The Freedom Singers of the Civil Rights Movement: Music Functioning for Freedom.
- Published in:
- UPDATE: Applications of Research in Music Education, 2007, v. 25, n. 2, p. 59, doi. 10.1177/87551233070250020107
- By:
- Publication type:
- Article
Works matching DE "SOCIALISM %26 music"
Results: 25
1
2
Music and Meaning on the Factory Floor.
- Published in:
- Work & Occupations, 2007, v. 34, n. 3, p. 253, doi. 10.1177/0730888407303944
- By:
- Publication type:
- Article
3
Effects of Social versus Musical Antecedents on Communication Responsiveness in Five Children with Developmental Disabilities.
- Published in:
- Journal of Music Therapy, 1998, v. 35, n. 2, p. 88, doi. 10.1093/jmt/35.2.88
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- Publication type:
- Article
4
Anneliese Landau and the Kulturbund: In Her Own Words.
- Published in:
- Musical Quarterly, 2007, v. 90, n. 3/4, p. 508, doi. 10.1093/musqtl/gdn022
- Publication type:
- Article
5
The Berlin Jüdischer Kulturbund and the "After-Life" of Franz Schubert: Musical Appropriation and Identity Politics in Nazi Germany.
- Published in:
- Musical Quarterly, 2007, v. 90, n. 3/4, p. 469, doi. 10.1093/musqtl/gdn021
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- Publication type:
- Article
6
Who Are Musickers?
- Published in:
- Philosophy of Music Education Review, 2015, v. 23, n. 1, p. 82, doi. 10.2979/philmusieducrevi.23.1.82
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- Publication type:
- Article
7
RESPONSE TO DEBORAH BRADLEY, "OH THAT MAGIC FEELING! MULTICULTURAL HUMAN SUBJECTIVITY, COMMUNITY, AND FASCISM'S FOOTPRINTS".
- Published in:
- Philosophy of Music Education Review, 2009, v. 17, n. 1, p. 85, doi. 10.2979/PME.2009.17.1.85
- By:
- Publication type:
- Article
8
From Whom Is the Voice Coming? Mennonites, First Nations People and Appropriation of Voice.
- Published in:
- Journal of Mennonite Studies, 2001, v. 19, p. 144
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- Publication type:
- Article
9
Searching for silenced voices in Appalachian music.
- Published in:
- GeoJournal, 2006, v. 65, n. 1/2, p. 67, doi. 10.1007/s10708-006-7055-2
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- Publication type:
- Article
10
The distant beat of my father's drums: Contemporary Aboriginal music and NCI-FM broadcasting, Manitoba, Canada.
- Published in:
- GeoJournal, 2006, v. 65, n. 1/2, p. 79, doi. 10.1007/s10708-006-0014-0
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- Publication type:
- Article
11
Celebrating a Nation's heritage on music stamps: Constructing an international community.
- Published in:
- GeoJournal, 2006, v. 65, n. 1/2, p. 125, doi. 10.1007/s10708-006-0015-z
- By:
- Publication type:
- Article
12
SOUTH AFRICAN MUSIC LIBRARIES: COLLEGIAL, INSTITUTIONAL AND GEOGRAPHIC ISOLATION, AN EXAMINATION.
- Published in:
- Fontes Artis Musicae, 2009, v. 56, n. 2, p. 207
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- Publication type:
- Article
13
SOCIAL BACKGROUND AND MUSICAL TASTE.
- Published in:
- American Sociological Review, 1948, v. 13, n. 3, p. 330, doi. 10.2307/2086574
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- Publication type:
- Article
14
Music evoked emotions are different - more often aesthetic than utilitarian.
- Published in:
- Behavioral & Brain Sciences, 2008, v. 31, n. 5, p. 595, doi. 10.1017/S0140525X08005505
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- Publication type:
- Article
15
Accountability. Intervention. Community.: On the Making of a Two-Spirit Music Video for Pride Toronto Summer 2021.
- Published in:
- 2022
- By:
- Publication type:
- Music Review
16
All Together Now: The Prague Manifesto (1948) and the Association française des musiciens progressistes.
- Published in:
- French History & Civilization, 2009, v. 2, p. 82
- Publication type:
- Article
17
“Hymns of the Future”: Reading Felicien David's Christophe Colomb (1847) as a Saint-Simonian Symphony.
- Published in:
- Journal of Musicological Research, 2009, v. 28, n. 1, p. 1, doi. 10.1080/01411890802595194
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- Publication type:
- Article
18
Musical preferences and technologies: Contemporary material and symbolic distinctions criticized.
- Published in:
- Journal of Consumer Culture, 2017, v. 17, n. 2, p. 242, doi. 10.1177/1469540515586870
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- Publication type:
- Article
19
Notes on Practices of Musical Exchange in Colombia.
- Published in:
- Popular Communication, 2009, v. 7, n. 3, p. 158, doi. 10.1080/15405700903023400
- By:
- Publication type:
- Article
20
Why is the Eurovision Song Contest Ridiculous? Exploring a Spectacle of Embarrassment, Irony and Identity.
- Published in:
- Popular Communication, 2008, v. 6, n. 3, p. 127, doi. 10.1080/15405700802197727
- By:
- Publication type:
- Article
21
The "tuning-in" relationship in music and in ethics.
- Published in:
- Continental Philosophy Review, 2023, v. 56, n. 2, p. 279, doi. 10.1007/s11007-023-09606-2
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- Publication type:
- Article
22
"Ai, Mouraria!" Music, Tourism, and Urban Renewal in a Historic Lisbon Neighbourhood.
- Published in:
- MUSICultures, 2016, v. 43, n. 2, p. 66
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- Publication type:
- Article
23
Revival of Bulgarian Folk Music During Socialism and the Post-Socialist Transition: Music and Cultural Identity.
- Published in:
- MUSICultures, 2010, v. 37, p. 109
- By:
- Publication type:
- Article
24
Die Geschichte des Liedes „Ivo Lola“. Ein Beitrag zum Verhältnis zwischen Rockmusik und Politik im sozialistischen Jugoslawien.
- Published in:
- Südost-Forschungen, 2017, v. 76, n. 1, p. 162, doi. 10.1515/sofo-2017-760111
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- Publication type:
- Article
25
Music, Memory, and Nostalgia: Collective Memories of Cultural Revolution Songs in Contemporary China.
- Published in:
- China Review: An Interdisciplinary Journal on Greater China, 2005, v. 5, n. 2, p. 151
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- Publication type:
- Article