Stretching the limits of gender and the genre: Uncomfortable sexualities in Centlivre's The Basset Table (1705).Published in:Revista de Humanidades (1130-5029), 2019, n. 36, p. 87, doi. 10.5944/rdh.36.2019.18837By:Martínez-García, LauraPublication type:Article
The Myth of Marisol in Twenty-First-Century Spanish Cultural Production.Published in:Journal of Gender & Sexuality Studies / Revista de Estudios de Géneros y Sexualidades, 2018, v. 44, n. 2, p. 63, doi. 10.14321/jgendsexustud.44.2.0063By:STAFFORD, KATHERINE O.Publication type:Article
"Is this my native country?": Reviving Elizabeth Inchbalds Every One Has His Fault in Postcolonial Philadelphia.Published in:2016By:MacDonald, JenniePublication type:Literary Criticism
'Can you say I am an old man?': Sentiment and the Mask of Ageing in Thomas Holcroft's Duplicity (1781).Published in:2019By:Fallon, DavidPublication type:Literary Criticism
Pity the Fool: Satire, Sentiment, and Aristocratic Vice in George Colman’s The Suicide.Published in:Eighteenth Century Fiction, 2022, v. 34, n. 4, p. 393, doi. 10.3138/ecf.34.4.393By:Parisot, EricPublication type:Article