Works matching DE "SEQUENCES (Musical composition)"
Results: 18
The picture is not yet over!: The end credits song sequence in Bollywood.
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- South Asian Popular Culture, 2017, v. 15, n. 2/3, p. 203, doi. 10.1080/14746689.2017.1407546
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Mental practice promotes motor anticipation: evidence from skilled music performance.
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- Frontiers in Human Neuroscience, 2013, v. 7, p. 1, doi. 10.3389/fnhum.2013.00451
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İKİNCİL YEDİLİ AKORLARIN ÇÖZÜMÜ.
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- Electronic Journal of Social Sciences, 2011, v. 10, n. 38, p. 284
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Sequences in Mozart's Piano Sonata, K. 280/I.
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- Res Musica, 2015, n. 7, p. 128
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IDENTIFYING RHYTHMS IN MUSICAL TEXTS.
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- International Journal of Foundations of Computer Science, 2008, v. 19, n. 1, p. 37, doi. 10.1142/S0129054108005528
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ON SOME COMBINATORIAL PROBLEMS CONCERNING THE HARMONIC STRUCTURE OF MUSICAL CHORD SEQUENCES.
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- International Journal of Foundations of Computer Science, 2008, v. 19, n. 1, p. 103, doi. 10.1142/S0129054108005565
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FLEXIBLE MUSIC RETRIEVAL IN SUBLINEAR TIME.
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- International Journal of Foundations of Computer Science, 2006, v. 17, n. 6, p. 1345, doi. 10.1142/S0129054106004455
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Bass-Line Melodies and Form in Four Piano and Chamber Works by Clara Wieck-Schumann.
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- Music Theory Spectrum, 2016, v. 38, n. 2, p. 133, doi. 10.1093/mts/mtw007
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The 'Day of Wrath' as Musico-Political Statement in Dallapiccola's Canti di Prigionia.
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- Contemporary Music Review, 2010, v. 29, n. 3, p. 231, doi. 10.1080/07494467.2010.535355
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Element repertoire: change and development with age in Whitethroat Sylvia communis song.
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- Journal of Ornithology, 2010, v. 151, n. 2, p. 469, doi. 10.1007/s10336-009-0481-4
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Differences in Electric Brain Responses to Melodies and Chords.
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- Journal of Cognitive Neuroscience, 2010, v. 22, n. 10, p. 2251, doi. 10.1162/jocn.2009.21338
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Sequential and Biomechanical Factors Constrain Timing and Motion in Tapping.
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- Journal of Motor Behavior, 2009, v. 41, n. 2, p. 128, doi. 10.3200/JMBR.41.2.128-136
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The subject's references in synchronization and pseudo-synchronization.
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- Psychomusicology: Music, Mind & Brain, 2010, v. 20, n. 1/2, p. 170, doi. 10.5084/pmmb2009/20/170
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Note on the possibility of syncopating as a function of the tempo of a sequence.
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- Psychomusicology: Music, Mind & Brain, 2010, v. 20, n. 1/2, p. 167, doi. 10.5084/pmmb2009/20/167
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- Article
A Robust Parser-Interpreter for Jazz Chord Sequences.
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- Journal of New Music Research, 2014, v. 43, n. 4, p. 355, doi. 10.1080/09298215.2014.910532
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Measures of Facial Muscle Activation, Intra-oral Pressure and Mouthpiece Force in Trumpet Playing.
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- Journal of New Music Research, 2012, v. 41, n. 1, p. 49, doi. 10.1080/09298215.2011.646278
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Generation of Folk Song Melodies using Bayes Transforms.
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- Journal of New Music Research, 2011, v. 40, n. 4, p. 293, doi. 10.1080/09298215.2011.573559
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Jazz Harmonic Analysis as Optimal Tonality Segmentation.
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- Computer Music Journal, 2011, v. 35, n. 2, p. 49, doi. 10.1162/COMJ_a_00056
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