"There Ain't Much of a Difference/Between a Bridge and a Wall": Hedwig and the Angry Inch--A Bisexual Aesthetic for Film.Published in:Journal of Bisexuality, 2006, v. 5, n. 4, p. 107, doi. 10.1300/J159v05n04_09By:Dean, Sharon G.Publication type:Article
One-Dimensional Men: Fight Club and the Poetics of the Body.Published in:Film Criticism, 2003, v. 28, n. 1, p. 1By:Gronstad, AsbjornPublication type:Article
Discourses of Gender and Ethnicity: The Construction and De(con)struction of Rudolph Valentino as Other.Published in:Film Criticism, 1989, v. 13, n. 2, p. 18By:Studlar, GaylynPublication type:Article
The enigma of the male sex symbol.Published in:Celebrity Studies, 2013, v. 4, n. 1, p. 81, doi. 10.1080/19392397.2013.750125By:Mercer, JohnPublication type:Article
Marilyn Monroe, ‘sex symbol’: film performance, gender politics and 1950s Hollywood celebrity.Published in:2013By:Scheibel, WillPublication type:Essay
Eroticism in Itami's The Funeral and Tampopo: Juxtaposition and Symbolism.Published in:Cinema Journal, 2003, v. 42, n. 3, p. 70, doi. 10.1353/cj.2003.0012By:Serper, ZvikaPublication type:Article