Reshaping History: The Pan Asian View on Merdekai.
- Published in:
- Critical Asian Studies, 2001, v. 33, n. 3, p. 473, doi. 10.1080/146727101750464050
- By:
- Publication type:
- Article
Works matching DE "REVOLUTIONS in motion pictures"
Results: 28
1
2
The New Korean Cinema, Kwangju and the Art of Political Violence.
- Published in:
- 2010
- By:
- Publication type:
- Essay
3
Embodied histories. Harun Farocki and Andrei Ujică's Videograms of a Revolution and Ovidiu Bose Paştina'sTimişoara—December 1989 and the uses of the independent camera.
- Published in:
- 2013
- By:
- Publication type:
- Film/TV Criticism and Review
4
Interview with Peter Whitehead.
- Published in:
- 2011
- Publication type:
- Interview
5
“Forward Dreaming” in Cuban Film: The Work of Tomás Gutiérrez Alea.
- Published in:
- Socialism & Democracy, 2013, v. 27, n. 2, p. 65, doi. 10.1080/08854300.2012.754212
- By:
- Publication type:
- Article
6
Raiding the Archive: Documentary Appropriations of Mexican Revolution Footage.
- Published in:
- Quarterly Review of Film & Video, 2011, v. 28, n. 4, p. 275, doi. 10.1080/10509200802641192
- By:
- Publication type:
- Article
7
Class-Crossed Lovers: Popular Film and Social Change in Nasser's New Egypt.
- Published in:
- Quarterly Review of Film & Video, 2001, v. 18, n. 4, p. 385, doi. 10.1080/10509200109361538
- By:
- Publication type:
- Article
8
Battleship Potemkin and Beyond.
- Published in:
- Dissent (0012-3846), 2011, v. 58, n. 3, p. 91
- By:
- Publication type:
- Article
9
From Oppressed to Oppressors: "The Battle of Algiers" took a pitiless look at the war for Algerian independence, but the filmmakers could not foresee the failures that would result.
- Published in:
- 2008
- By:
- Publication type:
- Film/TV Criticism and Review
10
¡VIVA VILLA! CÓMO HOLLYWOOD SE APODERÓ DE UN HÉROE Y EL MUNDO SE LO QUITÓ.
- Published in:
- Historia Mexicana, 2013, v. 62, n. 4, p. 1497
- By:
- Publication type:
- Article
11
Sergei Eisenstein and the Haitian Revolution: ‘The Confrontation Between Black and White Explodes Into Red’.
- Published in:
- History Workshop Journal, 2014, v. 78, n. 1, p. 157, doi. 10.1093/hwj/dbu011
- By:
- Publication type:
- Article
12
The Bomb in (and the Right to) the City: Batman, Argo, and Hollywood's Revolutionary Crowds.
- Published in:
- 2013
- By:
- Publication type:
- Film/TV Criticism and Review
13
Die nie überwundenen Barrikaden.
- Published in:
- 2012
- By:
- Publication type:
- Film/TV Criticism and Review
14
The Makings of a Contradictory Franchise: Revolutionary Melodrama and Cynicism in The Hunger Games.
- Published in:
- 2018
- By:
- Publication type:
- Film/TV Criticism and Review
15
Truths, lies and telling silences in Gutiérrez Alea's The Last Supper and Pontecorvo's Burn!
- Published in:
- Studies in Spanish & Latin American Cinemas, 2013, v. 10, n. 1, p. 59, doi. 10.1386/slac.10.1.59_1
- By:
- Publication type:
- Article
16
CONTESTANDO UNA REVOLUCIÓN: LA REVOLUCIÓN CONGELADA BE RAYMUNDO GLEYZER.
- Published in:
- Revista de Critica Literaria Latinoamericana, 2011, v. 37, n. 73, p. 173
- By:
- Publication type:
- Article
17
I AM CUBA AND THE SPACE OF REVOLUTION.
- Published in:
- 2014
- By:
- Publication type:
- Film/TV Criticism and Review
18
A farrago of nonsense? The French Revolution in the cinema.
- Published in:
- 1989
- By:
- Publication type:
- Arts/Entertainment Review
19
Algeria Revisited: Opposing Commanders as Warring Doubles in The Battle of Algiers.
- Published in:
- Journal of Film & Video, 2006, v. 58, n. 3, p. 33
- By:
- Publication type:
- Article
20
Either Triumph or Martyrdom: representation of women in the Algerian Revolutionary-War Movies, the case of The Battle of Algiers.
- Published in:
- Africana Studia, 2016, v. 26, n. 1, p. 29
- By:
- Publication type:
- Article
21
Ruy Guerra's Mueda, Memória e Massacre: The missing images.
- Published in:
- Journal of African Cinemas, 2018, v. 10, n. 3, p. 205, doi. 10.1386/jac.10.3.205_1
- By:
- Publication type:
- Article
22
Filmic transposition of revolt and revolution in Nigeria: success or failure of protest in Arase's In my Country and Somewhere in Africa.
- Published in:
- Popular Communication, 2023, v. 21, n. 2, p. 71, doi. 10.1080/15405702.2023.2214541
- By:
- Publication type:
- Article
23
Editorial Issue 57.
- Published in:
- 2012
- By:
- Publication type:
- Editorial
24
Gods and Nobodies: the extra, the October Jubilee, and Josef von Sternberg's The Last Command.
- Published in:
- 2011
- By:
- Publication type:
- Film/TV Criticism and Review
25
Revolution, ideology and the eye of cinema: El cometa as mise en abyme.
- Published in:
- Studies in Hispanic Cinemas, 2012, v. 8, n. 1, p. 37, doi. 10.1386/shci.8.1.37_1
- By:
- Publication type:
- Article
26
Cinema, Empire and Transition.
- Published in:
- Modernist Cultures, 2010, v. 5, n. 1, p. 65, doi. 10.3366/mod.2010.0006
- By:
- Publication type:
- Article
27
Edouard de Laurot: Engagement as Prolepsis.
- Published in:
- Third Text, 2011, v. 25, n. 1, p. 55, doi. 10.1080/09528822.2011.545614
- By:
- Publication type:
- Article
28
National Allegories and the Emergence of Female Voice in Moufida Tlatli's Les silences du palais.
- Published in:
- Third Text, 2000, n. 50, p. 33, doi. 10.1080/09528820008576835
- By:
- Publication type:
- Article