The End of a World.
- Published in:
- Faux Titre, 2017, v. 417, p. 149, doi. 10.1163/9789004344167_010
- Publication type:
- Article
Works matching DE "SALONS (Exhibitions)"
Results: 18
1
2
Chapter 3: Baudelaire's Parisian Cityscape: Charles Meryon and Le Spleen de Paris.
- Published in:
- Faux Titre, 2012, v. 383, p. 111
- Publication type:
- Article
3
Chapter 2: Les Limites de l'imitation: Diderot and the Salons.
- Published in:
- Faux Titre, 2012, v. 383, p. 63
- Publication type:
- Article
4
Sociabilidad, arte y cultura. Una experiencia en la Argentina de entreguerras.
- Published in:
- História Unisinos, 2013, v. 17, n. 3, p. 248, doi. 10.4013/htu.2013.173.05
- By:
- Publication type:
- Article
5
Museo universalista y nacional. El lugar del arte argentino en las primeras décadas de vida institucional del Museo Nacional de Bellas Artes de Buenos Aires.
- Published in:
- Contracorriente: Una Revista de Estudios Latinoamericanos, 2013, v. 10, n. 3, p. 255
- By:
- Publication type:
- Article
6
Femspec Salons at OLOC and NWSA, 2015.
- Published in:
- Femspec, 2015, v. 15, n. 2, p. 162
- By:
- Publication type:
- Article
7
Spanish sculptors and the Paris 'Salon culture', 1880-1914: the case of Miguel Blay y Fábrega.
- Published in:
- Sculpture Journal, 2018, v. 27, n. 1, p. 47, doi. 10.3828/sj.2018.27.1.5
- By:
- Publication type:
- Article
8
Music and the Convergence of the Arts in Symbolist Salons: From the Salons de la Rose†Croix to the Salons d'Art Idéaliste.
- Published in:
- Nineteenth-Century Art Worldwide, 2019, v. 18, n. 2, p. 79, doi. 10.29411/ncaw.2019.18.2.5
- By:
- Publication type:
- Article
9
The individual's triumph: the eighteenth-century consolidation of authorship and art historiography.
- Published in:
- Journal of Art Historiography, 2017, v. 16, p. 1
- By:
- Publication type:
- Article
10
'Un Moyen Puissant de Vulgarisation Artistique'. Reproducing Salon Pictures in Parisian Illustrated Weekly Magazines c.1860-c.1895: From Wood Engraving to the Half Tone Screen (and Back).
- Published in:
- 2016
- By:
- Publication type:
- Essay
11
From Salon to Salons: Paris 1871-1914.
- Published in:
- 2015
- By:
- Publication type:
- Book Review
12
On Ruth Vollmer and Minimalism’s Marginalia.
- Published in:
- Art History, 2010, v. 33, n. 1, p. 150, doi. 10.1111/j.1467-8365.2009.00719.x
- By:
- Publication type:
- Article
13
Reframing the Biennale:2010.
- Published in:
- Ctrl+P Journal of Contemporary Art, 2009, n. 15, p. 11
- By:
- Publication type:
- Article
14
Photographic modernism on the margins: William Harding, The Camera and the Irish salons of photography, 1927 to 1939.
- Published in:
- Irish Studies Review, 2018, v. 26, n. 3, p. 361, doi. 10.1080/09670882.2018.1477476
- By:
- Publication type:
- Article
15
WRAPPED IN CELLOPHANE.
- Published in:
- Woman's Art Journal, 2011, v. 32, n. 2, p. 4
- By:
- Publication type:
- Article
16
The Boulevard and the Salon: Popular Theatre and Romanticism in 1824.
- Published in:
- Nineteenth Century Theatre & Film, 2013, v. 40, n. 1, p. 1, doi. 10.7227/NCTF.40.1.2
- By:
- Publication type:
- Article
17
Salons 4: Sustainabilities.
- Published in:
- Journal of American Folklore, 2024, v. 137, n. 543, p. 120, doi. 10.5406/15351882.137.543.11
- By:
- Publication type:
- Article
18
Salons 5: Anticipatory Heritage.
- Published in:
- Journal of American Folklore, 2024, v. 137, n. 543, p. 128, doi. 10.5406/15351882.137.543.12
- By:
- Publication type:
- Article