Beethoven’s five-part scherzos: appearance and reality.
- Published in:
- Early Music, 2012, v. 40, n. 2, p. 297, doi. 10.1093/em/cas048
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- Article
Works matching DE "SCHERZO -- History %26 criticism"
Results: 6
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Extended Upbeats in the Classical Minuet: Interactions with Hypermeter and Phrase Structure.
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- Music Theory Spectrum, 2006, v. 28, n. 1, p. 23, doi. 10.1525/mts.2006.28.1.23
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- Article
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A Little Prelude and the Scherzo That Almost Wasn't: Beethoven's “New Path” and the Early-Nineteenth-Century Bach Revival.
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- Journal of Musicological Research, 2013, v. 32, n. 2-3, p. 83, doi. 10.1080/01411896.2013.791800
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- Article
4
Stasis and Continuity in Schubert's String Quintet: Responses to Nathan Martin, Steven Vande Moortele, Scott Burnham and John Koslovsky.
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- Music Analysis, 2014, v. 33, n. 2, p. 194, doi. 10.1111/musa.12031
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- Article
5
Thomas Adès's 'Freaky, Funky Rave'.
- Published in:
- Music Analysis, 2014, v. 33, n. 1, p. 65, doi. 10.1111/musa.12020
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- Article
6
Timeless Reflections: Form, Cadence and Tonal Structure in the Scherzo and Finale of Schubert's String Quintet.
- Published in:
- Music Analysis, 2014, v. 33, n. 2, p. 168, doi. 10.1111/musa.12028
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- Publication type:
- Article