Works matching DE "SCHENKERIAN analysis"
Results: 58
AUXILIARY CADENCES AND THE BINARY RONDO.
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- Gamut: The Online Journal of the Music Theory Society of the Mid-Atlantic, 2013, v. 6, n. 2, p. 51
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- Article
DREI NEBENSONNEN: FORTE'S LINEAR-MOTIVIC ANALYSIS, KORNGOLD'S DIE TOTE STADT, AND SCHUBERT'S WINTERREISE AS VISIONS OF CLOSURE.
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- Gamut: The Online Journal of the Music Theory Society of the Mid-Atlantic, 2009, v. 2, n. 1, p. 1
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- Article
Analysis of analysis: Using machine learning to evaluate the importance of music parameters for Schenkerian analysis.
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- Journal of Mathematics & Music, 2016, v. 10, n. 2, p. 127, doi. 10.1080/17459737.2016.1209588
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A Thread of Recitative Ruffs: Schemas and Schenker's Analysis of "Erbarm es, Gott".
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- Music Theory Online, 2024, v. 30, n. 2, p. 1, doi. 10.30535/mto.30.2.1
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- Article
Emergent Modality: Minor-to-Major Progressions as "Tragic-to-Transcendent" Narratives in Brahms's Solo Songs.
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- Music Theory Online, 2021, v. 27, n. 3, p. 160, doi. 10.30535/mto.27.3.3
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Tonal Analysis: A Schenkerian Perspective (W.W. Norton, 2017).
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- 2018
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- Book Review
A Tale of Three Schenkers: Analysis, Piano Pedagogy, and Performance of the Chopin Berceuse op. 57.
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- Music Theory Online, 2017, v. 23, n. 3, p. 1, doi. 10.30535/mto.23.3.2
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The Art of Tonal Analysis: Twelve Lessons in Schenkerian Theory.
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- 2016
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- Book Review
The Art of Tonal Analysis:Twelve Lessons in Schenkerian Theory.
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- 2016
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- Book Review
Voice-Leading Transformation and Generative Theories of Tonal Structure.
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- Music Theory Online, 2015, v. 21, n. 4, p. 1, doi. 10.30535/mto.21.4.5
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- Article
Performing Expressive Closure in Structurally Open Contexts: Chopin's Prelude in A minor and the Last Two Dances of Schumann's Davidsbündlertänze.
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- Music Theory Online, 2014, v. 20, n. 4, p. 1, doi. 10.30535/mto.20.4.5
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Directional Tonality in Schumann's Early Works.
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- Music Theory Online, 2012, v. 18, n. 4, p. 1, doi. 10.30535/mto.18.4.7
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The Interruption-Fill and Corollary Procedures.
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- Music Theory Online, 2012, v. 18, n. 4, p. 1, doi. 10.30535/mto.18.4.3
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- Article
Schenker and the Tonal Jazz Repertory: A Response to Martin.
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- Music Theory Online, 2012, v. 18, n. 3, p. 1, doi. 10.30535/mto.18.3.7
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- Article
Applying Schenkerian Theory to Mainstream Jazz: A Justification for an Orthodox Approach.
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- Music Theory Online, 2012, v. 18, n. 3, p. 1, doi. 10.30535/mto.18.3.4
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Explorations in Schenkerian Analysis.
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- 2018
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- Book Review
Essays from the Third International Schenker Symposium. / Analysis of Tonal Music: A Schenkerian Approach (Second Edition).
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- 2008
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- Book Review
A Topical Guide to Schenkerian Literature: An Annotated Bibliography with Indices.
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- 2006
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- Book Review
Schenker and Bach's French Suite in E major.
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- Music Analysis, 2015, v. 34, n. 2, p. 155, doi. 10.1111/musa.12051
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Editor's Introduction.
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- 2015
- Publication type:
- Editorial
Schenker's Theory of Criticism, circa 1911.
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- Music Analysis, 2015, v. 34, n. 2, p. 200, doi. 10.1111/musa.12047
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- Article
Cadential Intervention in Shostakovich's Piano Trio in E minor, Op. 67.
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- Music Analysis, 2013, v. 32, n. 2, p. 210, doi. 10.1111/musa.12012
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- Article
R ethinking C onceptions of U nity: S chubert' s M oment musical in A♭ major, D. 780 (O p. 94) No. 2.
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- Music Analysis, 2011, v. 30, n. 1, p. 58, doi. 10.1111/j.1468-2249.2011.00310.x
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- Article
SchenkerGuide: A Brief Handbook and a Website for Schenkerian Analysis – By Tom Pankhurst.
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- 2009
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- Book Review
Performance, Grouping and Schenkerian Alternative Readings in Some Passages from Beethoven’s‘Lebewohl’ Sonata.
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- Music Analysis, 2008, v. 27, n. 1, p. 107, doi. 10.1111/j.1468-2249.2008.00269.x
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- Article
De-composition? Schenker (and his Corpus) Today.
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- Music Analysis, 2007, v. 26, n. 1/2, p. 217, doi. 10.1111/j.1468-2249.2007.00254.x
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- Article
‘A Nice Sub-Acid Feeling’: Schenker, Heidegger and Elgar's First Symphony.
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- Music Analysis, 2005, v. 24, n. 3, p. 349, doi. 10.1111/j.1468-2249.2006.00225.x
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- Article
INTERPRETING SCHENKERIAN PROLONGATION.
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- Music Analysis, 2003, v. 22, n. 1/2, p. 51, doi. 10.1111/j.0262-5245.2003.00176.x
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- Article
C. P. E. Bach, Schenker, Improvisation, and Composition.
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- Integral, 2010, n. 24, p. 3
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Explorations in Schenkerian Analysis.
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- 2018
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- Book Review
Explorations in Schenkerian Analysis.
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- 2017
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- Book Review
Analytical Practices in Western Music Theory: A Comparison and Mediation of Schenkerian and Post-Riemannian Traditions.
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- Danish Yearbook of Musicology, 2020, v. 44, p. 3
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- Article
Alternative Paths, Phrase Expansion, and the Music of Felix Mendelssohn.
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- Music Theory Spectrum, 2019, v. 41, n. 2, p. 187, doi. 10.1093/mts/mtz009
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- Article
The Art of Tonal Analysis: Twelve Lessons in Schenkerian Theory.
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- 2017
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- Book Review
The Problem of Completeness in Milton Babbitt's Music and Thought.
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- Music Theory Spectrum, 2016, v. 38, n. 2, p. 241, doi. 10.1093/mts/mtw012
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- Article
When Structure and Design Collide: The Three-Key Exposition Revisited.
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- Music Theory Spectrum, 2014, v. 36, n. 2, p. 247, doi. 10.1093/mts/mtu017
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Tonal Pairing and Monotonality in Instrumental Forms of Beethoven, Schubert, Schumann, and Brahms.
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- Music Theory Spectrum, 2013, v. 35, n. 1, p. 77, doi. 10.1525/mts.2013.35.1.77
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Composition, Perception, and Schenkerian Theory.
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- Music Theory Spectrum, 2011, v. 33, n. 2, p. 146, doi. 10.1525/mts.2011.33.2.146
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- Article
Debussy, Pentatonicism, and the Tonal Tradition.
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- Music Theory Spectrum, 2009, v. 31, n. 2, p. 225, doi. 10.1525/mts.2009.31.2.225
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- Article
Sectional Tonality and Sectional Centricity in Rock Music.
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- Music Theory Spectrum, 2009, v. 31, n. 1, p. 157, doi. 10.1525/mts.2009.31.1.157
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Bach's Inventions: Figuration, Register, Structure, and the "Clear Way to Develop Inventions Properly".
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- Music Theory Spectrum, 2009, v. 31, n. 1, p. 101
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- Article
The A♭-C-E Complex." The Origin and Function of Chromatic Major Third Collections in Nineteenth-Century Music.
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- Music Theory Spectrum, 2006, v. 28, n. 2, p. 167, doi. 10.1525/mts.2006.28.2.167
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A Theory of Motives for Prokofiev's Music.
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- Music Theory Spectrum, 2004, v. 26, n. 2, p. 265, doi. 10.1525/mts.2004.26.2.265
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- Article
INTEGRATION OF SCHENKERIAN ANALYSIS AND NEO-RIEMANNIAN TRANSFORMATIONS IN LISZT'S TRANSCENDENTAL ÉTUDE NO. 1.
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- Musicology & Cultural Science / Musikismc'odneoba da Kulturologia, 2019, v. 19, n. 1, p. 45
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Schenker's perspective on Sonata Form: First Movement of Mozart's Sonata for Piano and Violin KV 304.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2018, v. 11, p. 173
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- Article
A NEW ANALYTICAL APPROACH TO THE MUSICAL LANGUAGE OF RAVEL.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2014, v. 7, n. 2, p. 119
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- Article
ADAPTATIONS OF THE SCHENKERIAN ANALYSIS TO POST-TONAL MUSIC.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2013, v. 6, n. 2, p. 85
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- Article
THE ANDANTE MOVEMENT OF SONATA IN G HOBOKEN XVI: 8 BY JOSEPH HAYDN: CONTEXT, DEVICES AND EFFECTS.
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- Journal of the Haydn Society, 2010, v. 29, p. 33
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- Article
A stylistic analysis of Saul Bellow's Herzog: a mode of 'postmodern polyphony'.
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- Language & Literature, 2007, v. 16, n. 1, p. 20, doi. 10.1177/0963947007068655
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- Article
A SCHENKERIAN ANALYSIS OF RAVEL'S INTRODUCTION AND ALLEGRO FROM THE BONNY METHOD OF GUIDED IMAGERY AND MUSIC.
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- Qualitative Inquiries in Music Therapy, 2016, v. 11, p. 1
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- Article