
STRUCTURAL ELEMENTS IN HANS PETER TÜRK'S SUITE FOR CLARINET SOLO.
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- Studia Universitatis Babes-Bolyai, Musica, 2011, v. 56, n. 2, p. 279
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- Article
MEDITATIONS FOR CLARINET SOLO BY VALENTIN TIMARU - MUSICAL ANALYSIS -.
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- Studia Universitatis Babes-Bolyai, Musica, 2011, v. 56, n. 2, p. 269
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- Article
NOEL DA COSTA'S BLUE-TUNE VERSES: The author unveils an unknown gem, making a case for comparisions with Syrinx.
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- Flutist Quarterly, 2018, v. 43, n. 3, p. 55
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- Article
JANICE MISURELL-MITCHELL: COMMISSIONED WORKS.
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- Flutist Quarterly, 2018, v. 43, n. 2, p. 59
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- Article
Five Little Notes: The Baroque Tenor Recorder as a Solo Instrument.
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- American Recorder, 2017, v. 58, n. 1, p. 29
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- Article
The Ends of Improvisation.
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- 2010
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- Essay
The psychophysiological peculiarities of the performance of the compositions for instrument's solo (for example of wind musical performing arts).
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- National Academy of Managerial Staff of Culture & Arts Herald / Vìsnik Deržavnoï Akademìï Kerìvnih Kadrìv Kulʹturi ì Mistectv, 2014, n. 4, p. 79
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- Article
THE XHOSA UMRHUBHE MOUTHBOW: AN EXTRAORDINARY MUSICAL INSTRUMENT.
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- African Music: Journal for the International Library of African Music, 2011, v. 9, n. 1, p. 33, doi. 10.21504/amj.v9i1.1757
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- Article
Folds and Études.
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- Canadian Review of Art Education: Research & Issues, 2007, v. 34, n. 1, p. 64
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- Article
A Return to Old Techniques in Recent Concertos by Ivo Petrić.
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- Musicological Annual / Muzikoloski Zbornik, 2011, v. 47, n. 2, p. 167
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- Article
Instruments from an Instrument: Schaefferian ‘Instrumental Analysis’ and Berio's Sequenza V for Solo Trombone.
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- Contemporary Music Review, 2013, v. 32, n. 5, p. 437, doi. 10.1080/07494467.2013.849872
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- Article
A Two-Part (Re)Invention: The Harpsichord in a Contemporary Musical Context.
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- Contemporary Music Review, 2000, v. 19, n. 4, p. 7, doi. 10.1080/07494460000640411
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- Article
The Role of Accompaniment Quality in the Evaluation of Solo Instrumental Performance.
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- Journal of Research in Music Education, 2018, v. 66, n. 1, p. 92, doi. 10.1177/0022429418761044
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- Article
Performer, Rater, Occasion, and Sequence as Sources of Variability in Music Performance Assessment.
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- Journal of Research in Music Education, 2007, v. 55, n. 4, p. 344, doi. 10.1177/0022429408317515
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- Article
Faculty Interjudge Reliability of Music Performance Evaluation.
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- Journal of Research in Music Education, 2003, v. 51, n. 2, p. 137, doi. 10.2307/3345847
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- Article
Applying the Melograph to "Parker's Mood".
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- Selected Reports in Ethnomusicology, 1974, v. 2, n. 1, p. 166
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- Article
Orchestration in the Chamber Works of Ruth Crawford Seeger.
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- Theory & Practice, 2010, v. 35, p. 147
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- Article
Effects of Internal and External Focus of Attention on Woodwind Performance.
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- Psychomusicology: Music, Mind & Brain, 2017, v. 27, n. 1, p. 45, doi. 10.1037/pmu0000170
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- Article
Detecting Solo Phrases in Music Using Spectral and Pitch-related Descriptors.
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- Journal of New Music Research, 2009, v. 38, n. 4, p. 343, doi. 10.1080/09298210903406632
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- Article
The Oak of Mambre, for unnacompanied Double Bass.
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- Revista Música Hodie, 2013, v. 13, n. 1, p. 341
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- Article