Villain or Victim: Transforming Salome through Adaptation.Published in:Interdisciplinary Humanities, 2014, v. 31, n. 3, p. 18By:Riter, AmandaPublication type:Article
SALOME AND JESUS AT TABEL IN THE GOSPEL OF THOMAS.Published in:Semeia, 1999, n. 86, p. 85By:Corley, Kathleen E.Publication type:Article
OSCAR WILDE'S SALOME: DÉCOR, DES CORPS, DESIRE.Published in:2010By:BENNETT, CHADPublication type:Literary Criticism
Dangerous Women: Observations on the Feast of Herod in Florentine Art of the Early Renaissance.Published in:Renaissance Quarterly, 2013, v. 66, n. 4, p. 1153, doi. 10.1086/675090By:Long, Jane C.Publication type:Article
DIVINE SALOMÉ: Wild yet chaste, impudent and ageless, Sarah Bernhardt was inescapably Oscar Wilde's Salomé, 'the most splendid creation'.Published in:History Today, 2017, v. 67, n. 7, p. 66By:Fitzsimons, EleanorPublication type:Article