PUBLIC OPINION AND THE MOTION PICTURE.
- Published in:
- Public Opinion Quarterly, 1937, v. 1, n. 2, p. 129, doi. 10.1086/265075
- By:
- Publication type:
- Article
Works matching DE "SENSATIONALISM in motion pictures"
Results: 18
1
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In the Realm of the Senses: Sensory Realism, Speed, and Hong Kong Martial Arts Cinema.
- Published in:
- 2014
- By:
- Publication type:
- Film/TV Criticism and Review
3
The battle of truth and fiction: Documentary storytelling and Middle Eastern refugee discourse.
- Published in:
- Journal of Postcolonial Writing, 2018, v. 54, n. 6, p. 809, doi. 10.1080/17449855.2018.1555204
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- Publication type:
- Article
4
A Review of “Maximum Movies, Pulp Fictions: Film Culture and the Worlds of Samuel Fuller, Mickey Spillane, and Jim Thompson”.
- Published in:
- 2013
- By:
- Publication type:
- Book Review
5
Violence on television. Unpleasant, interesting or morbid?
- Published in:
- Revista Latina de Comunicación Social, 2013, n. 68, p. 582, doi. 10.4185/RLCS-2013-991en
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- Publication type:
- Article
6
A full face bright red money shot: Incision, wounding and film spectatorship in Marina de Van's Dans ma peau.
- Published in:
- Continuum: Journal of Media & Cultural Studies, 2012, v. 26, n. 4, p. 565, doi. 10.1080/10304312.2012.698036
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- Publication type:
- Article
7
Sensation machine: Film, phenomenology and the training of the senses.
- Published in:
- Continuum: Journal of Media & Cultural Studies, 2012, v. 26, n. 4, p. 529, doi. 10.1080/10304312.2012.698033
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- Publication type:
- Article
8
Queer-haptic aesthetics in the films of Lucrecia Martel and Albertina Carri.
- Published in:
- Studies in Spanish & Latin American Cinemas, 2017, v. 14, n. 1, p. 95, doi. 10.1386/slac.14.1.95_1
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- Publication type:
- Article
9
MOTION PICTURES AND MORAL PANIC: THE RECEPTION OF ‘WHITE SLAVERY’ FILMS IN NEW YORK IN 1913.
- Published in:
- Film & History (03603695), 2023, v. 53, n. 1, p. 61, doi. 10.1353/flm.2023.a903048
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- Publication type:
- Article
10
Substance Abuse in Silent American Cinema: Controversies of Education versus Sensationalism.
- Published in:
- Studies in American Culture, 2018, v. 41, n. 1, p. 38
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- Publication type:
- Article
11
Musical Interludes in 1960s Mexican Melodrama: Crafting a Sonic Space of Exclusion.
- Published in:
- 2018
- By:
- Publication type:
- Film/TV Criticism and Review
12
The visible and the invisible: From ‘tricks’ to ‘effects’.
- Published in:
- Early Popular Visual Culture, 2015, v. 13, n. 2, p. 106, doi. 10.1080/17460654.2015.1036523
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- Publication type:
- Article
13
Revisiting the ‘realism’ of the cosmetics of hunger: Cidade de Deus and Ônibus 174.
- Published in:
- New Cinemas: Journal of Contemporary Film, 2010, v. 8, n. 1, p. 15, doi. 10.1386/ncin.8.1.15_1
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- Publication type:
- Article
14
[Ole Olsen's lion is introduced to the two new film stars].
- Published in:
- Film History, 2012, v. 24, n. 4, p. 465
- Publication type:
- Article
15
The woman on the table: Moral and medical discourse in the exploitation cinema.
- Published in:
- Film History, 1994, v. 6, n. 3, p. 340
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- Publication type:
- Article
16
No Down Payment for the American Way of Life: Navigating Taboo Subjects and the Production Code.
- Published in:
- 2024
- By:
- Publication type:
- Film/TV Criticism and Review
17
Narrativa sensacionalista e ficção especulativa sobre o aquecimento global : Catarse, alerta, realidade e ficção em O Dia Depois de Amanhã.
- Published in:
- Ciberlegenda, 2010, n. 22, p. 25
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- Publication type:
- Article
18
Hitchcock's Modernism.
- Published in:
- Modernist Cultures, 2010, v. 5, n. 1, p. 106, doi. 10.3366/mod.2010.0008
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- Publication type:
- Article