9: Conclusions.
- Published in:
- Acta Musicologica Fennica, 2019, n. 34, p. 266
- Publication type:
- Article
Works matching DE "SERIALISM (Musical composition)"
Results: 73
1
2
8: Rautavaara's Mature Style: A Synthesis of Influences (1985-1995).
- Published in:
- Acta Musicologica Fennica, 2019, n. 34, p. 237
- Publication type:
- Article
3
5: Integral Serialism and Crisis (1962-1967).
- Published in:
- Acta Musicologica Fennica, 2019, n. 34, p. 139
- Publication type:
- Article
4
2: The Elements of Rautavaara's Style: Symmetries, Tertian Harmonies, and Serialism.
- Published in:
- Acta Musicologica Fennica, 2019, n. 34, p. 9
- Publication type:
- Article
5
Paired Opposites: The Development of Einojuhani Rautavaara's Harmonic Practices.
- Published in:
- Acta Musicologica Fennica, 2019, n. 34, p. iii
- By:
- Publication type:
- Article
6
The Diegetic Music of Berg’s Lulu : When Opera and Serialism Collide.
- Published in:
- Journal of Musicological Research, 2016, v. 35, n. 1, p. 1, doi. 10.1080/01411896.2015.1082066
- By:
- Publication type:
- Article
7
Dodecaphonic Composition in 1950s and 1960s Europe: The Ideological Issue of Rightist or Leftist Orientation.
- Published in:
- Journal of Musicological Research, 2007, v. 26, n. 2-3, p. 177, doi. 10.1080/01411890701351566
- By:
- Publication type:
- Article
8
Of Bushisms, Banjos, and 20th Century Music.
- Published in:
- 2008
- By:
- Publication type:
- Editorial
9
"PITFALLS AND RISKS" IN SCHÖNBERG'S SERIALISM.
- Published in:
- Musicology Papers, 2013, v. 28, n. 2, p. 71
- By:
- Publication type:
- Article
10
Transformations in serial music and language games.
- Published in:
- Journal of New Music Research, 2019, v. 48, n. 2, p. 159, doi. 10.1080/09298215.2019.1576737
- By:
- Publication type:
- Article
11
Empirical Musicology Review: Serialist Claims versus Sonic Reality.
- Published in:
- Empirical Musicology Review, 2010, v. 5, n. 2, p. 36, doi. 10.18061/1811/46748
- By:
- Publication type:
- Article
12
Gesture through the Lens of Pluridimensional Serialism in the Music of Camillo Togni.
- Published in:
- Music Theory Online, 2024, v. 30, n. 2, p. 87, doi. 10.30535/mto.30.2.5
- By:
- Publication type:
- Article
13
Xenakis ’ Sieve Theory: A Remnant of Serial Music?
- Published in:
- Music Theory Online, 2022, v. 28, n. 2, p. 36, doi. 10.30535/mto.28.2.2
- By:
- Publication type:
- Article
14
Inventive Listening: The Aesthetics of Parataxis.
- Published in:
- International Review of the Aesthetics & Sociology of Music, 2014, v. 45, n. 1, p. 21
- By:
- Publication type:
- Article
15
Gradual Vowel Epenthesis in Urban Hijazi Arabic.
- Published in:
- Languages, 2021, v. 6, n. 4, p. 160, doi. 10.3390/languages6040160
- By:
- Publication type:
- Article
16
THE SERIAL COLLABORATOR: A META-PIANIST FOR REAL-TIME TONAL AND NON-TONAL MUSIC GENERATION.
- Published in:
- Leonardo, 2014, v. 47, n. 3, p. 260, doi. 10.1162/Leon_a_00769
- By:
- Publication type:
- Article
17
LA FRUSTRATION IDENTITAIRE. QUELQUES IDÉES DE MIHAI MITREA-CELARIANU SUR L'ÉCOLE ROUMAINE DE COMPOSITION.
- Published in:
- 2012
- By:
- Publication type:
- Interview
18
Serialism.
- Published in:
- 2009
- By:
- Publication type:
- Book Review
19
rgn.1 | ‘nt’rl’d’ | and rgn.2.
- Published in:
- Textual Practice, 2017, v. 31, n. 4, p. 595, doi. 10.1080/0950236X.2017.1296092
- By:
- Publication type:
- Article
20
The Arnold Scshönberg Hebraic Soul.
- Published in:
- International Journal of Contemporary Composition, 2014, v. 10, p. 1
- By:
- Publication type:
- Article
21
The Integrity of Boulez's Integral Serialism: Polyphonie X and Musical Failure as Compositional Success.
- Published in:
- Contemporary Music Review, 2017, v. 36, n. 5, p. 337, doi. 10.1080/07494467.2017.1401366
- By:
- Publication type:
- Article
22
Formation of a New Harmonic Language in Elliott Carter's String Quartet No. 2.
- Published in:
- Contemporary Music Review, 2017, v. 36, n. 5, p. 388, doi. 10.1080/07494467.2017.1401363
- By:
- Publication type:
- Article
23
Paris, Darmstadt, New York: The Beginnings of the ‘New Music’ Quartet.
- Published in:
- Contemporary Music Review, 2014, v. 33, n. 3, p. 318, doi. 10.1080/07494467.2014.975552
- By:
- Publication type:
- Article
24
The String Quartet in Italy After 1945.
- Published in:
- Contemporary Music Review, 2013, v. 32, n. 4, p. 353, doi. 10.1080/07494467.2013.814899
- By:
- Publication type:
- Article
25
The Cabinet of Curiosities—The String Quartet in the USA after 1950.
- Published in:
- Contemporary Music Review, 2013, v. 32, n. 4, p. 341, doi. 10.1080/07494467.2013.809238
- By:
- Publication type:
- Article
26
Memory and Time: The Poetics of Julio Estrada's String Quartets.
- Published in:
- Contemporary Music Review, 2013, v. 32, n. 4, p. 325, doi. 10.1080/07494467.2013.806750
- By:
- Publication type:
- Article
27
A Return to the Future or Forward to the Past?
- Published in:
- Contemporary Music Review, 2010, v. 29, n. 3, p. 251, doi. 10.1080/07494467.2010.535357
- By:
- Publication type:
- Article
28
Serial Canon(s): Nono's Variations and Boulez's Structures.
- Published in:
- Contemporary Music Review, 2010, v. 29, n. 3, p. 265, doi. 10.1080/07494467.2010.535359
- By:
- Publication type:
- Article
29
Postmodern or Modern: A Different Approach to Darmstadt.
- Published in:
- Contemporary Music Review, 2007, v. 26, n. 1, p. 25, doi. 10.1080/07494460601069176
- By:
- Publication type:
- Article
30
Dialectics of Serialism: Abstraction and Deconstruction in Schnebel's für stimmen (... missa est).
- Published in:
- Contemporary Music Review, 2007, v. 26, n. 1, p. 39, doi. 10.1080/07494460601069200
- By:
- Publication type:
- Article
31
Gay Darmstadt: Flamboyance and Rigour at the Summer Courses for New Music.
- Published in:
- Contemporary Music Review, 2007, v. 26, n. 1, p. 105, doi. 10.1080/07494460601069283
- By:
- Publication type:
- Article
32
Darmstadt and the Institutionalisation of Modernism.
- Published in:
- Contemporary Music Review, 2007, v. 26, n. 1, p. 115, doi. 10.1080/07494460601069291
- By:
- Publication type:
- Article
33
Music after Zero Hour.
- Published in:
- Contemporary Music Review, 2007, v. 26, n. 1, p. 5, doi. 10.1080/07494460601069143
- By:
- Publication type:
- Article
34
All Dressed Up and Nowhere to Go.
- Published in:
- Contemporary Music Review, 2005, v. 24, n. 1, p. 89, doi. 10.1080/0749446042000293637
- By:
- Publication type:
- Article
35
Contemporary Harpsichord Music in The Netherlands.
- Published in:
- Contemporary Music Review, 2000, v. 19, n. 4, p. 49, doi. 10.1080/07494460000640431
- By:
- Publication type:
- Article
36
Derivative Analysis and Serial Music: the Theme of Schoenberg's Orchestral Variations Op.31.
- Published in:
- PER MUSI: Revista Academica de Musica, 2016, n. 33, p. 1, doi. 10.1590/permusi20163301
- By:
- Publication type:
- Article
37
O serialismo de Camargo Guarnieri no seu Concerto para Piano e Orquestra N.° 5.
- Published in:
- PER MUSI: Revista Academica de Musica, 2009, v. 20, p. 44, doi. 10.1590/S1517-75992009000200006
- By:
- Publication type:
- Article
38
Aspectos da construçâo temática de Arnold Schoenberg a partir de seus escritos teóricos sobre forma.
- Published in:
- PER MUSI: Revista Academica de Musica, 2009, v. 20, p. 34, doi. 10.1590/S1517-75992009000200005
- By:
- Publication type:
- Article
39
"Sound Is Material": Dan Graham in Conversation with Eric de Bruyn.
- Published in:
- Grey Room, 2004, v. 17, p. 108, doi. 10.1162/1526381042464554
- By:
- Publication type:
- Article
40
La modernidad entumecida. Sobre la crítica de Adorno al serialismo.
- Published in:
- Contrastes: Revista Internacional de Filosofia, 2013, v. 18, n. 1/2, p. 105
- By:
- Publication type:
- Article
41
Hearing, Studying, and Remembering Milton Babbitt at the CUNY Graduate Center.
- Published in:
- 2012
- By:
- Publication type:
- Essay
42
SURPASSING IMPROVISATION?
- Published in:
- New Sound: International Magazine for Music, 2008, n. 32, p. 143
- By:
- Publication type:
- Article
43
In "Permanent Revolution": Jacques Rivette's Out 1: Noli me tangere.
- Published in:
- Australian Journal of French Studies (Australian Journal of French Studies), 2010, v. 47, n. 2, p. 146, doi. 10.3828/AJFS.47.2.146
- By:
- Publication type:
- Article
44
Schoenberg, serialism and cognition: Whose fault if No one listens?
- Published in:
- Interdisciplinary Science Reviews, 2011, v. 36, n. 1, p. 24, doi. 10.1179/030801811X12941390545645
- By:
- Publication type:
- Article
45
Locality and globality in phonological variation.
- Published in:
- Natural Language & Linguistic Theory, 2011, v. 29, n. 2, p. 423, doi. 10.1007/s11049-011-9129-1
- By:
- Publication type:
- Article
46
Serialism in the Early Music of Aaron Copland.
- Published in:
- Musical Quarterly, 2007, v. 90, n. 2, p. 176, doi. 10.1093/musqtl/gdn012
- By:
- Publication type:
- Article
47
A Response to Anne C. Shreffler.
- Published in:
- Musical Quarterly, 2000, v. 84, n. 1, p. 40, doi. 10.1093/mq/84.1.40
- By:
- Publication type:
- Article
48
The Myth of Empirical Historiography: A Response to Joseph N. Straus.
- Published in:
- Musical Quarterly, 2000, v. 84, n. 1, p. 30, doi. 10.1093/mq/84.1.30
- By:
- Publication type:
- Article
49
The Myth of Serial `Tyranny' in the 1950s and 1960s.
- Published in:
- Musical Quarterly, 1999, v. 83, n. 3, p. 301, doi. 10.1093/mq/83.3.301
- By:
- Publication type:
- Article
50
A Revisionist History of Twelve-Tone Serialism in American Music.
- Published in:
- Journal of the Society for American Music, 2008, v. 2, n. 3, p. 355, doi. 10.1017/S1752196308080115
- By:
- Publication type:
- Article