Works matching DE "RUBATO"
Results: 18
Tempo rubato.
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- Organists' Review, 2020, v. 107, n. 2, p. 80
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Analytical Coherence and Performance Regulation.
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- Journal of New Music Research, 2002, v. 31, n. 3, p. 238, doi. 10.1076/jnmr.31.3.239.14181
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A Study of Music Students’ Tempo Changes of a Soloist’s Performance of Mozart’s 1st Horn Concerto.
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- Journal of Research in Music Education, 2012, v. 60, n. 2, p. 217, doi. 10.1177/0022429412445486
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Mind the Gap: The Tempo Rubato of Dwelling in Lineups.
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- Mobilities, 2011, v. 6, n. 2, p. 273, doi. 10.1080/17450101.2011.552904
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Instrumental Rubato and Phrase Structure in Astor Piazzolla's Music.
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- Latin American Music Review / Revista de Música Latinoamericana, 2002, v. 23, n. 1, p. 106, doi. 10.1353/lat.2002.0006
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Expressive timing and dynamics in infant-directed and non-infant-directed singing.
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- Psychomusicology: Music, Mind & Brain, 2011, v. 21, n. 1/2, p. 45, doi. 10.1037/h0094003
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Tempo Rubato : Animacy Speeds Up Time in the Brain.
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- PLoS ONE, 2010, v. 5, n. 12, p. 1, doi. 10.1371/journal.pone.0015638
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Rhythmic Density Affects Listeners' Emotional Response to Microtiming.
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- Frontiers in Psychology, 2017, p. 1, doi. 10.3389/fpsyg.2017.01709
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ASPECTS OF THE WRITING IN LIVIU COMES' WORK MĂGURI II.
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- Studia Universitatis Babes-Bolyai, Musica, 2011, v. 56, n. 2, p. 153
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Berio's Sequenza IV: Approaches to performance and interpretation.
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- Contemporary Music Review, 2007, v. 26, n. 2, p. 189, doi. 10.1080/07494460701295341
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When Not to Be Musical.
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- American Music Teacher, 2025, v. 74, n. 4, p. 28
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Remembering Alicia de Larrocha.
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- American Music Teacher, 2015, v. 65, n. 1, p. 22
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This & That.
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- American Music Teacher, 2014, v. 64, n. 2, p. 40
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Demystifying Chopin's Rubato.
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- American Music Teacher, 2013, v. 62, n. 6, p. 27
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Effect of Rubato Magnitude on the Perception of Musicianship in Musical Performance.
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- Journal of Research in Music Education, 2003, v. 51, n. 2, p. 115, doi. 10.2307/3345845
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On the relationship between tempo and quantitative metric, melodic, and harmonic information in Chopin's Prélude Op. 28 No. 4: a statistical analysis of 30 performances.
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- Journal of Mathematics & Music, 2014, v. 8, n. 3, p. 225, doi. 10.1080/17459737.2014.930192
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Music, perceived arousal, and intensity: Psychophysiological reactions to Chopin's ' Tristesse'.
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- Psychophysiology, 2013, v. 50, n. 9, p. 909, doi. 10.1111/psyp.12071
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Playing Flute in Non-Classical Environments.
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- Flutist Quarterly, 2006, v. 31, n. 2, p. 40
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- Article