How Horror Thwarted 'The Code'.
- Published in:
- 2015
- By:
- Publication type:
- Essay
Works matching DE "SCARFACE (Film : 1932)"
Results: 9
1
2
Postmodern Villainy in Richard III and Scarface.
- Published in:
- Journal of Popular Film & Television, 2000, v. 28, n. 2, p. 54, doi. 10.1080/01956050009602823
- By:
- Publication type:
- Article
3
"The Most Harsh and Frank Gangster Picture We Have Ever Had": Censoring Howard Hawks's Scarface<sup>1</sup>.
- Published in:
- Italian Culture (Taylor & Francis Ltd), 2020, v. 38, n. 1, p. 63, doi. 10.1080/01614622.2020.1751994
- By:
- Publication type:
- Article
4
Why Are They So Disturbing?: A Study of Classic American Gangster Movies.
- Published in:
- 2012
- By:
- Publication type:
- Film/TV Criticism and Review
5
'The Italian Color': Race, Crime Iconography and Dubbing Conventions in the Italian-language Versions of Scarface (1932).
- Published in:
- Other Modernities / Altre Modernita / Otras Modernidades / Autres Modernités, 2016, p. 107
- By:
- Publication type:
- Article
6
Hitchcock and Race: Is the Wrong Man a White Man?
- Published in:
- 2010
- By:
- Publication type:
- Essay
7
Hughes, Hawks, and Hays: The Monumental Censorship Battle Over Scarface (1932).
- Published in:
- Journal of American Culture, 2017, v. 40, n. 2, p. 134, doi. 10.1111/jacc.12710
- By:
- Publication type:
- Article
8
Family, Gang and Ethnicity in Italian-themed Hollywood Gangster Films.
- Published in:
- Film International (16516826), 2014, v. 12, n. 4, p. 25, doi. 10.1386/fiin.12.4.25_1
- By:
- Publication type:
- Article
9
The mixture of genres in two films by Howard Hawks.
- Published in:
- Film International (16516826), 2009, v. 7, n. 6, p. 24, doi. 10.1386/fiin.7.6.24
- By:
- Publication type:
- Article